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Nonsense of the settings
  • I became very frustrated when I saw again another topic about "top settings" and people started posting their sample videos how amazing the settings are. Because of my frustration, I posted this message:

    "If you ask me, all these different settings are just a big hoax. There's absolutely no real difference that the end user will notice. Random videos from random users, usually with no comparison to anything."

    Luckily one person got my point. Hoax is big word and I admit it was little provocative - no offense for the settings developers. But when I see new settings, I have absolutely nothing where I can compare it and what proves the greatness of the settings.

    For me, simple screen capture from same scene vs. other settings could do it. But there is no such thing. Always different compressed videos in vimeo or youtube about random scenes. It doesn't tell me anything. And then the bitrate charts or what you call them. Do you look at the bitrates or at the video?

    If someone asks me what are the best settings, I say that them are probably Intravenus. Why? Because shian says so, not because I have "seen" it myself.

    And with end user I meant normal people, like my friends or co-workers. They don't give a **** about the settings, because they won't ever never notice the difference.

    And yes, I see the difference between stock and some popular settings. Put not after the video is in youtube.

  • 33 Replies sorted by
  • @tonalt: I think I get your point - but comparisons have been done in the way you are asking for: http://www.personal-view.com/talks/discussion/2812/only-settings-comparison-no-small-talk/p1

    And I can't stress enough - none of these settings are a hoax or useless, all are a noticeable improvement over the stock settings!

    Also to really understand (and see) differences in the settings or maybe downsides takes a lot of knowledge about video compression. 3 years ago when I started reading posts in this forum I was a newbie, and I was relying on recommendations of the members. I did an apprenticeship in a video production company over the last years and I learned SO much. Now I understand (and since I now know what to look for can see) most of the technical codec- and compression-related stuff which is talked about here, so I think it is natural to be confused at first trying to find "The ultimate" setting for you. I think in the end it comes down to try them out for yourself! This community here is so open and friendly, you're not alone, so be polite and ask for help or recommendations. That is the normal way to go in every professional forum.

    Also it is important to know what you are searching for!

    Best quality, pushing the gh2 to its limits? -->I go with IV2 or Moon T8

    highest reliability? -->flowmotion v. 2.02/Valkyrie AN 444 TZ3.1 and if I need the longest recording times on my SanDisk Extreme 45MB/s cards I use Sanity X/5.1

    But keep in mind that these decisions come from testing and comparing the settings myself. Cheers!

  • I have shot numerous films both long and short, and these are paid gigs, some by govt agencies, on different settings, and I can attest the hacks DO make a difference. Like someone said, if you are making cat videos straight to Vimeo or Youtube, don't bother even using a GH2. Any $50 camcorder, or even your iphone will be grand enough. I have actually blown up footage acquired on both stock and hacked settings, and projected it on big screen. Trust me, Nick Driftwood and friends did not waste their precious time producing in your words, "a big hoax."

    @jleo +1 esp that bit on Michael Gondry

  • Seems he just pops in, makes a off putting comment somewhere and leaves. I get it now. I think someone is bored in their mommies basement. :)

  • I thought "Nonsense of the Settings" was the new Wachowski Brothers movie :(
    No, sounds more like a Michel Gondry movie.

  • @tonalt, not the most current patches, yet still popular and the following links may assist you to look at the differences between some patches. So unless you shoot RAW, choices may be made for better results in different situations, be it keying, wide/landscapes, skin tones, low light, etc. Horses for courses, if you are looking for specific results. I am not so inclined, I just use one patch for everything, though I may be seeking one component over many possibilities. In my case, sharpness due to an anamorphic taking lens setup.

    http://www.personal-view.com/talks/discussion/comment/59978#Comment_59978

    http://www.personal-view.com/talks/discussion/comment/60506#Comment_60506

  • The tests, which are ingenious and artful, do not meet the bare minimum for scientific blind testing, and really it should be double blind. When ppl do post without identifying the camera, the results are shocking. Seasoned veterans will conflate a point and shoot with a high end cam. BUT, and this is important, it does seem that you can grade the vid differently with a nice hack.

