Color comes to the Light Storm line from Aputure with the 600C Pro. If you’ve used the LS 600X or LS 600D, this light will feel familiar, but now you have the added flexibility of full tunable RGB color, hundreds of selectable gel presets, and a wide selectable kelvin range from 2300K-10,000K – just to name a few features. I took the LS 600C Pro for a spin over several shoots and here’s my review. Image Credit: Graham Sheldon/CineD We all want the same thing: 15 affordable color-capable lights that are easily powered and have a fantastic output to rival the sun when needed. We simply aren’t there yet, but I think we’re close – when you compare a similar daylight-only fixture to a color-tunable fixture you get a significant output bump on average in that head-to-head matchup from the daylight-only fixture. So, where does that leave you? Do you go for the daylight version, bi-color version, or is color the only way to go at this point with the LS 600-watt draw line of lights? The answer is: it depends. In situations where output is the primary consideration, you’re still going to want to go with a daylight-only fixture and gel that fixture the old-fashioned way. For nighttime shoots or studio shoots or shoots where you’re able to tent, ND, or black out windows where needed, then you’ll find the LS 600C Pro has plenty of output and flexibility for your needs (when shooting normal frame rates/shutter speeds). Image...
Published By: CineD - Thursday, 30 June, 2022