One more Panasonic PR

LAS VEGAS, NV (April 8, 2018) – Panasonic is marking its 100th year anniversary with a wide-ranging display of products, technologies and solutions for production and broadcast professionals here at the National Association of Broadcasters (NAB) show. Under the theme, “Welcome to our next 100 years of Innovation,” Panasonic debuts the:

1. AK-UC4000 4K/HDR/high-speed studio camera with 4.4K native resolution and high-speed 240fps* capability;
2. EVA 2.0 free firmware upgrade for the 5.7K AU-EVA1 cinema camera that greatly enhances its recording capabilities with ALL-Intra frame formats and RAW data output. Panasonic also announced the EVA1 and VariCam LT will take full advantage of the new ProRes RAW software for a faster and more efficient RAW workflow;
3. AV-HLC100 Live Production Center with Network Device Interface (NDI) that combines a 1 ME switcher, remote camera controller, graphics overlays, streaming/recording and audio mixer functions to enable easy live streaming with one-person operation;
4. VariCam LT V. 6.0 CineLive firmware that sets the cinema camera up for live and near live multi-cam use for events, concerts, television shows and corporate productions;
5. A new line-up of PTZ cameras with built-in Network Device Interface (NDI|HX) support–the AW-HN38, AW-HN40, AW-UN70 and AW-HN130.

JVC New Camcorders

Check https://www.personal-view.com/talks/discussion/19406/jvc-hm250u-gy-hm250sp-gy-hm180u

Just saw this in my feed

Wooden camera Venice stuff

Nikon NAB PR

LAS VEGAS, NAB BOOTH #C6019 (April 5, 2018) - Nikon Inc. and MRMC, a Nikon Group company, are inviting attendees of the 2018 NAB tradeshow to visit their booth and experience the latest innovations in digital imaging, robotics and automated image capture solutions. The booth will feature the new Nikon D850 Filmmaker's Kit, as well as MRMC's recently announced offerings in automation for broadcasters and sports clubs. Attendees can also experience Nikon's existing line of imaging products and MRMC's expansive solutions, both of which will be used to livestream directly from the show floor.

"Both Nikon and MRMC are known for innovation in imaging, and NAB is the perfect opportunity to show the world the unlimited possibilities that Nikon capture technologies and optics in combination with MRMC automation and robotics offer," said Jay Vannatter, Executive Vice President, Nikon Inc. "Our new technologies are pushing forward the possibilities to expand creative control and create more efficient and higher quality productions."

Nikon D850 Filmmaker's Kit

For creators looking to take full advantage of the Nikon D850's extensive video capabilities, this powerful, award winning DSLR camera will be available as part of a new Filmmaker's Kit. The kit includes three prime NIKKOR lenses ideal for content creation that exhibit the fantastic sharpness needed for 4K UHD video, including the AF-S NIKKOR 20mm f/1.8G ED, AF-S NIKKOR 35mm f/1.8G and AF-S NIKKOR 85mm f/1.8G lenses. The kit also contains an additional EN-EL15A battery, the ME-1 Stereo Microphone, the ME-W1 Wireless Microphone, and an Atomos Ninja Flame Recording Monitor. Additionally, the kit comes packaged with custom foam inserts, ideally sized for use in a hard case for transport. The Nikon D850 Filmmaker's Kit is available now for the suggested retail price (SRP) of $5,499.95*.

Nikon's Award Winning DSLRs and NIKKOR Lenses:

Nikon's extensive line of acclaimed DSLR cameras will be on display, including the 4K UHD capable Nikon D5, Nikon D850, Nikon D500 and Nikon D7500. Combined with the vast array of NIKKOR lenses, these cameras are great for multimedia content creators looking for advanced features and controls for high-quality productions. Throughout the show, attendees will have the opportunity to get hands-on time with the latest Nikon cameras and NIKKOR lenses, plus have a chance to speak directly with Nikon product experts.

