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- The Nikon Z9 is going to the moon with the upcoming Artemis III mission
Nikonrumors (Thursday, 29 February, 2024) - In addition to the ISS, the flagship Nikon Z9 camera is also going to the moon with the upcoming Artemis III mission – previously reported here: It seems that the Nikon Z9 camera is going to the moon Additional information: MIRRORLESS GOES TO THE MOON: NIKON... - Turn Your iPhone into a Realtime Video Tracker for Cinema Cameras with Lightcraft Jetset
CineD (Wednesday, 28 February, 2024) - Lightcraft Technology has released the Jetset Cinema app for iOS. By connecting an iPhone to Accsoon’s SeeMo Pro SDI adapter for iOS and Accsoon’s new CineView HE wireless camera video transmitters, users can convert any camera into a virtual production system. Let’s see how it works! Lightcraft Technology is a... - Nanlink APP 2.0– revamped UI & Light Plot
News Shooter (Monday, 26 February, 2024) - Nanlite has announced Nanlink APP 2.0, which features a completely revamped user interface with better visual representations, and the addition of a controllable light plot. These enhancements are the direct result of collating user feedback. The new visually driven user interface features a variety of easy-to-understand icons. These icons assist... - Freshly-Added ASC Clubhouse Conversations on MZed – from Oscar Nominees to Сinephile Favorites CineD (Friday, 23 February, 2024) - In the middle of the award season, everything seems to be revolving around the magic of moviemaking. Long-awaited premieres finally come to the theaters, actors shine on red carpets, and industry professionals generously share insights from their latest films. In this spirit, we have added a bunch of fresh ASC...
- Gigantic IMAGO Camera Shoots Full-Body Self-Portraits of Cinematographers – “I OF THE LENS” Exhibit in Berlin CineD (Thursday, 22 February, 2024) - As professional cinematographers, we are bound to know the tools that craft light into an image. Cameras have always utilized the pinnacle of available technology to harness mechanical and optical advances to forge better imagery. Contemporary cameras are meticulously made with great precision to provide us with a remarkable variety...
- SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art and 500mm F5.6 DG DN OS | Sports Prime Lenses Announced CineD (Wednesday, 21 February, 2024) - SIGMA announces two new lenses, stretching their evergrowing range of high-end primes. The duo occupies both ends of the spectrum with the SIGMA 500mm F5.6 DG DN OS | Sports at the tele end, and the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, the world’s first f/1.4 180°...
- SIGMA 15mm F1.4 Fisheye and 500mm F5.6 Tele Prime Announced CineD (Wednesday, 21 February, 2024) - SIGMA announces two new lenses, stretching its evergrowing range of high-end primes. The duo occupies both ends of the spectrum, with the SIGMA 500mm F5.6 DG DN OS Sports at the tele end, and the world’s first f/1.4 180° fisheye lens, the SIGMA 15mm F1.4 DG Art. Being DG DN...
- FUJIFILM X100VI Camera Announced – IBIS, Internal ND, 6.2K, 4K 60P, 10-bit Capture CineD (Tuesday, 20 February, 2024) - FUJIFILM X100 VI has been announced, bringing the company’s 5th Gen technologies into the venerable X100 design. The new X100VI utilizes the company’s high-res 40-megapixel sensor and the X-Processor 5. This brings its performance up to par with the X-T5, incorporating the latest autofocus algorithms, video, and image quality. Features...
- FUJIFILM X100VI Camera Announced – 5th Gen tech, 6.2K, 4K 60P, 10-bit capture, and More CineD (Tuesday, 20 February, 2024) - FUJIFILM X100 VI has been announced, bringing the company’s 5th Gen technologies into the venerable X100 design. The new X100VI utilizes the company’s high-res 40-megapixel sensor and the X-Processor 5. This brings its performance up to par with the X-T5, incorporating the latest autofocus algorithms, video, and image quality. Features...
- Weekly Nikon news flash #768 Nikonrumors (Monday, 19 February, 2024) - → New versions of the Excire photo management software launched (additional information): Excire Foto 2024 AI-powered image organizer: you can instantly retrieve photos via free-text inputs Excire Search 2024 AI-powered image-management plugin for Adobe Lightroom Classic catalog search → For the 2nd anniversary there is a new 20% off coupon...
- OpenAI Launches Sora – AI Video Generator Capable of Shocking Realism CineD (Friday, 16 February, 2024) - The generative AI tech race is still on and running at full tilt. In the past months, both startups and established players appear to have directed their attention towards video generators, as the announcements in this field continue to pour in. Yesterday, the maker of ChatGPT also officially joined the...
- SORA: Destroyer of worlds, generator of worlds
EOSHD.com blog (Friday, 16 February, 2024) - Above: Watch Dave Altizer’s introduction to Sora. EOSHD’s Andrew Reid takes a look at OpenAI’s powerful new generative AI video tool, Sora. This is big news, a big shock really. The announcement today of Sora by OpenAI raises a lot of questions, but also raises the bar for generative... - SORA: Destroyer of worlds, also world generator EOSHD.com blog (Friday, 16 February, 2024) - Above: Watch Dave Altizer’s introduction to Sora. EOSHD’s Andrew Reid takes a look at OpenAI’s powerful new generative AI video tool, Sora. This is big news, a big shock really. The announcement today of Sora by OpenAI raises a lot of questions, but also raises the bar for generative...
- Rehearsing with Actors – Tips and Exercises That Smart Directors Use CineD (Friday, 9 February, 2024) - Let’s get it straight: I’m a huge fan of rehearsals. Whether you make feature films, music videos, or even commercials, as long as you work with real people – you will need them. Rehearsals aren’t just fun and games, they are a great place for troubleshooting. If the scene doesn’t...
- FUJIFILM GFX100 II Lab Test – Rolling Shutter, Dynamic Range, and Latitude CineD (Monday, 5 February, 2024) - Finally, we were able to test the first proper video-capable, medium-format camera in our lab, the FUJIFILM GFX100 II. Using the new F-Log2 image profile and robust internal codecs (4:2:2 10bit ProRes HQ), in theory, all the preconditions should be met for fantastic results. Or not? Curious to hear how...
