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GH2 Broadcast Discussion
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  • @MarkV, can I really still get a refund? I figured it's been too long, I bought the day it came out.


  • Today's promos done with @cbrandin 44M settings. Shot with 20mm pancake.
  • @Felix
    I am one who notices the difference between broadcast-quality and the stuff that gets rejected. (but then, I used to be the guy who used to reject vision shot on prosumer gear. I am also, I hardly dare admit, one who prefers film to Red!).
    So, not surprisingly, I've yet to be satisfied with anything I've shot on my GH2. (Meaning I keep comparing it with broadcast standards).
    So I also notice the quality drop from the Guardian's presenter-to-camera shots, as soon as they cut to your own living-sculpture & oil vision. My immediate reflex was to defend your own work. Do you think they took enough care with your footage? My experience is that TV editors are less careful with out-of-house vision. I sometimes even suspect them of jealousy. They'll work overtime, right up to deadline to make their own stuff look its best, while they'll slap an "xyz footage" super over anyone else's.
    I do believe there's a GH2 *aesthetic* which can hold its own - given the right content. So I keep striving. I mean, we've come so far with consumer formats; isn't a GH2 good enough to satisfy us?
    @Greek_m43
    I'm impressed! Those shots of presenter in the studio were shot with a GH2? I'm wondering just what workplace dynamic has allowed you such freedom! Excellent work!
  • @Roberto Ya every single shot, other then the football b-roll, were shot on my GH2 44M. We have an EX1, 7D, my GH2, and a Go Pro and we use them all for our promos that broadcast. Just using whichever tool fits best, but my default is the GH2.
  • It's nice to see hacked GH2 on air here in the Sac area. Might just have to start watching the news again.
  • And yet again, 2 more promos shot on a hacked GH2 (I shoot all my promos on a hacked GH2, I share every so often). This time it's on @Driftwood 176MB ver.3 with the 20mm pancake. I've been using this hack all week.


    All is GH2 except the daytime b-roll.
  • All: Remember networks like Discovery and Nat Geo are sill shooting most of their shows with the original tape-based varicam, running a very unintelligent codec at 100MB/s (but in fact we do must shows at 30p - knocking the bitrate in half. The GH2 is MILES ahead in many ways compared to that camera we've literally been shooting with for 8 years!
  • @Greek_M43- how do fit all the footage when the patch limits you to 3-4 mins of 176megabits of footage. Or is that all you shoot per clip?
  • @chrimsbroome - even if they need 4 takes to get their read right, it only takes about 1:30. Usually like 30 seconds of recording per tease.
  • @Greek_m43 no out outtakes then lol
  • @chrimsbroome we just ran into that problem! It's not even the room on the card, it's that I only set the in-point before the good take. Had no outtakes when our anchor left :(
  • @Greek_m43 well its sill in early stages this patch. You might find that Driftwood drops the bit rate a bit. The quality is top notch. I do notice some strange bit rate problems when shooting @ 50i mode, the bit rate never seems to go to its maximum bit rate even in detail shots. I am also looking for some faster, bigger cards that can span and generally can handle the bit rate and record lots of video. Not easy when the good ones like Sandisk 64GB SDXC 98 megabit is £300 ($600). I am sure the next Ptool will improve stability and over all bit rate performance though.
  • So I did a few timelapses of downtown Sacramento for the CBS 13 news intro. Looks awesome on air. They also grabbed one of the photos and put it on the backdrop projector for the 10 o'clock news. The GH2 is moving up :D. I'll try to post the intro and a screen grab of the backdrop.

    To add, I continue to use the current @driftwood patches for promos and commercials as they are realeased. These air all throughout the day.
  • Here's the one I posted on vimeo yesterday, just because I haven't posted in a while. Shot with Orion v4b with 20mm pancake. I have alot more that braodcast over on our station youtube page.

  • Australian ABC TV's Technical Specifications for externally produced video can be downloaded at http://www.abc.net.au/tv/independent/doc/ABC_Delivery_Specs_Aug_2011.pdf