Urban Sunrise for competition. Actually pre-sunrise.

Urban Sunrise from matt_gh2 on Vimeo.

Great work @onionbrain, and everyone else who submitted a video.

Something went wrong with the clip @onionbrain

@apriori Very nice! Cant wait to see the short. What was your lighting setups? It looked very natural AND cinematic at the same time!

Much appreciated @mozes ...When you get an opportunity look at some of the other videos like the prequel to the above also shot using @driftwood magic but this time using seaquake:

I think i love @driftwood and @Vitaliy_Kiselev...Thank you guys!
This was shot using CM Night on everything apart from the club footage:

Hi estaban thank you I don't know.. I read that recording in mjpeg is not geving me a better picture that the avchd anyways.

Another thing I like to now is what rendering settings do you use because my "drewnet"footage does not look sharp at all :( I use:

sony vegas pro 10 and render as sony AVC picture

Video format: AVC profile: high 1920x1080 Entropy coding: CABAC Framerate: 23,976 Field order: None (Progressive) Pixel aspect ratio: 1.000 Bit rate(bsp) 20.000.000

Hope someone can make this clear for me.

@futurefilmmaker Thanks for the kind words. We actually didn't use iDynamic. I'm not comfortable enough with it to try it out during an important shoot.

Seriously? Cool. I had no idea. I'm glad the tutorials are helping.

@shian Thanks, man! Your exposure tutorials were essential to our shoot. Excited to see what Colorghears can do for us once it's time to grade.

@apriori nice work, man. Very nice.

I just wrapped principal photography on a short film, titled 'Mulberry', that we shot on a GH2 loaded with Sedna AQ1. While I've been using the hack for months, this is the first time I really put it through its paces. The results are so impressive I'm tempted to build a shrine for @driftwood.

Camera profile was set to Smooth, -2, -2, -2, -2. Three lenses were used: Panny 7-14mm, Oly 12mm, and Panny X 12-35 zoom. These stills were pulled directly from the raw, ungraded camera footage:

Swim~to~Land is fully into production. Picture still below. 5.45am UK. Lens: Canon EF 80-200 'Magic Drainpipe'.

Back to Competition: Looking forward to more sunrises (in particular) and sunsets before the next few days out. There's some terrific looking entries coming in :-)