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Megaupload is closed by FBI
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  • So why pick on MegaUpload and not RapidShare and all the countless others that do exactly the same thing?

    I think it is not really about copyright at all... It is very much about protecting corporate interests though... In a recent interview, Kim Dotcom said:

    "UMG knows that we are going to compete with them via our own music venture called Megabox.com, a site that will soon allow artists to sell their creations direct to consumers and allowing artists to keep 90% of earnings."

    (can be read here: http://torrentfreak.com/from-rogue-to-vogue-megaupload-and-kim-dotcom-111218/)

    The real loss of earnings by the record companies due to filesharing is nothing compared to the potential threat of this new disruptive business of Kim's. Whatever you believe about his morality, Kim is definitely a player who has a track record of building successful internet businesses (MegaUpload is the 13th most visited site in the world - 50 million hits a day). So he could advertise his rival music service on his MegaUpload site to 50 million people a day for free. That's serious. He also had some very big names in the industry on side (eg. Kanye West, Alicia Keys etc which generated a lot of publicity).

    This business model of giving the artist 90% would enable him to take the moral high ground against the record companies and claim that he was really the one who was looking out for artist's interests. And to the artist, that 90% offer is very tempting. If the venture worked and it attained a critical mass (which he has already proved he can do) then many artists might be persuaded to jump ship - and it therefore had the potential to put the future of the record companies in jeopardy.

    The powers that be simply couldn't allow that to happen and that's why i think he was stomped on.

  • @VK I'm totally agreed with you on that; and it needs to change..!

    @spirit I don't think it was just a preventive strike on that new business venture. There are some alternatives to music distribution that take only 10-15% on sales (ie: bandcamp), and we don't see that many "artists" (by that I mean mainstream) jumping ship*. Mainly because these artists are signed on labels which are very restrictive on their contracts; contracts which are usually very-long term and pretty hard to get rid of.. so the critical mass would not have been enough. Besides these traditional labels offer way more than distribution: production, marketing, tours.. so offering a way to sell creations (and just that) isn't enough: think about it, what sells more: the hyped artists signed on a major label or the band doing their quality music and putting for nothing online? Regarding Kim Dotcom, he might be a very good at building businesses; but I think doing it the way he did shouldn't be something to be proud of (the exact same thing goes to these companies enforcing copyrights).

    *even with such a big potential user base, they would advertise the site & service and some if their key artists.. certainly not every Joe who sells music from there.

  • @spirit

    I think that you make very good point.

    Real threat is not file sharing. As it is for very advanced users, and Google makes huge worke here to block all "normal" sites, leaving fake ones full of porno banners and trojans.

    Real threat is some wide known service where it is easy to find what you need, and get it fast and easy.

    For this case, banks and corporations also prevent independent and easy to use electronic payment systems.

  • This is brilliant: https://twitter.com/#!/jonathancoulton/status/160374297364414464

    Any other musicians out there notice that ever since they shut down MegaUpload, the money has just been POURING in?

    You bet I did. A few more thousand legal downloads of my songs and I’m buying an Arri Alexa. Boy am I relieved they closed that pirate den down!

  • Some of you guys may feel different about online piracy if you spent a year in a studio producing an album, whilst barely having any money to pay the rent, and then selling your album on iTunes, only for it to leak onto bit torrent and MegaUpload and for your monthly income to return to zero again.

    It is the small guys it harms as well as the MPAA and RIAA

  • @EOSHD

    Any real examples?

    My own expirience suggest exactly reverse situation.

  • Small guys, perhaps. It's a dying trend though w/o major financial backing. Affecting the MPAA/RIAA? Doubtful.

  • Yes it happened to a friend. MegaUpload build a very profitable business on the back of stolen property. I think the free and open internet should be protected and I think Wikipedia were right to try and stop SOPA - last thing anyone needs is for professional law industry to seize on fucking the life out of people - but also SOPA has a point in that creators of original IP have right to make money from their hard work.

    China is probably worse offender when it comes to copying US intellectual property for their own capital gain, to benefit of consumer and Chinese business, but zero benefit for the people who actually put the hard work in to create the products in the first place.

  • Yes it happened to a friend.

    Can you provide more details, please?

    China is probably worse offender when it comes to copying US intellectual property for their own capital gain, to benefit of consumer and Chinese business, but zero benefit for the people who actually put the hard work in to create the products in the first place.

