Atomos Ninja V

Vitaliy_Kiselev

PR

Melbourne, Australia -- 9 April 2018 -- The latest incarnation of the famous Atomos Ninja line is here. Seven years after the world's most popular portable Apple ProRes recorders burst onto the scene, Atomos is delighted to introduce Ninja V - an all new compact 5.2" 1000nit high bright HDR monitor/recorder with unrivalled advanced features. It has a sleek modern design and weighs just over 11oz (320g) - perfect for mirrorless cameras, DSLRs and gaming.

The perfect small monitor

The near edge-to-edge high bright 5.2 inch screen has a stunning 1000nits of output coupled with an anti-reflection finish - allowing users to clearly see their images even in daylight. Use the color-accurate display with AtomHDR to see in High Dynamic Range, or load creative LUTs at the touch of a button. Ninja V gives you all the critical monitoring tools you need - histogram, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, Vector scope, 8ch audio level meters and more!

Perfect 1" thin recorder

Record up to 4Kp60 10-bit video over HDMI 2.0 in edit-ready Apple ProRes or Avid DNxHR direct to affordable SSD drives. The Ninja V's sleek 1" (2.5cm) deep aluminium body is crafted for maximum portability and durability, stealthily attaching to any camera. A truly beautiful design.

HDR perfection every time

The Atom HDR engine ensures perfect exposures when shooting HDR. It delivers a stunning 10+ stops of dynamic range to the LCD in real time from Log/ PQ/HLG camera signals. Playout Log as PQ or HLG to a larger HDR-compatible screen. The display can be calibrated to maintain perfect color accuracy over time.

Long records on affordable storage

Record direct from your camera's sensor and bypass the internal compression quality and recording time limits. It runs from a single Sony-type battery for hours. The new compact AtomX Drive SSD offer robust affordable storage. Available from Angelbird, G-Technology and now also Sony Storage Media Solutions, who join as our newest licensed drive partner. Ninja V also works with Master Caddy II.

Designed for your camera!

Atomos HDMI control protocols allow recording to be automatically triggered, timecode matched and HDR metadata set by a wide variety of cameras. Realtime Log-to-HDR profiles allow users to take away the exposure guesswork in HDR production.

Audio inputs

Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket - especially useful for cameras that do not have a mic input.

Endless open expansion!

Enhance the capabilities of the Ninja V through the ingenious modular expansion slot breaking out connectivity for high speed video, audio and power. Expansion modules will dock onto the battery slot of the unit and offer advanced features such as continuous power modules. Atomos and third party accessories will be available in the future.

Atomos CEO Jeromy Young explains: "Ninja V is the result of years of development and expertise. It combines the best of what we do at Atomos and squeezes it into one small box. It sits stealthily on your mirrorless camera, yet it is packed with power. It's what everyone wants! Small, sleek 5" and future proofed with AtomOS and the modular expansion slot - at $695 it's a no brainer. Put simply, Ninja V is the most versatile outdoor monitor and portable ProRes recorder ever. We can't wait to see how it unlocks creativity for our users."

Come and see Ninja V for yourself at NAB 2018, Atomos booth C9425.

konjow

Can you tell me why to this day there is no way to use M.2 drives in Ninja? There are adapters to Sata from B key M.2 but I cant see anyone try this. They are cheaper now and faster.(in Ninja could be same but its better buy for edit) Unfortunately there are no adapter Sata to M key - or if there is tell where :) I found M.2 M key to Macbook Air SSD but not to regular Sata3/6. Im Wonder if Air SSD to SATA exists would be fun to test it. :) https://www.banggood.com/ITHOO-AIRNVME-N0-PCI-E-M_2-to-Macbook-Air-Pro-SSD-PCI-E-Expansion-Card-3Gbps-for-Desktop-Computer-p-1596153.html?cur_warehouse=CN&rmmds=search

ikoniq

...

Vitaliy_Kiselev

PR

AtomOS 10.53 --- Sigma fp and FujiFilm GFX100 HDMI RAW

Important Note:

With the installation of this update if not previously activated users will be required to activate ProRes RAW, as a codec.

Following the Firmware update, when a RAW source is plugged in, or a user selects ProRes RAW Codec, a UI pop-up will ask for activation code to continue.

Visit Atomos website www.atomos.com/activation and follow the online instructions to generate a code.

SIGMA fp

Video modes available for monitoring and recording in 12 Bit RAW:

4096x2160p24

3840x2160 up to 30p

1920x1080p up to 119.88p

Video modes available for monitoring and recording in 10 Bit ProRes 422 or DNx:

3840x2160 up to 30p

1920x1080 up to 119.88p

Monitoring of RAW input in:

Native -- Linear to VLog for use with 3D LUTs -- can use any existing VLog LOOK LUTs

Rec709 -- to view RAW input in SDR up to 6.7 stops of dynamic range

HLG -- to view RAW in HLG with up 10.5 stops of dynamic range

PQ -- to view RAW in PQ/HDR10 with up to 10.5 stops of dynamic range, for scenes with extended spectral highlights.