MRMC Introduces Automated Image Capture Solutions for NAB

The new offerings from MRMC are designed to address the needs of image and video capture for broadcast and sporting venues by delivering simplicity and cost efficiency. The Polycam: Chat is an in-stadium solution which simplifies and augments the small-scale studio atmosphere while lowering production costs and footprint. The system automates the camera operation for up to four presenters and guests in one studio and can easily track a talking head with maximum stability within the frame. The Polycam: Player is a robotic video capture system for team analysts that offers an unbeatable level of automation, flexibility and low-light image quality to monitor the field with unparalleled precision. 

MRMC will also be featuring new interface controls, including the Multiviewer Skin, Live Skin and the Color Control Panel for Multi Head Controller (MHC) systems, which allows broadcasters to have more creative control over their content. The Multiviewer Skin provides the ability to control up to 12 cameras directly from the Multiviewer interface, while the Color Control Panel can remotely control color output from select Nikon DSLRs to match a multi-camera production environment. Additionally, the new Live Skin UI offers a familiar full-screen interface for remote camera operation.

The MRMC display will also include innovative robotic offerings like the world's fastest and most advanced cinebot, the Bolt, as well as the smaller, more compact and lightweight Bolt Junior. For studio track, ceiling or floor mounting needs, MRMC will also be exhibiting the multi-purpose, smooth and ultra-quiet Camerobot, StudioBot and StudioBot Light robotic camera arms. Other technologies on display from MRMC will include Robotic Pods for remote capture, the AFC range of pan-tilt camera heads, Whisper Head PTZ systems and a glimpse of custom operator control interfaces.

Attendees can also see the MRMC Bolt as part of an interactive display at the entrance of the Central Hall of the Las Vegas Convention Center.

NAB 2018 Presentation Schedule

Nikon and MRMC will be livestreaming a full schedule of inspiring and educational speakers throughout the first two days of NAB 2018. Those interested in watching remotely should visit www.nikonusa.com/live to tune in.

Day 1 - Monday, April 9 (Show Hours: 10:00 A.M. - 6:00 P.M. PDT)

• 12:00-12:45 PM PDT -- Joe McNally - Cuba, The Dance of Memory: Still to Motion
• 1:00-1:45 PM PDT -- Eric Fletcher - 30 Years of Production: What I've Learned, Where It's Going
• 2:00-2:45 PM PDT -- Mikey Cosentino - Bolt: Life in Slow Motion
• 3:00-3:45 PM PDT -- Deanne Fitzmaurice - Stories That Move
• 4:00-4:45 PM PDT -- Lucas Gilman - State of the Art: 8k Time-Lapse with the D850
• 5:00-5:45 PM PDT -- Ami Vitale - The Stories We're All Seeking

Day 2 - Tuesday, April 10 (Show Hours: 9:00 A.M. - 6:00 P.M. PDT)

• 1:00-1:45 PM PDT -- Keith Ladzinski - Extreme Adventures in Filmmaking
• 2:00-2:45 PM PDT -- Chris Hershman - The Art of Making Music Videos
• 3:00-3:45 PM PDT -- Dixie Dixon - Fashion in Motion
• 4:00-4:45 PM PDT -- Steve Heiner - The Nikon D850: Time-Lapse in Depth
• 5:00-5:45 PM PDT -- Corey Rich - Paralleling Still and Motion

For more information about the Nikon brand, the new Nikon D850 Filmmaker's Kit as well as the latest digital imaging products, please visit www.nikonusa.com. For more information about MRMC robotic and automated image capture solutions, including their current line of products, please visit https://www.mrmoco.com/NAB2018.

Nikon 100th Year Anniversary

Since the company was established in 1917, Nikon has cultivated its status as a pioneer of optical technologies around the world. Guided by a corporate philosophy of "Trustworthiness and Creativity," Nikon provides a wide range of products and services globally by harnessing advanced opto-electronics and precision technologies. Nikon is proud to celebrate their 100^th^ anniversary from July 2017 to July 2018.

