Blackmagic Design has released DaVinci Resolve 20.1, bringing comprehensive Apple Immersive Video workflow support to the platform. This makes Resolve the first professional NLE to offer complete end-to-end production capabilities for Apple Vision Pro content. The update introduces native support for footage captured with Blackmagic’s URSA Cine Immersive camera, allowing editors to work with immersive video files using standard drag-and-drop editing workflows. A new immersive video viewer enables real-time preview with pan, tilt, and roll controls on traditional monitors, or direct streaming to Apple Vision Pro headsets for immersive playback during editing sessions. In case you missed our very popular video and article on the DaVinci Immersive video workflow from NAB 2025, check out our interview video further down below – we got a very comprehensive preview on this release in April already. The right side of the Blackmagic URSA Cine Immersive. Source: Blackmagic Complete Immersive pipeline in DaVinci Resolve 20.1 Color grading capabilities extend to immersive footage with full primary correction tools and select secondary grading options. New 3D palette tools include an Edge Mask feature specifically designed to adjust the field of view and exclude unwanted elements like microphones from the immersive capture area. The edit page supports a unique 360º backdrop track that appears outside the projected immersive image, adding another creative layer to immersive productions. Fusion gains immersive video compatibility for its distortion and patching tools, enabling 3D titles and graphics that move across the entire field of view. The compositing environment also supports USD files...
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Published By: CineD - Today
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