    Disclaimer: I picked the hacked GH1 over the hacked GH2 when Lee put them up without labels. But since I basically have to trust whatever eyes I have, I have to be honest with myself, and of course there are ppl who can see better than others. I picked that one. OK. BFD.

    When PB put up a bunch of clips in one of his shootouts, it was pretty hilarious to see the "identifications", Andrew Reid did a similar thing which was even more extreme. I posted a lens comparison once and most people picked the $13 lens. Actually, most people didn't pick anything, such semi-blind tests never get a lot of takers. No one want's to pick the cheap cam.

    But again, it isn't just the video. You could dig a hole with a plastic shovel and a steel one, and the plastic one might even look nicer, but the pro will go for the steel one. We all have to have a reality check now and then, but no one wants to look dumb and the cam companies have to sell cams, so it won't happen very often.

    And maybe that's OK~after all, pixel peeping is just that.

    A forum is not designed to show of the inherent weaknesses in the human eye--or ear--and I doubt that it ever will be. But you can learn a ton of great stuff from your colleagues, and you can test the gear easy enough for yourself. I once sold a very, very expensive mic because it consistently got beat by a much cheaper one. I put gaffer tape over the label when I use it in a big show. Don't want anyone to see it.

    Another way to look at it is the ppl have the right to use whatever gear they want, and really the technical skill is what makes a compelling story. Citizen Kane makes use of "Deep Focus". Do ppl talk about that? Not very often on forums. But a nice hack (flowmotion) a cheap hyperfocal (panny 14mm), some grading and maybe a touch of Neat Video to compensate for stopping down, and wow, works for me.

  • There is no real difference between film stocks either. ;-)

  • @shian I agree. people talk about the color space of the GH2 and lack of DR. But if you know what you are doing, you can workaround these issues, especially the color.

  • @subco Wow! it is amazing the difference between unhacked and hacked, evident even at 640p. I'm a tad bit suspicious that you've put the unhacked version through YouTube's processing five or six times, though ;-)

    Seriously though, Telling the difference between some settings is difficult, the best way is to try different ones for yourself as comparisons are difficult to make. It is easier to see the more minute differences once you start grading footage.

    There ARE immediately evident differences between the larger categories of settings. For example, discerning the differences between al the various Driftwood GOP-1 settings can be quite tricky. They all look fairly similar. But the difference between GOP-1 and GOP-3 as wider categories is an easier difference to see. The difference between a good GOP-1 setting and the stock setting is immediately discernible to my eye.

    My best suggestion is to try out a few of the "popular" settings from each of the more general categories of settings. Try Sedna, try Sanity, etc. Once you find a type of setting that your'e more pleased with, try the other more similar settings.

    For example, I know that I love GOP-1, and Driftwood's semi-recent GOP-1 settings to be specific. I'm not so much a fan of his ones that recently have been getting hyper-specific ("for night" "for morning" "for day", etc.) I never know what I am going to be shooting to that level of specificity, so I sport Sedna most of the time.

    P.S. If any former Sedna lovers have found a newer Driftwood hack that they like even better, PM me, I'd love to hear your thoughts on differences.

    I understand the frustration. The wide number of ever-specialized Driftwood hacks has overwhelmed me as of late, and I simply haven't tried most of them. To someone just getting started, I'm sure it is that much more daunting.

  • but I definitely see a difference between the unhacked and hacked versions. When using the camera the way I use it. I think everyone will experience different results because everyone uses the camera differently for different things.

    I try very hard to NOT stress the codec, and let my post workflow handle the heavy lifting. Not everyone does this.

  • @BurnetRhoades He was trolling the Cluster X post too so must have missed them. I'm failing to see his point - if he can't see any difference .... he can't see any difference why feel the need to post (in multiple threads) about it.

  • back when I first came here, i tried to compile a list of settings, what they were, what uses they were good for, etc.

    but I gave up.... too many, not enough time to test them all, and a LOT of subjectivity. It's a giant mess. I admit. I do not have an easy solution.