Panasonic NAB page with schedule

https://na.panasonic.com/us/NAB2018

Canon NAB PR

MELVILLE, N.Y., April 4, 2018 – At the 2018 National Association of Broadcasters (NAB) Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will unveil its newest cinema and broadcast products on in booth #C4325. Among the products on display in the booth include Canon’s first full-frame cinema camera, the EOS C700 FF, the CN-E 20mm T1.5 L F cinema prime lens, four new 4K UHD broadcast lenses and two new 4K HDR reference displays. From stadiums to studios, houses of worship to on-location breaking news, the Canon booth will feature product solutions for a wide variety of live production and filmmaking environments. Additionally, Canon will host a myriad of panel discussions and presentations to help NAB attendees glean best practices and insights from leading industry professionals.

“The Canon booth at NAB has always been a go-to resource for professionals in the production community looking for the latest technology and products to bring their projects and visions to life,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “At NAB this year, visitors will witness the full breadth of our commitment to provide those in video creation, editing and distribution with products, services and support they need to get the job done.”

Newly Debuted Products and Presentations

Visitors to the Canon booth will have hands-on opportunities to experience the full range of Canon Cinema cameras, 4K reference displays, HD video and DSLR cameras and lenses, including the recently announced full-frame EOS C700 FF Cinema Camera and the CN-E 20mm T1.5 L cinema lens, a full-manual 20mm prime cinema lens. Canon will also display its newest 4K UHD broadcast lenses; a mid-range UHD-DIGISUPER 66 telephoto zoom lens and the CJ24ex7.5B, CJ14ex4.3B and CJ18ex7.6B 4K portable zoom lenses as well as two new professional 4K HDR reference displays: the 24-inch DP-V2421 and the 17-inch DP-V1711.

Throughout the show, the Canon booth will feature presentations and panels such as “Shooting Homeland,” “Large Format in Sports Production” as well as “Documentary Filmmaking” by world-renowned cinematographers, broadcast specialists and filmmakers. The stage will also incorporate working demonstrations of the seamless integration of Canon imaging products into a live production environment. For more information on the panel discussions, please visit usa.canon.com/nab.

Along with informative lectures and panel discussions, the Canon stage will feature live performances from entertainers at various times throughout the show. All events on the Canon stage will be broadcast live onto IMAG screens on the side of the stage using cameras that are open to the public to touch and try. These live demonstrations are fully functional production environments, complete with VFX, control room and a professional crew staffing the boards.

Service and Support

Canon is committed to providing world-class customized service and support for imaging professionals and organizations. An in-booth service and support consultation area will be available for show attendees to discuss with representatives Canon’s offerings for client services and programs. Technical experts from the Canon Factory Service Team will be available throughout the booth to answer questions related to Canon broadcast or cinema products.

JVC

WAYNE, NJ (April 4, 2018) – JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced the GY-HC900 “CONNECTED CAM” broadcast camcorder, which features three 2/3-inch CMOS image sensors for full HD imagery, as well as enhanced connectivity for a complete news-over-IP workflow solution in the field. The camera is being demonstrated at the 2018 NAB Show (Booth C4315), which runs April 9-12 in Las Vegas, Nev.

When paired directly with the optional ProHD Dockable Bridge or via Wi-Fi with any ProHD Bridge unit, the new GY-HC900 allows on-air talent to conduct a two-way interview with return video while streaming live to air without any external boxes or backpacks. It is JVC’s first camera featuring a new communications engine that optimizes both image processing and IP performance. The engine enables simultaneous recording, low latency streaming, and simultaneous decoding for return video and IFB. Latency can be as low as 500ms for both outgoing and incoming video.

“JVC’s CONNECTED CAM takes connectivity to the next level and sets a new benchmark for ENG cameras,” said Joe D’Amico, vice president, JVC Professional Video. “Its integrated communications engine truly makes news-over-IP a reality with amazing images and a cost effective, streamlined workflow.”

