What if you could step inside your footage and feel like you’re actually there? Apple’s Immersive Video workflow and format for the Vision Pro, paired with Blackmagic’s new URSA Cine Immersive camera, promises exactly that—an unprecedented leap beyond traditional filmmaking into truly spatial storytelling. We took a close look at this revolutionary workflow, from capture to color grading, to see how it could change the way filmmakers craft stories for the screen—and beyond. Blackmagic’s URSA Cine Immersive has staggering specs. It has two 8k sensors running at 90 frames per second. A typical 4k camera running at 24 frames per second processes 212 million pixels every second. The URSA Cine Immersive processes 10575 million pixels each second! The Blackmagic URSA Cine Immersive processes 10575 pixels every single second. Image credit: Team 2 Films To understand why such a camera exists, you first need to understand the platform which it is designed to service. The Apple Vision Pro In Apple’s own words, the Vision Pro is a spatial computer. It allows you to do things like watch movies on a screen as big as your house, interact with apps like they’re a physical object in your room, or work on a plane without feeling like you are trapped in a cupboard. All very cool, but we’re focusing on the Vision Pro purely as a device for consuming entertainment. The Apple Vision Pro is a fantastic platform for consuming entertainment. Image credit: Team 2 Films The Vision Pro supports a wide variety...
Published By: CineD - Today