The new F1 movie is a masterclass in high-speed and high-octane filmmaking. While shot primarily on the Sony VENICE 2 cinema camera, the film utilizes several different rigs, including the iPhone 15 for those awesome POV shots. Directed by Joseph Kosinski and shot by Claudio Miranda, the film includes a nice mix of your standard high-end cinematic images and some balls-to-the-walls race sequences.And as those who have seen the film already can tell you, some of these race sequences include some shots that clearly appear too tight and tricky to have been captured by a full VENICE 2 rig. To give some insight into how these in-car shots were captured, we have a nice peek behind the scenes into the custom in-car camera that was used for these shots.Check it out below.F1 Custom In-Car Camera See on Instagram Shared by rodneykiwi on Instagram, we get a glimpse at the custom in-car camera that was designed specifically for these high-octane race sequences in F1. The camera appears to be utilizing a Sony FX6 sensor in a customized Panavised package along with a wide-angle Voigtländer lens. This unique camera and lens setup is indeed quite tiny and impressive.Many online have speculated that F1 made use of the new Sony VENICE Extension System Mini for these in-car shots; however, that appears not to be the case. The Sony VENICE Extension System Mini, which would have been a nice option for these shots, likely wasn’t available yet for this project, so the team had...
Published By: NoFilmSchool - Yesterday