The GY-HC900’s complete IP workflow includes streaming performance up to 20 Mbps and built-in Wi-Fi (2.4Ghz/5GHz) with dual external antennas. The camera also features Zixi™ error correction with automatic repeat request (ARQ) and SMPTE 2022 forward error correction for reliable transmission.

Beyond ENG, the GY-HC900 is an ideal choice for high-end EFP and studio fiber applications. It works with the FS-900 camera module, which attaches seamlessly to the camera via a 68-pin interface, and feeds 3G-SDI signals, control, audio, sync, and intercom to a base station via fiber.

Equipped with an industry standard B4 lens mount and four-position optical filter, the GY-HC900 delivers excellent sensitivity (F12 at 60Hz, F13 at 50Hz in extended mode) and high 62dB signal-to-noise ratio (in standard mode). The advanced 2/3-inch CMOS sensors, each with 1920×1080 pixels, combine with an F1.4 prism to produce full HD images. The camera also offers an HDR mode for creative flexibility, as well as up to 120fps 1080p slow-motion recording.

The GY-HC900 supports native recording of both MPEG-2 at up to 35 Mbps, which is widely used by broadcasters, and H.264 (.MOV), which provides production quality 10‑bit, 1080/60p 4:2:2 footage. Plus, the camcorder records in Sports Exchange Standard formats, so sports organizations can produce HD video with rich metadata that specifically addresses the workflow needs of sports production and video coaching applications.

With dual memory card slots for SDHC/SDXC media, the GY-HC900 offers redundant, relay, and backup recording modes. It also records proxy resolution video clips for off-line editing or online posts. The camera includes a 3.26-inch OLED color viewfinder, as well as a 3.5-inch LCD panel for menu navigation.

An integrated 3G-SDI pool feed input allows the GY-HC900 operator to capture video and stream it live simultaneously. Camera functions can also be controlled via web browser or the JVC RM-LP100 remote camera control. The camera also boasts an IPX2 water resistant rating for operation in challenging conditions. Other features include a genlock input, time code in/out, dual 3G-SDI outputs and an HDMI output, three XLR audio inputs, Ethernet and USB ports, wireless audio module slot, and an additional slot for future expansion.

Available in June, the GY-HC900 CONNECTED CAM with a 20x lens has an MSRP of $18,500, and is also available without lens (GY-HC900CH) at an MSRP of $13,950.

Atomos Shogun Inferno and Sumo19 unlock the Panasonic AU-EVA1 5.7K RAW output

Melbourne, Australia – 02 April 2018 – Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year.

Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.

Users will soon be able to capture stunning 5.7K RAW imagery direct from the sensor at up to 30 fps over the 6G SDI connections and record it to reliable, affordable SSD media. Full details will be revealed by Atomos at the NAB 2018 show this month.

In 4K resolution you can record up to 60fps from the RAW output in production ready Apple ProRes, Avid DNxHR,or CDNG RAW up to 2Kp120 or 4Kp30. The resulting frames are super clean, detailed and capable of withstanding heavy grading.

The Shogun Inferno also supercharges the EVA1’s slow motion performance. It can record the RAW output at up to 240fps in 2k/HD, direct to Apple ProRes or Avid DNxHR. Perfect for sports, wildlife and a wide range of other uses.

All these features will come in an AtomOS upgrade for the Shogun Inferno and Sumo19 to be released at NAB April 2018. This will be offered for free as part of our continuing commitment to our users.

“Panasonic and Atomos have combined to deliver an astonishing set of features for end-to-end RAW production – 5.7K, 4kDCIp24-60, 2KDCIp240 in 10-bit V-Log recorded on our Shogun Inferno or Sumo 19. This is the best RAW solution for the price point on the market today,” said Atomos CEO Jeromy Young.