    Can you please tell me why they must "benefit for the people who actually put the hard work in to create the products in the first place"? Especially if it is chinese guys who actually put hard work and made the products.

    Today it is easy to spot goverment who is thinking about their people. It almost ignores intellectual property issues.

  • I am not talking about the government. That is irrelevant to the point I am making and so is providing private details about a friend. I've made my point. It is wrong to deny small content creators money.

    Frankly if music downloaders can't be bothered to pay 79 cents for a track they want, they are just being childish, penny pinching and incredibly selfish. A lot of artists don't care about being fantastically rich, they just want to get by and feed themselves. If it becomes impossible to make money on music and video thanks to piracy, then there won't be any artists - the only ones left will be the wealthy mainstream ones. Piracy hurts the small guys as well, of that I have no doubt.

    Have you ever been a victim of piracy Vitaliy? I'd wager that everyone in this thread has benefited from it as consumers, so only see it from one side.

    And yes US government is evil... MPAA is evil... Google is evil... So what. It is the artists I am concerned about.

  • @EOSHD

    I am still waiting for details about your friend.

    So I can check them personally.

    About all else. Distributing and copying the digital data is not piracy. It is simple data copying.

  • @EOSHD

    I'm sorry about your friend, but spending money on studio time before anything else isn't the wisest of decisions in this era. He would benefit from the kind of information you can find for instance in Owsinsky's Music 3.0, which covers new distribution models after the music industry as we've known it has collapsed (and rightly so because it did not any longer deal with music but with quarterly figures and shareholders) http://music3point0.blogspot.com/

  • It is just basic ethics Johnny. My friend isn't in trouble, but there is a large chunk of money missing that should be his, thanks to the combined efforts of Google and bit torrent.

    I don't blame the people who download - the consumer - it is a great deal for them. You'd have to be stupid not to make use of the opportunity the technology represents.

    I blame the people who actually make a living from piracy, with sites indexing stolen content. These people are criminals, pretty black & white really.

  • Not necessarily. Bittorrent might have helped him spread his music. It's been known that many record companies secretely dropped their own releases on bittorrent for distribution.

    But the whole distribution model has changed and you need to be able to work within the new model in order to take advantage of it.

  • I am sorry but bit torrent and Rapidshare are not a 'new model' for filmmakers and musicians. None of the money these sites earn from advertising goes to the artist. It is like saying shop lifting is the new model for Best Buy.

    What does Rapidshare give to the artist? They take 100% and give 0%. Makes Apple look like Jesus.

  • @EOSHD

    Again.

    Can you, please tell us details about your friend and his losses.

    Otherwise it doesn't look good.

  • @EOSHD

    Sadly you are not current on the topic.

    Rapidshare is not used for pirate things anymore as I know.

    About torrents - it is extremely useful thing for small groups and individual musicians. Same for software development. They provide you very important thing - ability to freely provide information to focused groups (and many niches are very small) and make people know your songs.

  • IMO, it is simple problem of the consumer wanting more, faster, anywhere, anytime, for less. The internet is PERFECT delivery system for what the consumer wants, but the old farts upstairs would rather poop their khakis than give more for less. They're scared. They don't want to change the way they make money, because it is unknown territory. The consumer is sick of old farts, and has therefore built their own way of getting what they want, faster, anywhere, anytime. And since the consumer is doing this themselves, they may as well make it free, right? Why charge yourself? If the industries had kept up with meeting demand trends, there would be far less pirating, and there still could be. The old farts still have the ability to deliver what the consumer wants, the way they want, faster, anywhere, anytime, and in far better quality than the consumer is currently doing themselves. The old farts need to suck it up and stream their content on demand, either for very cheap, or for free with advertisement. They will never be able to stop pirating, especially not by waging war on it. Pirating is mostly not bad people, it is frustrated people with some cheap bastards mixed in. Give frustrated people what they want, and they will take it, even pay for it.

    Netflix is prime example of way-behind old farts. Netflix has limited and pretty B-movie selection available for streaming, and even limited DVD/Blu-ray delivery thru the mail. People are beyond this kind of "one stop" service that does not really have everything. If I want to watch a film, I ought to be able to Google it, find an official site, pay a small amount, and watch it in good quality, when I want to. Same for TV shows. People are beyond subscriptions. One minute I want to watch something owned by NBC, the next, something by someone else. I don't want to have monthly subscriptions to everyone's different site just to watch their stuff when I want to. Sometimes I only want to watch one show, one film, one episode on a whim. Pay per view or advertisement, IMO, are their two options.

