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How to Punctuate Narratives With an Extreme Long Shot?

In filmmaking, shot selection determines the viewer's perceived distance from the subject. A close shot brings us intimately near, while a long shot pulls us back to observe from afar. By varying the viewer's position in relation to the subject, we not only determine how much they see but also how they feel about what they’re seeing. Therefore, shots communicate beyond just visuals. They’re a filmmaker’s tool to steer your emotions as you watch a film. One of the most multi-dimensional shots used in films is an extreme long shot. What Is an Extreme Long Shot?To define it technically, an extreme long shot is when the camera is significantly far away from the subject, including everything around the subject within the frame. While often misunderstood to be a simple establishing shot, extreme long shots are more like a visual literary device that has its strategic uses. Technical Features of an Extreme Long Shot:Includes the subjects along with their entire surroundings.The camera is kept at a significant distance away from the subject, reducing their size in context to the vastness of their surroundings. Higher depth of field.Might feature significant negative space within the frameCan be static or moving, depending on the filmmaker's intent.What Does an Extreme Long Shot Mean in the Language of Cinema?If a film is like a sentence, then each shot determines the tone and emphasis used to deliver that sentence.Words can be highly deceptive when not backed by tone, a reason why texts can be misleading in their...

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Published By: NoFilmSchool - Yesterday

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