Of course, recording is only half of the equation, accurate monitoring is also essential. Luckily, the Shogun Inferno also offers state-of-the-art monitoring for both HDR and SDR recording with its 7” 1500nit high brightness panel with the Sumo19 at 19” and 1200nits.

Take the guesswork out of exposure in HDR or Log with Atomos’ unique AtomHDR system which shows a massive 10+ stops of dynamic range on either screen. The display is colour accurate and can be calibrated over time using a X-rite i1Display Pro probe. Benefit from AtomoOS’ full range of monitoring tools like waveform, vectorscope, false colour, audio level meters and pixel-to-pixel magnification.

Users can also load and store LUTs directly into Shogun and Sumo for complete creative control, production to post. With HDMI or SDI users can output their footage in 4K PQ (HDR 10) or HLG HDR direct to a compatible television or monitor for instant preview using our AtomHDR engine – great for on-set use or client review.

When used with the EVA1 no other external monitor recorder will give users the extensive range of options available from the Shogun Inferno and Sumo19. It remains the most versatile, flexible and cost-effective solution for high end external monitoring and recording on the market today.

If you are attending the NAB Show then be sure to come and check out the EVA1 and Atomos RAW capabilities live at Booth C9425.

Canon 4K UHD broadcast lenses

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Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of three new portable zoom 4K UHD broadcast lenses: the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. These new additions are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Flanking the existing UHDxs series of 4K portable broadcast lenses that deliver excellent optical performance, these three lenses usher in the newly launched UHDgc series that will broaden 4K UHD shooting options. These new lenses provide 4K UHD imaging quality at a price point that is more accessible to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance while maintaining a compact and lightweight design to meet a wide range of needs for video productions that include documentaries, sports, events and news coverage.

The CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-low Dispersion (UD) glass to achieve high 4K UHD performance across the entire zoom range. In addition, the lenses support the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard. These features are essential to HDR imaging. The lens ergonomics and digital servo operational controls are similar to previously announced Canon portable zoom lenses, providing users with maximum mobility in a variety of shooting situations.

“As 4K UHD origination becomes more popular in television news, the need for affordable lenses that can deliver the necessary imaging performance has grown,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The new UHDgc series of lenses provides the optical brilliance that makes Canon a leader in broadcast lenses, while at a budgetary level that will make them attainable to a large swath of the industry.”

Availability

The Canon CJ24ex7.5B and CJ14ex4.3B 4K Portable Zoom Lenses are scheduled to be available in summer 2018, while the CJ18ex7.6B lens is scheduled to be available in fall 2018*. In addition, the lenses are being shown publicly for the first time at the Canon booth (C4325) at the NAB Show 2018 in Las Vegas from April 9-12.

For more information please visit, http://usa.canon.com/provideo

Lenses with support for HDR and BT.2020 color space, my ass.

Sanken Cs-M1 microphone

Canon C200 and C200B firmware upcoming

Right before NAB most probably, nothing too fancy comes.

Ikan DH7-V2 monitor

HOUSTON, Texas (March 27, 2018) - Ikan announces the release of a new on-camera monitor, the DH7-V2. The affordable DH7-V2 features 3D LUTs and 4K signal support as well as an optional add-on wireless receiver. The DH7-V2 is ideal for run-and-gun, indie filmmaking and documentary production.

"The DH7-V2 is an affordable monitor offers 3D LUTs and 4K signal support," says Product Manager Kevin Lu. "You can easily store your favorite 3D LUTs on the DH7-V2 and preview them quickly."

The DH7-V2 comes with a 3D LUTs support and a 4K HDMI signal support, allowing for digital projection in real time. Additionally, the fully touch screen monitor includes a wireless option via a pogo connector. The DH7-V2 functions as a directors' monitor and is ideal for camera operators, directors of photography and indie filmmakers on the go.

Ikan will showcase the new on-camera monitor at the NAB show in Las Vegas, NV from April 9-12, 2018. To test our latest technology, visit booth C10919.