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ColorGHear TOOLKIT- color grading SYSTEM for AE
  • 1015 Replies sorted by
  • @shian,

    Finally got some time to start watching film school tuts. Just want to say...great information! Keep it up (your time permitting) and thanks so much. Your knowledge and the content of the tutorials far exceed the asking price. I will do what I can and implore everyone to spread the word.

    High five to the main man Shian!

  • @stonebat yeah it's a perfect example of getting that highlight without really affecting the contrast like I discussed in the tutorial.

  • There go sparkling eyes and teeth. Nice.

  • Not the highest quality. Still waiting for my copy of the episode in ProRes to add to my reel, but a still frame from the youtube promo video for "Femme Fatales: Season 2". From the episode I DP'ed called "Hell Hath No Furies" which will be a very Rodriguez-esque, 80's grindhouse style episode... ya know; hot women in overtly sexy outfits guns a blazin' -- complete with Emulsion scratches, mistimes, audio warping, grain, 70's style lens zooms, and freeze frames, and the most awesome end credit sequence ever....an homage to all the 80's P.I. and cop shows we grew up with. It's a fun episode.

    image

    HHNFuries.png
    2557 x 1410 - 5M
  • @shian

    I'm wondering wether you could have any use for PS functions while working on PP ghear settings.. I haven't tried it myself but apparently you can use all the filters from PS in PP. It takes some time to render.

    Other than that, PP effects are quite slimmed down and it feels like a lot of things are missing for me, personally. I basically only use RGB curves and 3-way color corrector and occasionally the lighting effect.

  • @shian Don't worry about it. Just have to ask. In any case, sooner or later there won't be such a thing as being offline. And yes man, you gotta figure out a way to marketing the shit out of this, because you have something really special going on there. I mean, it's a winning product; the only step left is that the rest of the world becomes aware of that. Social media can go a long way, but you just have to know how to use it properly. As of today, I’m completely clueless, but maybe someone around here can help you.

  • @shian What won me instantly was this:

    but I'm probably not your target audience, I'm just trying to grade some home videos and make them look more appellative (is this an English word?).

  • @Shian keep doing what you're doing. I'll get in on the action as soon as I can, but college truly does rape your bank account. I'm in that terrible position where my family makes enough money that I don't get financial aid, but pigs will fly before there's a chance of us being able to afford paying. I'm in the hole, man. But as soon as I'm out, I'm grabbing a lighting kit, Adobe suite and going to town. My one chance to learn any of this stuff was this previous semester in LA, which turned out to be "here, you're on audio. hold this boom pole and shut up".

    I'm a custom major art student because the media communications major is an excuse for students to sit around and do nothing, and a way for the university to get camera operators for the football games. At least I'm learning the aesthetic stuff really well, but as far as technical goes, I'm on my own.

    Special thanks to P-View and @Vitaliy_Kiselev especially for providing a no-nonsense community in which explorations of all things awesome may take place positively and collectively.

  • @atticusd this is something I get asked a lot. The tutorials are the most valuable part of ColorGhear, and right now I can't afford any effective DRM to protect that content, besides the one currently in place. The moment...the very second that I can, I will. I understand your position, and am always exploring options to eventually make that possible...including an iOS app, android, and other options. But until CGT hits critical mass and is as well known as MBL and Colorista, I won't have the firepower.

    The quicker the general filmmaking public catches on to just what an unbelievable bargain CGT and CGFS are, the quicker I can make that happen. But as of right now, we're the best kept secret in filmmaking. Not through a lack of trying to make it NOT a secret.

    I suppose at some point I'll have to actually shoot web commercials for both. I hate having to pitch my wares, but I guess there's no other way to get the message across.

  • @shain I have had CS sitting on my hard drives gathering dust all the way from CS3 to CS5. I made the jump to AE and PP just because of Color GHears and believe me, trying to learn the three at once is no fun,,,so I feel your pain, but am honored to be in such distinguished company.

  • @shian Thanks again for your amazing work. The tutorials alone are such a bargain at the price... ...that's almost ridiculous. Any plans to make the tutorials and the film school videos available to download. I find myself offline from time to time and it would be really useful to have the videos on the hard drive.

  • @pvjames yes, thank you! I was using shift not cmd. Okay. That makes things a little easier.

    Now I wish PP had the same effects so I didn't have to spend so much time trying to figure out how to duplicate the AFX Ghears...Hell, at this point. I'd be happy if everyone could just simply import the AFX Ghears. It'll probably take me another month or so to get the PP version working.

  • @Shian: i'm still on CS5.5 but i can't imagine it is different on CS6.

    1) Load a few effects on a clip.

    2) Select each effect in the effects control with (Commandkey)

    3) Hit (Ctrlkey) over the selected effects and 'Save Preset'

    4) Name Preset

    5) Delete all effects in Effects Control tab.

    6) Goto Preset Folder in Effects Tab.

    7) Drag Custom Preset onto Clip.

    Done. Is that what you wanted?

  • OK. I have been away from using PP for about 6 years now, so I'm practically a newb getting back into it. And so I have a question for all of you PP users. I can't seem to save multiple effects together in one preset, which means I have to do it in multiple individual presets which makes ColorGHear infinitely more complicated to use in PP, yet anything I grade in AE, comes back from the round trip into PP looking just like it did in AE, so how the fuck is PP employing the layered GHears??

