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DaVinci Resolve 11
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  • I found (on a Mac, though) that some other programs seem to block the GPU somehow.

    After using After Effects or Cinema4D, I need to restart my computer to have Resolve running reliably.

  • Anyone having repeated random crashing issues while editing, coloring, or exporting? I have v11.1 with a pretty standard pc (not great but not bad) with an nVidia card which should be more than enough for 1080p work. I have reported this on the BM forums.

  • something 4:4:4 I think I use quicktime mov. If I then need an output for vimeo. I use the mov file and render a custom vimeo highest setting h264 in adobe media encoder cc based on vimeo's specs .

    Resolve does not have a good output option for vimeo highquality. Not that I know of anyway. Everything will be rerendered by vimeo after upload.

  • I'm amazed how well Resolve works on my desktop. It really is realtime effects and renders super fast.

    A little confused at my output options. I was hoping to go straight to a codec and birate suitable for web distribution but not enough options for that. Going to have to save a master and then use something else to render final output. Anyone got a format recommendation for my master?

  • Finally took the time to play around in Resolve 11 and it's finally at the place where I can use it on most projects. Blackmagic has made some small but significant changes that speed up the overall process between Premiere and Resolve and it's working quite well for my needs.

    I've always liked the extra color features Resolve offered but the process was cumbersome. The work I was able to do today was miles beyond any color work I could do in Premiere or After Effects and it really didn't take that much extra effort. The Hue v Hue, Hue v Saturation and the Saturation v Luma help add so much more to your footage.

    I also didn't realize the Lite version isn't limited to 1080p and lets you edit and export 4K now. Not sure how I missed that feature but now with the GH4, it's an absolute necessity.

    I just wish there were an interface more like Camera Raw/Lightroom, that's still my favorite model for coloring.

  • Some very good tutorials are available from Rippletraining.

  • you don't have to round trip. Davinci's editing is okay if you just need a few scenes put together. But if it's a real shoot with multiple scenes and special fx and audio issues, premiere is clearly better.

    If you do all your editing cuts in premeire and than want to color in resolve, there's no roundtripping, just an export. If, however, you then want to do editing changes back in premeire or add effects in after fx, after coloring you will have to render and that would be a roundtrip.

    Just watch a video on roundtripping and follow every step. You only have to render one time before the release render. Even if you do changes after the initial render the edits will update automatically.

    Is it worth the effort? Plus resolve is complicated to learn. You will have to study and watch videos (Denver Riddle) to get any good at it. You can just drop in a lut or an ofx plug in in resolve. That's easy enough. If that's all you plan on doing in your color correction it isn't worth it.

    That said, Resolve is so massively better at color correction than anything else, final cut, adobe, avid, frankly it embarrasses them. Add to that the best tracking capabilities on the planet, way better and easier than even aftereffects new tracking and its hard to beat.

    It's free. The paid version has a few other capabilities, like a denoiser, that the free doesn't, but if you already have a denoiser plugin(ofx) it will work in free resolve. For the most part the free version is identical to the paid.

  • @Mark_the_Harp On tracking and correcting moving objects within an image, is Davinci Resolve better than Adobe options like Premiere and After Effects? I'm on Adobe Creative Cloud but that might remote me to try out Resolve. Thanks.

  • @olli66 I guess it is complicated depending on what you're used to, but it can be well worth it to do things which couldn't be done with conventional software, for example being able to track and correct moving objects within an image. You don't have to use it for every shot - you could just load the ones you want and treat those.

    I find Resolve's new editing capabilities a bit clunky, and also it would involve transcoding all my GH2 footage, so I much prefer to edit in Sony Vegas and export the final shots into Resolve using a Resolve-friendly format, and then export the finished footage back into Vegas for adding titles etc - so yes, you have to round-trip between programs - but Resolve is worth it if you have the time (and the need) to do it (and can put in the hours required to learn what it can do). I take my hat off to anyone who uses it professionally and at speed!

    I do see what you are getting at - it would be great to somehow be able to switch into Resolve to grade some footage and then switch back to your editor and instantly have graded footage in your timeline - but that's not unfortunately how it works.

  • I found several tutorials but sorry...it looks to damn complicated...switching between software all the time? I can just assume a dynamic link is not available like with premiere's own softwares?

  • R11.1 available. No more beta.

  • @olli66 I think you need to do some homework to learn how Resolve works. Download a copy, open the manual and all will be revealed. There are also user forums on the BM website. It's too hard to answer questions if you don't understand the basics of how it is designed to fit in your post-production workflow.

  • thanks caveport for the heads up so is it possible to use davinci in combination with premiere without rendering TWICE? I mean can Davinci open my Premiere files so I can just work on certain scenes and then either davinci or premiere does the rendering with the grading settings from davinci?

  • @joethepro sorry not to reply sooner. Interesting that you don't have the issue I do. I have resolve on the system disk (SSD) and I have two other SSDs which I use for source / intermediate footage.

  • It is NOT a plugin.

  • sorry guys, I might be missing the obvious but I can't get to run Resolve 11 beta light in Premiere CC, I have an ATI card...is it only standalone software or not compatible with ATI? a friend gave me the heads up that I could use it with my setup...

  • @Mark_the_Harp I have a gtx 560ti and it runs about the same as 10 did, maybe just a tad slower. Do you have an SSD or HDD?

  • Hi all, gagging to try this but for some reason resolve 11 lite runs very slow using my GTX580 card. I know it's not exactly the latest card, but Resolve 10 ran at least 2-3x faster on it. I have the latest drivers and my MB has no onboard video so I'm not sure why the slowdown.

    Anyway I don't want to use Resolve's NLE function so have gone back to 10 and have asked in the Blackmagic forum what the issue might be. Shame as the qualifier has some good added functionality in 11.

    Mentioning this in case anyone has a magic solution or has had similar issues.

  • @caveport Yes you are correct, but there is no way to disable the effect of a timeline/track node for a particular clip, so for smaller projects its easy to add them to each clip. Ill check out the tools you mention, sounds useful.

  • @joethepro That seems like more work as now you must apply an extra node to every clip! With track based grades, you only apply once and it affects the whole timeline. You can also disable the track grade or make adjustments to it if required. My approach to grading comes from having only two days to grade television shows that have around 900+ clips. Being able to work fast is essential. In Resolve 11, there are new group tools and version tools that allow a similar way to work without using the track grade. It's most important to find a workflow that suits your project. Good luck!

  • @caveport Another simpler solution. Just make the curves adjustment, and always keep it as the last node in the clip node tree, no need to make it in the timeline node tree. This will keep the effect throughout all your other changes, assuming you add nodes behind the curve node. Why didnt I think of this before? :)

  • @caveport Thank you for your help, I will try this tonight. Looks like I'll be reading some more of the manual at work today hahah

    Update: Look at that... it works! Thanks again!

  • @joethepro Create a single node grade in Resolve. Use the curve tool to set high & low limits. The clip should look low contrast & the scopes should show a limited luminance range. Export a 3D LUT from the clip. It should default to the correct save location. Now set up a TRACK based node and right click the node to select the 3D LUT you just created. This will hard clip the CLIP based node grade. Now the entire timeline will clip to the limits set by the LUT. I just tried it and it works well. BTW I'm on Mac OSX so I do not know where Windows folders are. You should be able to find the info in the manual or Google search.