Instead of the Lumix 14-140mm, I use the Leicasonic 14-50mm f2.8-3.5. It's faster, its OIS is drop dead steady, and it has a manual aperture ring, though auto-focus is slower than Micro 4/3rds lenses. In addition the Leicasonic extends less than an inch when zoomed, which allows me to use it with a rails-mounted lens hood - not really a matte box, but good enough for my purposes.
Well I certainly think the 14-140 is a whole lot better than most on this site. It is what it is, Al, so don't be going all- "If is the middle word of life" on us now. We need you, bro. Come back from the dark side.
A jungle is just a jungle and a carpenter never blames his tools.
I am aware of those,... but in a situation where you just need 'set and forget' changing over lenses is a bit painful, (maybe I just need to do what has been mentioned here before- have 3 cameras preset with different lenses... )
Cool- now I can look like that scene out of Apocalypse Now, cool.
It had been noted that 45-175mm is fixed in size. Also has Power OIS, and power zoom. I suggest to look at this new pair of lenses (14-42 X ) for run and gun.
Seams like its the 14-140 for now until there is something better, (but then again, a good cinema zoom costs upwards of 20k so lets not kid ourselves).
Was just making sure that I didn't miss something.
Matte box for prime only, (maybe someone can make a T-Shirt of something out of that?)
On a related note- any comments on the 14-140 v's the 14-42/45? (better to go with either- once again for run and gun doco work... plus a bag of primes thrown in for interviews with the nice blurry backgrounds and the cute focus pulls :D )
Or the Oly Digital 17mm 1.2:8 pancake - just a tad slower on the autofocus than the 14-140. Plus its noisier, and its a faster lens - nah too bad for run & gun. You can pick it up cheap if u look around. of course its a prime....!
The 14-140mm is the best lens you can get with AF and OIS. Alternative is Olympus 12-60 (but much shorter). Your best bet is to wait for the new Panasonic X fast zoom lenses (12-35 and 35-70). But still not comparable to a 10x, 12x or 20x zoom lens on professional video camera systems.
Alternatives are the 17-50 or 24-70 or 24-120 lenses from other lens systems. But these lenses are bulky, do extend most of the times and offer no AF or OIS on the MFT system.
@VK Sorry to take your time up, I am sure that you have better things to do. Maybe just point me in the right direction? (or is there anyone else online?