@kurth, the correct in Spanish is: 'te entra por un oreja y te sale por la otra'. ;-)
@Aria ....entra un oreja y sale el otra ! ...so you don't read the news ! The new rebel has a serious sensor problem....and tell me....exactly how many dslr sensors has canon made in the last 15 years ? And they didn't get it right this time ....whoa...there goes your metaphor out the window.
You have to wait until real reviewers have the camera in their hands ....or not. My perspective is.....never be an early adopter of anything ...and never rave about something that isn't even on the market. Your mileage obviously varies.
And what does the g7 offer that we didn't already see outed on the fz1000 and LX100 ? And if you're keeping up with the dpr reviewed gold awarded LX100, there's alot of criticisms.
....and btw....the gh2 ...when it was released....like before V did his thing....was a dog ! It's 1080 mode was hardly any better than the gh1 when it was released. So much for that metaphor.
@kurth, so now one time Canon makes a bigger jump than usual with their budget DSLR and it cancels out years of other releases? You know what i'm saying in general. This is just getting silly now. Either you can appreciate what the G7 offers at the price or you want to be cynical and make snide remarks.
The G7 is a substantial improvement over previous G series and a very nice value much like the GH2 used to be. It's hard to find more value for the money.
@kurth, Unless there's suddenly an issue with the processor which has already been in use in the GX7 then I don't see why we'd have to wait for the Camera to have an opinion of what the camera is about. We have been living with Panasonic cameras for years and pretty much know what the baseline image quality is. No different than Canon cameras over the years are pretty predictable. These image sensors generally make only incremental improvements. We pretty much know what this sensor is about except now we get a 4K version of it.
@Aria - +1. Several lifetimes ago, I worked as a staff director in a medium-market station. We did all kinds of commercials in the studio, selling cars, cattle auctions, furniture, you name it. When a drag race promoter came to town, the agent brought a dragster into the studio for the interview. The wrestlers on Big Time Wrestling stood up and did their own commercials. With Panasonic's G6+ and GHx lines, it is now possible to do the same thing on location, instead of the tired green screen crap we see now.
@kurth, YUP! I'm saying it's the best in terms of overall value for the money. There are other cameras in the same range but IMO this is the one that puts most of what the amateur to semi pro would want and need in one cheap package. This isn't about the needs of the Pro level guys who may need a rugged and more equipped camera. For a guy like me that does a lot of small jobs and local TV shows and commercials in a small town, it's perfect.
I think that FW crypting is too difficult to hack in new models.
As always, you are free to think anything. :-) It does not make it right.
the hack thing is getting old now. G5, G6, GH3, GX7 - hack hack hack. Sorry never happened and it won't for the G7 either.
You want higher bitrates? GH4 You want to be happy with your work? Go out and practise
I was thinking about time limits with external recorders, if the start/stop protocol that is present for Atomos recorders is present in the G7.
This thing has no limits in live view mode(if you record HDMI output) only (in all regions) and in AVCHD mode outside EU.
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