Sam Mendes’ latest feature film “1917” shot by DP Roger Deakins recently won 3 Oscars including best sound editing, visual effects, and cinematography. In this in-depth video, Deakins talks about his relationship with ARRI equipment and how they made this film possible. Let’s take a closer look at it! Roger Deakins – Oscar-Winning DP In total, all over his career, Deakins has been nominated over 15 times for an Oscar but never got the chance to took one home. It took Roger Deakins decades of hard work, dedication, and patience to win his first Academy Award for “Blade Runner 2049” in 2018. Image credit: Oscars This year, the 70-year-old director of photography won another Oscar for Best Cinematography for his incredible work on “1917”. Roger Deakins and ARRI If you have not already seen it yet, you can take a look at the “Inside The Look of 1917″ article I wrote last month. In this article, we talked about most of the technical achievements Deakins and his team achieved on Sam Mendes’ two-hours long masterpiece. Roger Deakins and the ARRI Alexa Mini LF they used to shoot “1917”. Image credit: ARRI If you want to learn a little more about it, ARRI recently released the video interview above. Indeed, the discussion is about Deakin’s use of ARRI products, including shooting with the ARRI Alexa Mini LF, ARRI Signature primes, and the ARRI Trinity stabilization system. ARRI Signature Primes and ND Filters We learn that 90% of 1917 was shot with...
Published By: CineD - Saturday, 22 February, 2020