    AM I missing something, cuz I can't even dig into the comp in PP to see how it is accomplishing this.

    I'm using CS6 across the board.

  • @shian

    "Teach me these things without raping my bank account."

    That's exactly it. You probably have an idea how expencive is to study on private film school. That's a extreme bank account raping. Now I feel I'll learn new, advanced stuff from your film school because you are doing it right and because you are actually doing it. School teaches me history of film, that's of course ok, but no one will ever tell me (well.. us) there what contrast means, how it affects image.. That's a bad film school.. I'm the only one that complain about this... nobody cares.

  • @shian It's becoming fun to catch up good stuffs from your site. Gotta clean up my basement... and start lighting and testing.

    I posted about where to get the lighting meter and the gray cards cheap. http://www.personal-view.com/talks/discussion/2840/affordable-and-effective-light-meter#Item_31

  • Also, those that get in on CGT and CGFS before July 1st will be very glad they did. I did say that things would change after the first 6 months, did I not?

    As of July 1st, 2012 CGT will only be available under a subscription plan. $50 will get you CGT and access to all Grading and Filmschool tutorials for one year. If you choose not to renew, you can keep the GHears, but will lose access to the tutorials, and oh, the tutorials I have yet to show you. (Yes, a mild Hellraiser reference)

    All of you who currently have CGT or buy it before July 1st, 2012 will be grandfathered in (no annual subscription rate for the current "CGT for AFX" version....ever. I did say early adopters would be rewarded, did I not?)

    Subscription plans for other platforms will vary. Those currently in development are Davinci Resolve and Premiere Pro. And while CGT won't really work in FCP X there will be tutorials for getting the most out of the grading tools in FCP X, as well as creation and integration of SpeedGrade LUTs into AFX. '

    Also, as I promised, all CGT Members will get discounted prices on versions for other platforms.

  • @IndianaPete you just put an "@" in front of their username

    @MarkV I saw your twitter post about how much you loved CGFS, and was confused about how that could be a bummer, but now I get it. I didn't consider that there might be people in Film School who were also learning from me... I'll steal this line from a response I gave to someone in a PM to explain.--

    "I'm doing for you guys what no one would do for me, which is teach me these things without raping my bank account. (film school, and overpriced plug-ins and overpriced online courses) I never paid for those things, I learned on my own, and I see so many filmmakers out there who, if they just knew a fraction of what I know, could tell better stories, and I think that's important."

    @MikeC PP version is coming... just don't hold your breath. I'm buried in other things. But definitely this summer.

  • Mike_C

    I pretty new at this stuff, but have you tried Dynamic Linking your clip to AE from PP, apply CGT and see the results immediately in PP. It's a little confusing at first, but with a little trial and error, it starts to make sense.

    BTW, how do you respond to someone and have their name be a link?

  • @MarkV Thanks man, that is great news. I'm a GhearHead myself and love this technique. However the process of exporting to AE and back to PPro CS5.5 is somewhat intimidating. I agree with you about the tutorials: they are really priceless and Shian is a great teacher! I'm really learning a lot.

  • @Mike_C I think Premiere Pro is way closer to the AfterFX. (CS6 now supports layers I think! - FINALLY!) Not 100% sure, but I think shian wrote some time ago that the Premiere version is in testing. Vegas Pro is totally different thing.

    btw. I´m going over the Film School and its way beyond amazing. ColorGHear Film School is way better at explaining the theoretical stuff (I´m looking forward to the advanced topics) than actual film school. Bummer. Well, not much of a surprise. But sad in its own way. The fact that we had to shoot many practical school projects, without even going over (nobody ever told this to us after 3 years!) the contrast, exposure etc. - all the theoretical stuff, 3 point lighting.. that´s a total shame. I knew all of this before I even tried to sign up for this film school - just because these are the must-know basic things for every filmmaker. I´m really sad for all the other people in my class that they never heard of 3-point lighting, dynamic range, contrast in film. Yet, they still shoot the school projects. Wrong. No one gives a shit about it. I feel I´m making more mistakes now, because of other people not knowing this stuff and when I have to work with them in a film crew, imagine how freaking hard is to explain all this to them while trying to focus on the actual work you have to do there.

    I can´t blame the professors and teachers for everything. Well, a little bit, but the other students could try to do something for it on their own. Google what dynamic range means or whatever. The possibilities today are huge. They feel that they can make a good looking images right now by just taking Canon 7D. No, they can not. They don´t listen. Professors don´t give a shit about lighting. But they will definitely finds out eventually.

    Shian thanks for your work! You are totally awesome guy that knows a lot and try to share the knowledge with others. Priceless. I´d love to meet you one day. It would be an honor. I´m flying over to LA every summer for a work, there should be like a ColorGHear meetup. hehe. I´m trying to spread the word about this project as much as I can. Watching the basic tutorials is perfect way to refresh and sort all the things in my head after some time. Looking forward to the next ones!

  • @shain Pete - did I not cover enough in Tutorial #5?

    It's not that you don't cover it shain, it's so easy for you I always feel like I'm doing something different when I start tripping over my thumbs.

  • I too was hoping to see CGT in my NLE (PPro). But I bet the reply will be the same (sigh) ...

  • @fatpig I wouldn't say "never"...but not any time soon. Not likely within the next year. And definitely not in the same powerful form as it is now. It would be more like CGT lite.

  • so no way this will ever be ported to sony vegas? ;)

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