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- CAME-TV Video Capture Adapters for Live Streaming Announced
CineD (Wednesday, 8 September, 2021) - Capturing footage from an HDMI signal for streaming purposes isn’t a new invention. Be it for live streaming, capturing footage from live events, or from video games, there is a myriad of products to suit one’s needs. Once upon a time, users needed a pricey PCI capture card to ingest... - Filming Billie Eilish at the Hollywood Bowl – Exclusive Interview with DP Pablo Berron CineD (Tuesday, 7 September, 2021) - Directed by Robert Rodriguez and Oscar-winning animation director Patrick Osborne Happier Than Ever is a unique performance film starring Billie Eilish shot over 5 consecutive nights at the Hollywood Bowl in Los Angeles. Focused on the No 1 album of the same name, Billie and her brother Finneas perform the...
- OM Digital officially registered a new camera in Asia. Is it the new “wow” model?
43Rumors (Monday, 6 September, 2021) - The camera body with the code “IM027” has been registered in Asia by OM Digital Solutions. The registration says it is equipped with Wi-Fi (2.4GHz / 5GHz) and Bluetooth. I got no real details about this camera yet, all I have been told is that the “WOW” camera will be... - From a thought to a photograph (astrophotography in Despotiko Island with the Nikon D850)
Nikonrumors (Saturday, 4 September, 2021) - “From a thought to a photograph” is by Christophe Anagnostopoulos (website | YouTube | Flickr | Instagram | Vimeo): Intro The first thing I always say to the participants of my workshops is to always spend enough time in preparation. I strongly believe that in order to make a... - This is how many Megapixels a camera should have to match the human eye… 43Rumors (Saturday, 4 September, 2021) - You ever wondered how many megapixels a camera should have to match the resolution of the human eye? Well the answer is really incredibly complex. At the end we can only make an approximation and 576 Megapixel should be enough for the eye to get fooled by the image as...
- ND Filters: A Tool That Should Be In All Next-Gen Cameras CineD (Friday, 3 September, 2021) - ND filters have been around since the beginning of time, but they could and should be the future of next-gen cameras focusing on video or even photography. The other day, baking under the worryingly intense mid-summer sun, I had the idea to set out and take a bunch of panning...
- Fuji Focuses on Its Lens Roadmap with Fall Releases from X-Summit
NoFilmSchool (Thursday, 2 September, 2021) - As we eagerly await an X-H2 in 2022, Fuji focuses on the lens roadmap to get us there, along with a new medium-format GFX body. At X-Summit today, Fuji rolled out three "new" cameras (all refreshes, some more major than others), but the real excitement here is around lenses.... - New Google AI Image Upscaling Makes Science-Fiction a Reality CineD (Thursday, 2 September, 2021) - The “enhance” feature of sci-fi and police procedurals could soon become reality. Researchers from Google’s Brain Team have recently published an article titled “High Fidelity Image Generation Using Diffusion Models” on their Google AI Blog. With it, they claim to upscale images 4 to 8 times using image noise as...
- 3 Types of Satire Every Filmmaker Should Know NoFilmSchool (Tuesday, 31 August, 2021) - Who said a little humor couldn't make the horrors of real-life palatable? We all love satirical films. If you look at your top 10 favorite films of all time, one of them is bound to be a satire. Satire is used in many films to show the outrageous elements...
- ARRI ALEXA Mini LF SUP 7.1 Now Available – New 1:1 Anamorphic Mode CineD (Tuesday, 31 August, 2021) - The Mini keeps growing up. ARRI’s latest SUP 7.1 (Software Update Package) for the popular ALEXA Mini LF features a new 1:1 anamorphic mode as well as several other improvements. Let’s take a quick look! Ask a certain bunch of people in Hollywood known as cinematographers what their tool of...
- The Future of Post Production – Interview with Ncam CEO on Virtual Production CineD (Monday, 30 August, 2021) - In the first of a small series we talk with Nic Hatch, CEO of Ncam about the fundamental shift of post production systems. Is virtual production the future, as it shifts parts of “classic” post-production into production? According to their own website, Ncam was established in 2012 out of a...
- Working Long Hours is Dangerous – Hollywood’s Top DoPs Demand a Change CineD (Monday, 30 August, 2021) - The US magazine Deadline recently ran a story about working conditions on major film sets. According to the report, some of Hollywood’s most renowned cinematographers denounce “the hazards of unsafe working hours“. So working long hours with no rest in between is something that needs to stop. Working as a...
- How Steven Knight Brings the Script of 'Peaky Blinders' to Life NoFilmSchool (Monday, 30 August, 2021) - In an oversaturated genre that constantly delivers the same ol' thing, Peaky Blinders stands out thanks to great writing. There are a slew of gangster films and TV shows out there, and another addition to the oversaturated genre makes audiences feel burnt out. Strangely enough, there is one show...
- A Tribute to Dan Kneece: Steadicam Operator and DP of David Lynch CineD (Saturday, 28 August, 2021) - The American Steadicam operator, director of photography, and co-founder of the Steadicam Guild, Dan Kneece, passed away on August 7th, 2021. In memory of his state-of-the-art work and cooperations with many legendary directors, including David Lynch, Quentin Tarantino, and Wes Craven, to name a few, here is our tribute to...
- Atomos ProRes RAW Knowledge Series
News Shooter (Saturday, 28 August, 2021) - How ProRes RAW works is often misunderstood, so Atomos has introduced a ProRes RAW Knowledge Series. In this four-part series, Steve Bayes explores the origins of the ProRes RAW codec. Steve also talks with filmmakers from across the industry, and they look at real-world examples of how ProRes RAW is...
