Yeah I get aliasing artefacts looking at powerlines going by the train hanging in front of sharp horizontal lines of metallic window shades against black tinted windows of a buidling or looking down a long escalator with all them lines against each other.

Ive only seen moire on preview playback on my GH2.. when i zoom in the video image, it's not there. I'm pretty happy with it.

Jello sucks for hand held. And noticeable on 24mm shooting sideways out of a car on a highway on monopod.. slanted.. annoying, high speed side ways motion seems to be a killer, but I'd hardly ever shoot high speed sideways motion.

Jello is #1 on my hit list to eliminate.

I still get moire sometimes with my GH2. It's not often, like with Canon DSLR's, but it does certainly happen enough that I must constantly stay very aware of fine patterns that are in my frame. Completely moire-free video is far from standard in any DSLR's. And as far as the 1Dx goes, I still have to quote Canon's own words: "Greatly reduced moire and aliasing artifacts." The question we won't be able to answer until it arrives is, how much has it been reduced? 50%? 90%? 33%? I don't know, but for projects that can't afford a mistake, I'd wouldn't hedge my bet.

I guess I like to err on the side of conservative when it comes to calling things "X"-killer. In the vast majority of cases, the new product doesn't actually kill anything. It just becomes another option.

I seriously doubt that it will be 10bit... but we can hope... good thing that I have Nikon Glass... :-P

Then again-- the D4 will be about 8k? + HDMI recorder 9-10k... Sheesh!

It could only be an Alexa or even C300 killer if it's video actually resolves upward of 1000 TVI, has some form of LOG gamma, [virtually] no rolling shutter, no aliasing, no moire, *clean* hdmi out, and it's hdmi output is greater than 4:2:0 8-bit uncompressed.

Maybe it will, who knows? But given Nikon's experience with video, I doubt it.