ARRI’s surprise announcement of their new ALEXA 265 cinema camera is already proving to be one of the more intriguing film products of the year. Combining the giant sensor of the ALEXA 65 with the compact form factor of the ALEXA 35, the ALEXA 265 appears to be an ideal blend of both. Still, as is the case with any new camera—especially a high-end one from the likes of ARRI—it’s a bit hard to get a sense of how this new camera will actually perform for those who work in filmmaking and video production. So, while we wait for more specs and a price for the ARRI ALEXA 265, let’s look at the next best thing we can examine. Here’s a collection showcasing some of the first footage shot on the ALEXA 265 and some insights shared from the lucky DPs featured on ARRI’s channel.ARRI ALEXA 265 First LookFeaturing a trio of cinematographers who specialize in some stylistically different filmmaking approaches, ARRI has released three preview videos showcasing the ALEXA 265’s 65mm possibilities. You can watch the videos below.This first video was shot by cinematographer Alejandro Mejía AMC and features the work of choreographer Mia Hjelte and two talented dancers for this ALEXA 265 showreel. Alejandro tested the camera in widely varying available light and pushed its versatility, as well as the unique qualities of the 65mm format. “I always thought that 65 mm was a beautiful format, but when I saw the ALEXA 265 I suddenly realized it was...
Published By: NoFilmSchool - Thursday, 5 December, 2024