Playback of recorded video in ProRes RAW, ProRes, and DNX

FujiFilm GFX100

RAW modes available for monitoring and recording in 12 Bit RAW

3840x2160 up to 30p

Video modes available for monitoring and recording in 10 Bit ProRes 422 or DNx:

4096x2160 up to 24p

3840x2160 up to 30p

1920x1080 up to 60p

Monitoring of RAW input in:

Native -- Linear to Vlog for use with 3D LUTs -- can use any existing VLog VGamut LOOK LUTs.

Rec709 -- to view RAW input in SDR up to 6.7 stops of dynamic range.

HLG -- to view RAW in HLG with up 10.5 stops of dynamic range.

PQ -- to view RAW in PQ/HDR10 with up to 10.5 stops of dynamic range, for scenes with extended spectral highlights.

Playback of recorded video in ProRes RAW, ProRes 422, and DNx.

Known limitations

SIGMA fp

In some instances when using LUTs banding artifacts may be observed in some areas of the display on the Ninja V for 4K UHD video modes. (This behaviour is only limited to the display of the Ninja V and not the recordings).

On occasion if the camera is. powered down whilst connect to the Ninja V and set to RAW mode, the Ninja V may enter a locked state.

Switch between Record and Play back mode, Unplugging and re-plugging the HDMI, or Power cycling Switching will all resolve this issue.

ISO metadata reported in Final Cut Pro X may occasionally be incorrect if using 1/3 EV ISO adjustments on the camera. - Incorrect for camera ISO setting 1000, 8000, 16000.

Update in future firmware release for camera.

White balance adjustment is not available in Final Cut Pro X.

FujiFilm GFX100

Interaction with the EVF eye sensor may cause freeze frame or black frames in the recording. - Not using the EVF or tilting the LCD screen can resolve the issue.

Removal of the EVF from the camera is advised to avoid issue.

White balance metadata is not reported in Final Cut Pro X.

Update in future firmware release for camera and Ninja.

White balance adjustment is not available in Final Cut Pro X.

General

RAW to HDR HDMI output - PQ / HDR10 output conversion may appear slightly incorrect.

Vitaliy_Kiselev

Atomos is thrilled to announce the dream of ultra-high resolution RAW video from a full-frame mirrorless camera is now a reality. Last week Atomos launched a Pre-Release Beta for Ninja V users to try out on their Panasonic LUMIX S1H. Today Atomos announces the full firmware update for the Ninja V.

From today Ninja V & Panasonic LUMIX S1H users will be able to record:

Simply stunning 12-bit RAW

The Ninja V captures the unprocessed highly detailed 12-bit RAW signal files directly from the full frame sensor of the S1H over HDMI at up to 5.9K/29.97p in Full-frame, or 4K/59.94p in Super35. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail from the S1H. The resulting ProRes RAW files allow for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows.

Anamorphic RAW

More and more cinematographers are now choosing to shoot with anamorphic lenses and the Ninja V and S1H combination caters to them with the new 3.5K Super35 Anamorphic 4:3 RAW mode. An even bigger world of cinematic opportunities opens up as the Ninja V and S1H can now be used as an A-camera or smaller B-camera on an anamorphic RAW production.

Improved color pipeline

LUMIX S1H ProRes RAW files recorded to the Ninja V can now benefit from an improved color pipeline in Apple Final Cut Pro X. Panasonic have published a new LUT based workflow that allows the enhanced potential of ProRes RAW files captured from the LUMIX S1H to be realised in the NLE software.

Ninja V advantage

The Ninja V allows users to accurately monitor the RAW signal on its daylight-viewable 5" 1000nit brightness HDR screen. Setup is simple when the camera is attached with perfectly tuned color settings applied automatically. Users can then view the RAW image accurately in HDR in a choice of HLG and PQ (HDR10) formats. The Ninja V offers touchscreen access to tools like waveforms, 1-1 magnification and focus peaking, allowing them to perfect their RAW video. The Ninja V then records the ProRes RAW data onto a removable AtomX SSDmini or other SSD drive. When shooting is complete the drive is removed and connected to a computer via USB for immediate offload and editing.

ProRes RAW the new standard

In addition to their ground-breaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files -- simplifying and accelerating file transfer, media management, and archiving. Even with the new higher 5.9K resolution, ProRes RAW files from the S1H can easily be edited on most modern Macs. ProRes RAW is fully supported in Final Cut Pro X and Adobe Premiere Pro along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

This is available immediately; Ninja V users can download the free AtomOS update for their monitor-recorder directly from the Atomos website.

Over the past few months Atomos has created a series of content pieces with the Ninja V and Panasonic LUMIX S1H, from test footage, to setting up your Ninja V and S1H with PhotoJoseph, to hearing from creators like Stuart Morgan and Krzysztof Sieniawski and their experiences with the great combo of Ninja V & S1H. Please see recent examples below.

