They brought the hilarious hijinks of Mabel, Charles, and Oliver to life, and helped balance a tone that's equal parts murder mystery and comedic gold. Today, we sit down with two of the brilliant minds behind the editing magic of Only Murders in the Building, Payton Koch and Shelly Westerman. Join us as we delve into the world of editing this hit series, where perfectly timed cuts heighten the humor, suspense builds with each expertly crafted sequence, and the heart of the show's oddball trio shines through. Let's get cutting! Only Murders in the Building (Official) Teaser | Hulu www.youtube.com No Film School: Hi Shelly and Payton! You have both been editing episodes of Only Murders in the Building since season two, and are currently at work on the show’s fourth season. How have you seen the show’s style and language evolve over time?Payton Koch: Hello! It’s such a joy to have been on a show for 3 years and be a part of telling this funny, emotional and heartfelt story about these strangers turned best friends. Each season has their own specific theme and individual story while still being grounded in the roots of the show, which is community or found family. I think the show has maintained its style and language throughout the 3 seasons which is one of the reasons audiences keep coming back. It’s a comfort show at this point! But it’s always fun to hear the breakdown for each season before we start and begin...
Published By: NoFilmSchool - Wednesday, 22 May