  • @tonalt

    For me, simple screen capture from same scene vs. other settings could do it. But there is no such thing.

    Here's a link to what you claim you want to see, original downloadable footage and etc:

    http://www.personal-view.com./talks/discussion/3337/gh2-flow-motion-v2-100mbps-fast-action-performance-reliability-for-class-10-sd-cards/p1

  • Huh...right there on the page for the Flowmotion patch are still frames showing the same scene with his patch and with a stock GH2.

  • @tonalt There are various comparisons done with screen shots. Truth be told, I'm not about to look through hundreds of pages to find some, but they are out there. I have been following a few threads for a long time now, and I can say, there have been some comparisons that do show differences. I do agree that most "normal" people won't notice a difference, and that the differences may not always be there. But I believe the patches do prove themselves worthy on occasion, at least for me. Whether it be noticeable or nor most of the time, I'm glad I used the patch when I know it would have made a noticeable difference had I used stock. I can't say too much as I still consider myself a "newbie," but as everyone says, test it yourself. You may think its a waste of time, but that's they only way you will know which patch you like best, and if you don't notice a difference, then use stock, its your choice.

  • Here's some grabs straight from 5DtoRGB. The first one is Sanity5.1 with the 20mm 1.7 wide open at 1250 ISO I believe. The second is IV2 with the Rokinon 85mm Cine at 2.8 with 1600 ISO so not really a good comparison but you can see the grain in the IV2 easily over Sanity. I'll try to look for some stuff shot on the same lens with the two hacks but I'm pretty sure all the Sanity stuff was shot with the 20mm 1.7. I'm also to push the IV stuff a little further in post than the Sanity before it starts to fall apart.

    S5.1.png
    1634 x 893 - 1M
    IV2.png
    1635 x 897 - 2M
  • Sure, I'm in the middle of a huge as render so once FCP get's done, who knows how long this crap will take, I'll get something up.

  • @vicharris Could you show comparison screen shots?

  • @subco those are the exact results I'm getting over here.testing is the way to go.

  • For what it's worth, IV2 is the first time I've noticed a difference without looking for something closely. I shot a bunch of footage in a bar for a client and couldn't use lights so it was all at 1250 and 1600 ISO and when I got home and looked at the footage, I couldn't believe how good the grain looked. I had to zoom in to make sure I wasn't seeing things. The blocking was almost gone and it looked like a fine film grain. Like I said, I wasn't even looking for this or expecting it but it jumped off the screen. I shot some other stuff with Sanity5.1 and compared them and the difference was huge. My Sanity footage was for timelapse so I didn't care but this was the first time where I really sat back and thought, yep, there it is. I'll dig up the footage and post as soon as RGB finishes.

  • Thanks subco, very enlighting! Quite amazing what different settings can do. g

  • @hay im guessing you are refering to the people involved with Upstream Color?

  • @subco very funny but that's actually something I'd like to see :)

  • I think the best way to determine what settings are right for you is to test them yourself.I do look at other people videos here and even download the mp4's when available but I take all of this with a grain of salt.I rather do my own testing an not totally rely on other people efforts,which are greatly appreciated but only the user will know what works for and satisfies them.

    Did this guy say it takes to much time for testing?lol your right it takes time but I would say time well invested.

    Far as the newbies I think it should be mentioned or promoted that the most beneficial testing is that conducted by their own camera"I never believe the hype just because someones says something is so".I appreciate all the videos here but by no means can that be your ultimate frame of reference.I think your entire rant comes from a position of being dependent on others to make up your mind about settings.I can tell you the GH culture of hacks and such is something your into or not.You can't knock people on their take of testing which I would assume in some cases are private test that are shared to benefit the community,some not at all meant to be technical.

  • @tonalt There is a lot of information and a lot of settings, so it would be cool if someone did a comparison, but I found my way through by looking at lots of videos posted by people. After a while you can recognize the different types of images that the different settings produce, even when viewing on YouTube/Vimeo. Maybe try different settings out to see what you like. Also I think its important to remember that the more experienced guys are saying that the high bitrate settings hold up better when color correcting.