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Driftwood ClusterX series 2:│moon│ЅріzZ│nebula│drewnet│Slipstream │Redshift
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  • What time is it in England, haha?

    Meanwhile, a recent spot on Moon5 for a local candidate for Mayor. She's a former television personality trying to raise awareness about the holes in this three party system, etc. Mostly I try and stay out of politics but I thought it'd be interesting to tackle:

  • This is a not quite finished version of my first ever music video shot with Moon 3 (or maybe it is Blue Moon) The rapper is my little brother aka Rad Nasty. We filmed this over his 2 week visit to Japan which just ended last week. It was shot entirely using a Nokton 17.5mm lens. Day shots were shot using very high film speeds (often 1/4000) which created flicker at times ( a trade off for the look I was going for) Night shots were 1/100th film speed with ISO around 1600 to 2500. It is ungraded, and the only effect is speed ups and slow downs.Thoughts ,comments and criticism as always are welcome, keeping in mind I do plan on cleaning up the out of sinc lip bits, as well as replacing some of the footage. Driftwood, I am really loving Moon. Better than CM night and equal if not better for day shots than all predecessors.

  • @dado023 Yes it was perfectly stable for me. I shot with 'Slipstream 1b' for about 2 weeks. Did a couple of hour long recording tests with the San Disk 32MB 30Mb/s Class 10 card. All files spanned, no crashes or freezes.

    I'm fairly new at the hacked GH2 community (about six months) but from my tests and patches tried - Slipstream 1b for me was like running the stock firmware...with only one exception. When shooting 1080p 24H you're shooting at almost triple the bitrate (72Mb/s). Highest stock firmware setting is 24Mb/s. Honestly if I wasn't using the camera for broadcast productions Slipstream 1b would stay on the camera permanently and I'd be thrilled.

    Revisit page one and read up on the specifics and cautions if any. I can't remember all the details but It's one hell of a patch. (Note: It's "Slipstream 1b". There's 3 differnet Slipstream patches so I can't comment on the specifics of the 2nd and 3rd Slipstream patch from personal testing. That said, I feel safe saying that to try a regular 30Mb/s class 10 card with the other two Slipstreams would be really pushing it if not impossible.)

  • @maddog15 from your experience, is it stable for longer recordings?

  • @dado023. Try Slipstream 1b. Youll get nearly 3x the bitrate vs the highest stock firmware setting. Works flawlessly with my 32GB 30Mb/s cards.

  • @botha, come again? Are there details about the Bowie thing anywhere?

  • "...moon T6 later tonight."

    oooohhhh... can't wait for the worlds best setting!

    (moon t5 - hacked GH2 was used in last David Bowie video productions, is this is true)

  • moon T6... anything for us poor fellas with average class 10 cards? :\

  • @maddog15 Oh boy! Can't wait!

  • @benzopilas

    yea it is there, but maybe it would be best to do it in Davinci

  • @x_worpig_x

    "I absolutely love the Moon hack & GH2."

    Did you see the post here from Driftwood today at around 2:20? Scroll up and check it out...you'll be delighted.

  • Some of you might find this useful when it comes to GH2's dynamic range:

    Just in case you haven't seen it ;)

  • @maddog15 Hey thanks a lot for the kind words! I was working along side a CBC award winning journalist. He knows quite a bit about sound editing and interviewing. He definitely helped us out with the whole process and flow of video editing and sound editing.

    I absolutely love the Moon hack & GH2.

  • @x_worpig_x Nice work. Very nice. Moon really works well for this style and feel. Nice choice in music bed. Emotional...complements the video instead of complicating it. Also nice sound work with the interviews and VOs. Baffles me still to this day that "videographers" seem to often regard sound as an afterthought.

  • Shot a promotional video for my local Airport with Moon T5. Some of the shots are stock footage. 95% are GH2. Thank you @driftwood

  • @driftwood

    I just left work...on my way home...battery charging.... SD card formatted... the countdown has begun...let the games begin! Haven't looked forward to something like this since I bought my GH2. Hats off to you Mr. Driftwood.

  • Hopefully moon T6 later tonight...

  • Be careful not to compare uncompressed vs. compressed either. The GH2 has about 9.5 stops (measured with Xyla 21).

  • @maya You're comparing two full frame cameras against a cropped sensor. Some of it has to do with the inherent size difference, but also, the sensors themselves. Consider the price for a 5Dmk3 or a D800 vs a GH2/3..I'd expect a compromise somewhere..

  • @producer u r rite. but, improved Dynamic Range and Bitrate will sure help i believe.what is the actual Dynamic Range of Gh2. i heard its around 8 - 9 is it true?? 5D Mk III claims a 11.5 Nikon D800 has 13Fstop why Pany is so slow, Gh3 again has a same Dr range??

  • Clip from my feature 'Cuffed' using the Moon Hack, the lens for these shot area 28mm AIS f/2.8 and the close up is the legendary 85mm AIS f/2

    (The Color Correction isn't great just wanted to throw something out there for you guys)

    Thank to Nick and everyone from personal view you guys are great!

  • Filmed using Cluster X Drewnet Trial 8 and Panasonic 14mm f2.5. It's been butchered by Vimeo by comparison, but the details in the original mts files are incredible, and when I shot similar test footage with an earlier trial the camera repeatedly crashed. No such problems this time on the 45mbps card.

  • Here is my 2nd GH2 video shot with Moon T5 and Drewnet T8.

  • @producer You might be happier with IV2 - see how it works for you. I haven't encountered the issue with Moon 5 yet (or any recent patch from @Driftwood, @LPowell or @bkmwcd, et all) but I haven't looked for it either. It did not show up in the "EX24H Painting Detail" tests I have done, however. Did you carefully control all variables and shoot a reference clip with different settings to ensure that the results you experienced were in fact caused by the settings?

    Also, I don't think anyone is saying that it wouldn't be great if the color profiles/film modes were hacked. If it happened, I bet everyone would be enthusiastic. Some people simply think that it's more likely than others and the conversation often reflects that.

    @vicharris Remember, Moon 5 is designed to scale well up to extreme detail settings while IV1 and IV2 were designed to maximize detail in lower scenes (eventually running out of bitrate in higher detail ones). Also, keep in mind that IV1 may somtimes record as much as 20mpbs more than IV2 in low detail scenes. If you mainly want to max out detail in low detail scenes, one of those might make more sense.

    Personally, I've found Moon 5's detail-scaling to be quite effective in the scenes I've been shooting and has led to being able to use slower cards on low-detail shots. Also, keep in mind that the performance at low-bitrates for Moon 5 completely outclasses what you would get with older low-bitrate intra settings (like SMBU v1) when they approach the same bitrate. If you want to smile, do a head-to-head comparison. :)

  • @GravitateMediaGroup That would be great. I just use the custom guidelines. The horizontal one is roughly at the top of a Cinemascope frame, the vertical one is roughly the right edge of Academy ratio. Sort of helpful, but not really. It's nice for making sure my horizons are straight..

    @benzopilas Yeah, it's pretty cool they're getting RAW video, but for me, and I think a majority of people, RAW isn't practical; nor is a FF DSLR. Between price point, and then the workflow (not to mention computer hardware required) to work with the DNG files, it's a bit more than I'd like to deal with. Also, I'm not going to ditch all of my m4/3 stuff just for RAW video, I'd rather go with a BMCC. I think if you already have a 5Dmk3, you've hit the jackpot.

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