    As for music, the big industry is dead. Decent people already have stopped giving a crap. Go spend your money on a local band's live show. They're good, it is a better experience for your money, it is live music, and they're probably more passionate about their music than big name artists. Live is on the rise, jump on the train already.

    anyhow, thats my 25c.

  • Please clarify, EOSHD is saying he knows a friend that spent a year producing an alblum and it leaked to a bit torrent and he lost money as a result and some of you are contesting that? Or justifying it? What? Do I have it wrong?

  • I'm not contesting, nor justifying. I for one do not download for free what someone rightfully deserves to be paid for. But you have to admit that current methods of official legal content delivery are rather archaic compared to a simple "google it and download" that one can do via these file sharing sites. It makes sense that many people do not pay for content, simply because it is such a process most of the time. They want it, and they want it NOW. pitch them an advertisement five minutes in, or let them pay in one simple click.

  • Indeed @B3Guy and that is why I don't blame the downloaders. Google makes it very easy to type the name of what you want and get it illegally and Google - not some obscure downloading site for advanced users - is a globally recognised brand and one stop portal for free downloads. Everyone uses it. Google have a lot to answer for.

    @Vitaly, it is great for artists to get exposure but you need critical mass before anything happens. Exposure alone does not really help pay the bills and feed your family. There has to be a viable business model for artists in there somewhere, not just a few people casually downloading your stuff for free. If you become a well known artist it is easy to make money. Not so the small ones. They need every cent, and bit torrent doesn't help in the least bit.

  • B3Guy I agree. I have licensed software and in some cases use the pirated version because it's so much easier to load and operate. The license stuff in some cases has these stupid hoops to jump through.

  • In basic terms it aint theirs to police ? Fk me record companies after offloading human assets galore - A&R promo etc etc have made a profit! Numpties with no idea of vision what could be - hell Spectrum 48k owners used to share Tapes but it was succesful!

    Looking at "Piracy" as black n white theft is so naieve - imagine the percentage of editors 3DS Maya guys these days who without a little innocent self training (non commercial) at home - without them the product now has now user base or reach - when I was a tape op I always remember the Mike Hunter Atari Cubase 720k blue floppy residing in even the most prestigious studios I was in making hits - the suits got the cash back - in spades as they are doing now - overheads utterly devestated - online sales delivering ... whats the problem? People do try before they buy, but intrinsiclly we all understand the artist that we're listening to deserves some $$ not necessarily the record company ;p And I bet majority of us do reinvest in our music industries with purchases - fk me without it we have Bieber! And same model software etc - young n feisty - may try a free-er version than we should - later in life reinvest - hell Ive bought 100k of plugs from the faceless Waves (no more) and God knows what from Avid(Digi) plus a plethora of others TC, Massey (deserves it!) NUGEN etc - but I've bought back in as we all have camera, audio or whatever.

  • Correlation is not causation, @EOSHD. Have you read Microsoft's Darknet paper? It was published in 2002, but is still quite relevant. Basically, not only are underground distribution systems free, they're faster and the product you get is often better quality than the product you pay for.

    I live in a city full of musicians, most of my friends are musicians, and not one of them thinks that filesharing is hurting their ability to be musicians. Why does someone become a musician? To sell albums or to have people listen to those albums?

    The model of printing your music out on CD's and selling them in shops is dying and being replaced with something else. Most artists were not making money before, some few corporations were. Artists would make money on touring, which isn't the easiest thing, but that hasn't changed at all, and if anything, touring artists are helped tremendously by the additional exposure of free art distribution and promotion that bittorrent and other technologies offer.

    Also, if he finds that people are downloading his music without paying for it after, without an increase in merchandise sales, or an increase at the doors at shows, it might be that people are listening to the music and that they decide they don't like it - which is a wonderful choice to give to people.

    What I'd want to see is this, with the appropriate privacy protections: a system which monitored what was being downloaded or which files were being streamed. It already exists, the ISPs pretty much already have this information and it is trivial to compile it. Then, charge a small tax on broadband connections or TV's or the like, and distribute that collected tax across the artists appropriately. It would be hard to make happen in the US, I think, there are just too many big moneyed interests that would be out of power.