Vitaliy_Kiselev

New good deal for $499

https://www.bhphotovideo.com/c/product/1401565-REG/atomos_atomnjav01_ninja_v_5_4k.html

Vitaliy_Kiselev

AtomOS 10.3 Firmware Update

Frame Guides for Social Media - for Facebook, Twitter, and Instagram videos there are guides for 1:1 and 1.91:1.1. Portrait Instagram mode offers a 4:5 ratio guide and there is also 9:16 for Instagram stories/IGTV, Snapchat, and YouTube.
9 Grid overlay - helpful function for applying the rule of thirds theory to the image composition.
Legalize HDMI input - users can manually apply a Full-to-Legal range conversion on the recorded input. The setting provides the option to legalize REC.709 inputs that are using Full range (8bit 0-255 / 10bit 0-1023) to accurately map these to Legal range (16-235 or 64-940) for increased flexibility with NLE systems.
IRE Scale for False Color (False color is an essential tool to get the correct exposure) -- An IRE % scale with values has been added to False Color mode view to help enable accurate exposure of skin tones when exposing.
Anamorphic De-squeeze - Atomos added 1.25x and 1.8x de-squeeze to allow compatibility with a wider range of anamorphic glass.
Rolling File Naming - Scene, Shot and Take filenames allow users to accurately name planned shots as if using a conventional slate. This firmware update adds the ability to maintain continuous rolling file naming and take counts after reformatting a drive. This function can be turned on or off in the file naming menu.

Vitaliy_Kiselev

Small discount, goes for $649

https://www.bhphotovideo.com/c/product/1401565-REG/atomos_atomnjav01_ninja_v_5_4k.html

konjow

Thanks @davedv Looks like like you have same experience.

Would you know which one would be better in 1080 50p for slower mo green screen on Ninja V?. Them both have mach better 4k but I need 50p and looking for most affordable solution. Have both cameras so its probably good time to gat Ninja as it was the plan when I got Z6 instead of GH5. If I order now will not have time for tests to comper so I need to trast internet :)

davedv

You can output 10-bit 4:2:2 at 1080p up to 60fps or 10-bit 4:2:2 in 4K up to 30fps over HDMI from either the Panasonic GH4 or Nikon Z6. 4K50 or 4K60 is not possible with either of those cameras, but is possible with the Panasonic GH5.

Atomos has dedicated setup pages for both cameras: https://www.atomos.com/cameras/panasonic-dmc-gh4 https://www.atomos.com/cameras/nikon-z6

konjow

Can anyone tell me if I get 10bit 422 1080 50p on Ninja V from GH4 and from Z6 ???? 4k 50p I think non of this camera but 1080 green screen for slow mo?

Vitaliy_Kiselev

markr041

So, really. Do you get a visible benefit from external recording?

The theory: An external recorder allows one to record at higher bitrates and with better color - usually 422 sampling at 10bits versus 420 sampling at 8 bits. But can you actually see any difference?

The Sony RX0 ii outputs 4K 422 10bit video from its HDM port (according to Atomos). And you can simultaneously record to the sd card and externally - with the Ninja V you just use the record button on the camera and you get two recordings.

The internal codec is XAVC S, 100 Mbps, 420 8bit. The recorder uses ProRes at 422 10bit 850 Mbps!

I shot using Slog2, so all the footage is graded - which is what the high-bitrate, high-bit codec is good for. And yes, some scenes stress the codec: lots of detail, moving tree leaves, joggers.

In the video you see the internal followed by the external version for each scene. Clearly labeled.

markr041

Yes, FS700 still rules: 4K 120p from 12bit RAW (to Pro Res 422 10 bit).

IronFilm

This makes the FS700 even more appealing with a cheap and compact SDI recorder!

Just wish this SDI module had the features of the AtomX Sync in it as well! Would fix the biggest problem of the FS700: no timecode!

markr041

Price is high, but better than having to buy a Ninja VI, an SDI version of the V.

Vitaliy_Kiselev

AtomX SDI Module

Adds Two 12G-SDI Ports to Ninja V
SDI Ports Are User Configurable
Supports 4K60p and 2K240p
Numerous Playback Options, Including HDR
Provides Power Passthrough
$199, really overpriced, a lot

https://www.bhphotovideo.com/c/product/1471487-REG/atomos_atomxsdi01_atomx_sdi_module_for.html

MikeLinn

Vitaliy_Kiselev

Atomos Ninja V offers 4k 10-bit 422 HDR recording with the Panasonic LUMIX S1

Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring. L-rumors.com

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5” Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring

Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense

External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $2500 US MSRP for the LUMIX S1 body and $695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

The Atomos Ninja V, Ninja Inferno and Shogun Inferno are available now from all Atomos approved resellers.

mrbill

I got mine last week - so far, I can’t fault it, works great with my gh5. The fan noise is neglible.

Vitaliy_Kiselev

Our interview

MikeLinn

MikeLinn

Vitaliy_Kiselev

In stock

MikeLinn

MikeLinn

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