Along the journey, the two friends confront past mistakes and contemplate their futures.We spoke with editor Max Goldblatt about his approach to editing the heartfelt comedy using Adobe Creative Cloud tools. This was his first experience with the Productions feature in Adobe Premiere Pro, which enabled him and his team to stay organized and synchronized by easily sharing project files. He has since continued to use Productions for larger projects that require seamless collaboration among a large team!Additionally, Frame.io was an essential part of the process — using it to share dailies with producers, VFX, sound and color teams, as well as sharing feedback and backing up assets to the cloud.“Sacramento” premiered at Tribeca Film Festival on June 8. Read on for a more in-depth behind the scenes look into Goldblatt and his team’s remote workflow.How and where did you first learn to edit?My film education was heavily informed by the fact that my father Mark Goldblatt edited studio films while I was growing up. From as early as I can remember, I would visit the cutting room and watch him work. It was a privilege and thrill to be a fly on the wall for everything from watching down dailies, to making selects, to assembling and reworking scenes, all the way to the sound mix and test screenings.This started when cutting on 35mm film was still the industry standard, so I guess technically I first learned to edit in 1992 when my dad’s assistant editors on “Super Mario Bros”...
Published By: NoFilmSchool - Thursday, 13 June, 2024