In the movie business, everything moves fast, but the process of getting script coverage? That's always been a frustratingly slow bottleneck.If you’re a producer, a director, or a writer, you know the drill. You need someone to read a script, analyze it, and give you solid feedback. But finding that person is tough.Morris Chapdelaine, a seasoned film producer with a strong background in both production and financing, describes the ordinary method perfectly: "In the past, it was really a reliance on having myself read or having colleagues read or film students... To read a script and to actually give us proper coverage, and that's time-consuming."Even if you use interns, it's still costly because of the sheer amount of time it takes to do a thorough job.That's why some people are turning to AI. Your browser does not support the video tag. roar-assets-auto.rbl.msThe Problem: Bias and Blind SpotsBeyond the time crunch, there’s a bigger, less talked-about issue with a lot of readers: personal bias.With AI coverage, you don't have something judging your work with any inherent biases.As Morris points out, we're all human. An otherwise great script might get a bad review because the reader has an emotional trigger, like: "I don't like stories about war."You're getting an emotional reaction, not an objective analysis of the story's structure and market potential. This kind of subjective feedback can sink a good project before it ever gets a fair shot.With a computer, it's always an objective response.The Difference with Greenlight CoverageThat’s where Greenlight...
Published By: NoFilmSchool - 6 days ago