Z CAM, known for their line of cinema cameras by the same name, has introduced a line of LED fixtures with the space-age name of ZOLAR. These lights range from a budget bi-color version to an RGBAW color version and they are slightly larger than the 1×1 footprint we know and have become very familiar with in the industry. Let’s take a look at the our written ZOLAR light review. Editor’s note: A more detailed video review (including light measurements) for the ZOLAR Lights is in the making, but will only be published in the new year. Before I get started with this review, watch our video coverage from IBC about the ZOLAR lights, where we talked to Z CAM / ZOLAR CEO Kinson Loo. But now on to the actual ZOLAR Light review: Let me start by saying that I had an opportunity to review the following fixtures as part of the ZOLAR lineup: ZOLAR Vega 30C RGBAW – 2000K – 20000K CCT Range, RGBAW Color, $799 Cost ZOLAR Toliman 30C Bi-Color – 3200K – 5600K CCT Range, $699 CostZOLAR Toliman 30S Bi-Color – 3200K – 5600K CCT Range, $499 Cost It’s easy to focus this review primarily on the formidable looking (in terms of specs on the page) ZOLAR Vega 30C RGBAW because color is revolutionizing how we work on set, but there is much to discuss regarding the other two Bi-Color versions too. I’ll admit as more 1×1-ish fixtures hit the market over time I find myself...
Published By: CineD - Tuesday, 20 December, 2022