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- MUTINY TC-A Timecode + Audio Breakout for Mirrorless Cameras Introduced
CineD (Monday, 3 November) - MUTINY has just launched the TC-A, a tiny breakout box allowing you to feed external timecode to your mirrorless system without sacrificing the camera’s 3.5mm audio input. The device is available with either a BNC or a 5-pin TC connector, and it’s compatible with any mirrorless camera featuring a 3.5mm... - European deal: up to 500 Euro cashback on Sony Alpha gear
SonyAlphaRumors (Monday, 3 November) - Check out the up to 500 Euro cashback at Fotokoch, Fotoerhardt, Calumet, WexUK, Clifton. Reminder: New FotoTage event at Fotokoch (details here) The post European deal: up to 500 Euro cashback on Sony Alpha gear first appeared on sonyalpharumors.... - ALTCINECAM EVF for Mirrorless Hybrids
News Shooter (Monday, 3 November) - ALTCINECAM has teased an EVF that will work on brands such as Sony, Canon, Fujifilm, Panasonic LUMIX, Nikon, etc. Essentially, this is a low-cost DIY 3D printed EVF that you could use on cameras like the Sony FX30/FX2/FX3, Nikon ZR, etc. that don’t have a built-in EVF. You attach it... - Ending tomorrow: $750 off on the Sony A7 IV and $950 on the Sony A7R V. SonyAlphaRumors (Sunday, 2 November) - When you include both the discounts and cashback, here’s how much you’ll save on the two cameras: $750 off on the Sony A7IV sold by BHphoto, Amazon, Adorama. $950 off on the Sony A7rV sold by BHphoto, Amazon, Adorama. The post Ending tomorrow: $750 off on the Sony A7 IV...
- A Photographer’s New Secret Weapon? Meet the XLaserlab E3 Ultrafast UV Laser Engraver SonyAlphaRumors (Sunday, 2 November) - Xlaserlab has launched the new E3 UV engraver on Kickstarter (Click here). And it’s selling hot! This compact, industrial-grade ultrafast UV laser engraver isn’t just for makers and tinkerers—it’s a precision powerhouse that can engrave on virtually any surface, including glass, wood, metal, acrylic, leather, and even stone. For photographers,...
- PetaPixel: Sigma’s 20-200mm is the WIDEST Travel Zoom Ever Made, but is it Good? SonyAlphaRumors (Sunday, 2 November) - Chris calls the Sigma 20–200 mm a “perfect travel companion” — compact, sharp, and highly versatile, ideal for those who want one lens for everything. It’s not bright enough for serious night or portrait work, but for daytime city, landscape, and street photography, it performs impressively well. Sigma 20-200mm at...
- Joe Bressler: I Won An Emmy With A Sony FX3 SonyAlphaRumors (Saturday, 1 November) - Director of Photography Joe Bressler shares how he shot an Emmy-winning commercial for Katz’s Delicatessen using minimal gear and a small crew. Despite a tight budget and shooting in a live restaurant, he captured a cinematic ad using only his Sony FX3 and Sony 24–70mm GM lens, along with budget-friendly...
- Sony’s Most Popular Alpha Cameras Are Getting Major Autofocus Upgrades
NoFilmSchool (Friday, 31 October) - If you’re a Sony shooter who has already invested in one of the company’s more popular camera lines, like the Alpha 1 II or the Alpha 9 III, then you’re in for a treat. Sony has announced that a free software update is on the way for these two interchangeable-lens... - Again new wild rumors: Sony A7V has new 33Mp (partially?) stacked sensor? SonyAlphaRumors (Friday, 31 October) - The leaked image of the new Sony A7V shows a 33MP resolution. Unclear if ti’s the same A7IV sensor or a new partially (or fully) stacked version A new source told me this. Now, while he has not track record yet of sharing reliable rumors he told me he had...
- The Efficient Filmmaker: Scan and Plan — New Course on 3D Location Scans, Shot Previsualizations, Visual Experiments, and More CineD (Friday, 31 October) - What if you could go on a recce and bring a potential filming location back in your pocket? Not only as photos or notes, but as a 3D space you can walk through, move the camera inside, test shots in, and plan set design elements, directly at your desk? Our...
- Sony a1 II and a9 III Firmware 4.0 Released – AF+, New “Film” Looks, and Workflow Tweaks CineD (Friday, 31 October) - Sony has released firmware Ver. 4.0 for both the a1 II and a9 III. The update brings Real-time Recognition AF+, two new Creative Look profiles called FL2 and FL3, and a host of quality-of-life improvements. Compared to previous releases, firmware version 4.0 focuses on subject detection, preset focus behavior with...
- Sony Electronics Launches Industry First Video-Compatible Camera Authenticity Solution for News Organizations and Broadcasters SonyAlphaRumors (Friday, 31 October) - Press text: Sony Electronics Launches Industry First Video-Compatible Camera Authenticity Solution for News Organizations and Broadcasters Current Support for Five Cameras with Expansion to Four More Models by 2026 Sony Electronics is furthering its commitment to authenticity in video content by extending its verification technology to a broader lineup of...
- Sony Electronics Launches Industry Firsti Video-Compatible Camera Authenticity Solution for News Organizations and Broadcasters SonyAlphaRumors (Friday, 31 October) - Press text: Sony Electronics Launches Industry Firsti Video-Compatible Camera Authenticity Solution for News Organizations and Broadcasters Current Support for Five Cameras with Expansion to Four More Models by 2026 Sony Electronics is furthering its commitment to authenticity in video content by extending its verification technology to a broader lineup of...
- Mutiny TC-A TIMECODE + AUDIO BREAKOUT News Shooter (Friday, 31 October) - The Mutiny TC-A TIMECODE + AUDIO BREAKOUT is for mirrorless cameras like the Nikon ZR, Sony FX3, FX2, FX30, A7SIII, etc., that have a TRS Mic/Line-in audio jack. It allows you to use a Deity (A-OUT: Outputs Mic level timecode) or Tentacle Sync Timecode generator to lay down LTC timecode on...
- How I Shot ‘Final Destination Bloodlines’ on Blackmagic Design Cameras NoFilmSchool (Thursday, 30 October) - On Final Destination Bloodlines (New Line Cinema/WB/IMAX), my Blackmagic Design URSA Mini Pro 12K and my two Pocket Cinema Camera 6K Pros were instrumental in capturing cool additional angles, as well as essential shots of extensive blue screen stunt sequences. Also, major special effects scenes need their coverage.We built a...
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