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- Behind the scenes of Paramount+ Documentary “How Music Got Free” using Premiere Pro and After Effects
NoFilmSchool (Wednesday, 19 June, 2024) - This post was written by Michelle Gallina and originally appeared on the Adobe blog on June 14th, 2024.This documentary explores the fascinating story of the technology-driven disruption that changed music during the late 90s and early 2000s. File-sharing technology, coupled with the demand for new music, motivated millions of young... - Slick, Stylish, and Capable – Can the LUMIX S9 Be the Video Equivalent of the X100VI?
CineD (Wednesday, 19 June, 2024) - Earlier this year, Panasonic launched their new LUMIX S9. As their smallest full-frame camera, the S9 joins a unique and rather rare breed of compact full-framers. This article will try to figure out the market positioning of the LUMIX S9. You can read all about the camera’s specs and features... - IronGlass MK II Review – Vintage Optics Reborn? CineD (Monday, 17 June, 2024) - To say that the optics rehousing company, IronGlass, based out of Ukraine, has had a wild ride over the past few years would be an understatement. The company found early success with their MKI rehousing project based on taking old Soviet optics and rehousing them for cinema uses. Now, their...
- Nikon Z 6III Launched – New 24.5MP Partially-Stacked Sensor, 6K60p N-RAW, Bright EVF, and More CineD (Monday, 17 June, 2024) - Nikon has just unveiled the 3rd iteration of their Z 6 mid-level hybrid mirrorless camera. The new Nikon Z 6III brings quite a few improvements over the previous generations, including a new partially-stacked 24.5MP CMOS sensor, internal N-RAW recording at up to 6K60p, in-camera slow-motion in 4K120p and Full HD...
- Blackmagic Design Cloud Live Sync Introduced CineD (Monday, 17 June, 2024) - Blackmagic Design has announced Blackmagic Cloud Live Sync. With this new Blackmagic Cloud storage feature, users can sync media into a Davinci Resolve bin while recording, and editors and colorists can start working while the camera is still recording. When Blackmagic Cloud was introduced by Blackmagic Design in 2022, DaVinci...
- How to Get into a Makeup Department—Advice from the 'Rez Dogs' Makeup Head NoFilmSchool (Saturday, 15 June, 2024) - Makeup department head Sharon Tabb has a world of practical experience she brings to every project. She began, as a lot of makeup artists do regardless of their ultimate destination, at a department store counter. That experience, as far as it might be from a television set, prepped her...
- How I Made My First Feature For $25k NoFilmSchool (Friday, 14 June, 2024) - Written by Patrick VanZandtAbout five years ago I started writing what would become my feature film debut, Addy Daddy. I was a junior in college and had only written one other feature script before, but this was the one I was actually going to make. My goal was to use...
- Shutter Speed and How It Affects the Visuals and the Story CineD (Friday, 14 June, 2024) - Welcome to our new episode of the visual storytelling series! But wait – the title suggests that we’re going to only talk about the shutter speed – the camera setting you normally calculate using a simple formula and then set up and forget? Oh yes, that’s right! We will take...
- How to Break Into Voice Acting NoFilmSchool (Thursday, 13 June, 2024) - Written By Ashleigh HairstonYears ago, Brian Stack, a veteran writer on Conan, once said in a workshop, “It’s never going to happen the way you think it’s going to happen.” The “it,” being success. That “breakout” moment. The thing dreams are made of. I had zero intentions of going into...
- Nikon launched a dedicated “Self Service Repair” website
Nikonrumors (Thursday, 13 June, 2024) - A few weeks ago, I first reported about the “Self-Service Repair” documents section on the Nikon support website. Nikon has now launched a new “Self Service Repair” dedicated website: “Nikon Inc. provides access to applicable service manuals, parts, and tools to enable you to perform your own repairs on certain... - DZOFilm Arles T/1.4 Prime Cine 5-Lens Set Announced CineD (Wednesday, 12 June, 2024) - DZOfilm is releasing a brand-new line of T/1.4 FF/VV cine lenses – the DZOFilm Arles. Currently consisting of five primes, including 25mm, 35mm, 50mm, 75mm, and 100mm, the Arles line opts for a clinical look, emphasizing the highest technical qualities. All five lenses are mechanically consistent. Weight varies a bit,...
- How the Long Take Uses Creative Camera Work to Control the Audience NoFilmSchool (Tuesday, 11 June, 2024) - You’ve had that moment before. You’re sitting there on the couch, watching a scene that feels like it’s been going on a few minutes when the realization hits you. “Wait, has this all been one continuous shot?” You rewind just to be sure and watch the scene again, and...
- What is a Wide Shot? NoFilmSchool (Monday, 10 June, 2024) - Think of some of the most jaw-dropping scenes and sequences you’ve ever seen. Chances are, a number of them were only made possible by wide shots. Filmmaking is hard, really hard. At its core, it’s all about creating an emotional experience and capturing the audience’s imagination. You have to...
- What is a Medium Shot? NoFilmSchool (Monday, 10 June, 2024) - As a filmmaker, one of your primary responsibilities is to translate what’s on the page to the screen in a way that is both emotionally charged and reveals the necessary information. There’s no one way to do that. There’s no secret formula. No one-size-fits-all guide. But there is a...
- SIGMA 28-45mm f/1.8 DG DN Art & 24-70mm f/2.8 DG DN II Art – First Look CineD (Sunday, 9 June, 2024) - Following the recent announcement of the new SIGMA 28-45mm f/1.8 DG DN Art and 24-70mm f/2.8 DG DN II Art, at Cine Gear 2024, we stopped by the company’s booth to learn more about the world’s fastest full-frame autofocus zoom lens ever made and their new compact, standard zoom directly...
