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Fujifilm X-H1 aka X-T2s video oriented 4K with IBIS
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  • 15 minutes can be a long time! You can still make a movie. Just change the title from "Gone with the Wind" to "Gone with the Fart." Hey Fuji, my first DSLR was a Fuji that I bought in the 70s. What a beautiful camera (should have kept the 50mm lens). You guys make great cameras---fix the video DOH!

  • For the most part it's the same as XT-2 just with the addition of IBIS and touch screen. The video recording restrictions certainly won't lure away Panasonic customers. Recording limits don't bother me as most of my clips are less than 5 minutes and if I need more I can use an external recorder. That being said I think I'll wait for the XT-3 unless I come into excess cash.

  • Official US PR

    Valhalla, N.Y., February 15, 2018 -- As a leader in advanced digital camera technology and outstanding image quality, FUJIFILM North America Corporation is excited to announce the new FUJIFILM X-H1, featuring a 24.3 megapixel APS-C sized X-Trans CMOS III sensor and X-Processor Pro image processing engine for outstanding image quality. The new X-H1 is the highest performance camera in the X Series line of mirrorless cameras, and the first to feature in-body image stabilization (IBIS), a new Flicker Reduction mode that allows for stable exposure under fluorescent and mercury lighting, DCI 4K and other impressive video capabilities.

    "The new X-H1 is our first X Series model to feature in-body image stabilization, and we are very excited to introduce this camera to the market," said Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. "In addition to ensuring outstanding image quality, the X-H1 is fully equipped with an array of features and functionality specifically designed to enhance creative expression in a wide range of settings."

    The X-H1 boasts a newly designed, robust and durable body, and a range of features that support shooting in various situations by professional and experienced amateur photographers, and videographers. When used in combination with FUJINON lenses and Fujifilm's signature color reproduction technology, the X-H1 produces outstanding image quality and video reproduction.

    New 5.5 Stops In-Body Image Stabilization
    The new X-H1 is the first X Series camera to feature in-body image stabilization, harnessing three axial accelerometers, three axial Gyro sensors, and a specially-developed dual-processor to achieve approximately 10,000 calculations per second. When combined with compensating mechanisms, the X-H1 produces uncompromised image quality and precision. 5-axis image stabilization is possible with all XF and XC lenses, with certain lenses capable of up to a maximum of 5.5 stops. In addition, a new spring mechanism has been added to reduce micro-vibrations caused by operation of the mechanical shutter. Photographers may also choose to use the electronic front curtain shutter or the electronic shutter, virtually eliminating the effect of vibrations to maximize the benefits of image stabilization.

    Robust, Weather-Resistant Body Design and Easy Operability for a Wide Range of Shooting Environments
    In addition to its dust and water-resistant properties and ability to operate in temperatures as low as 14°F -10°C, the X-H1 also features 25% thicker magnesium alloy than the X-T2. The camera also features a high quality, scratch-resistant coating and a compact, lightweight body that maintains high precision and strong resistance to impact shock torsion and other sources of deformation.

    The new X-H1 features a high-magnification and high-precision electronic viewfinder with a magnification ratio of 0.75 times and 3.69 million dot resolution, leading the class for APS-C mirrorless cameras. The viewfinder display is extraordinarily smooth, with a display time lag of just 0.005 seconds and a frame rate of 100 frames per second, allowing the user to instantly confirm the movement of the subject and position the focus with great precision. The X-H1 also features a 3-direction tilt, 3-inch, 1.04 million dot electrostatic touch-panel LCD, which can be intuitively set to the desired angle. In addition, the 1.28 inch sub-LCD on the top of the camera, which emulates the design of the mirrorless medium format GFX 50S, allows for instant confirmation of shooting information.

    The X-H1 incorporates additional improvements based on feedback from professional photographers, including a large grip design, leaf-spring switch for the shutter-release button, near-silent shutter sound, a new focus level, and a new AF-ON button and enlargements of buttons on the rear of the camera.

    Comprehensive Range of Video Features Support Movie Production
    The X-H1 is the first camera in the X Series to include ETERNA, a new film simulation mode that is ideal for shooting movies. This mode simulates cinematic film, creating understated colors and rich shadow tones, greatly enhancing creative freedom during post-processing. The X-H1 boasts many functional and performance improvements to video image quality, including the 1080/120P high-speed video mode (1/2, 1/4 and 1/5 speed slow motion) for recording spectacular slow-motion footage; F-log SD card recording which aids smooth workflow; a DCI 4K shooting mode (4096×2160); a 400% dynamic range setting (approximately 12 stops); 200 Mbps high bit rate recording; a high-sound quality internal microphone (24 bit/48 kHz); and verbal time codes.

    First Flicker Reduction Mode and Improved Autofocus Algorithms
    The X-H1 features a flicker reduction mode, allowing for stable exposure during burst shots even under fluorescent and mercury lighting. In addition, improvements to the autofocus (AF) algorithm have achieved a number of performance enhancements. Low-light limit for phase detection AF has been improved by approximately 1.5 stops---from 0.5EV to -1.0EV---raising the precision and speed of AF in low-light environments. The minimum aperture has been expanded from F8 to F11, and major improvements have been made to the AF-C performance while operating in zoom, making the X-H1 ideal for shooting rapidly moving subjects.

    Vertical Power Booster Grip VPB-XH1
    The Vertical Power Booster Grip (VPB-XH1) is a weather-resistant grip capable of operating at temperatures as low as 14°F/-10°C that fits two additional batteries to increase maximum number of shots to 900 (in normal mode) and increases the maximum period for shooting movies in 4K to about 30 minutes.\ The Vertical Power Booster Grip features a shutter release button, focus lever, AE-L button, AF-ON button, command dial, Q button, and Fn button, providing the same ease of operation when using the camera in vertical or horizontal positions. The grip is equipped with a headphone socket to allow monitoring sound while recording, and includes recharging capability.

    Wide Eyecup EC-XH W
    The Wide Eyecup EC-XH W covers a broad area around the eye, greatly reducing light interference to enhance concentration during long shoots. The eyecup can be rotated in 90° increments, making it adaptable for either eye and for shooting either vertically or horizontally.

    FUJIFILM X-H1 Key Features:

    • 24.3MP X-Trans CMOS III Sensor with primary color filter and X-Processor Pro Processor
    • 5-axis 5.5 stops in-body image stabilization
    • High-precision 0.5 inch, approx. 3.69 million dots OLED Color Viewfinder
    • Weather-resistant design; ability to operate in temperatures as low as 14°F/-10°C
    • ISO Sensitivity
      • Standard output: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO200~12800 (1/3 step)
      • Extended output: ISO100/125/160/25600/51200
    • LCD Monitor
      • 3.0 inch, aspect ratio 3:2, approx. 1.04 million dots touch screen color LCD monitor(approx. 100% coverage)
    • Continuous Shootingo 14.0 fps (with the Electronic Shutter), 8.0 fps (with the Mechanical Shutter)o 11.0 fps (with the Mechanical Shutter and when fitted with VPB-XH1)
    • Movie Recording (using a card with the UHS Speed Class 3 or higher)
      • [4K (4096×2160)] 24P / 23.98P up to approx. 15min.
      • [4K (3840×2160)] 29.97P / 25P / 24P / 23.98P up to approx. 15min.
      • [Full HD (1920×1080)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 20min.
      • [HD (1280×720)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 30min.- Bluetooth® Ver. 4.0 low energy technology
    • New ETERNA film simulation mode
      • Simulates cinematic film, understated colors and rich shadow tones
    • New Flicker Reduction Mode
      • Provides stable exposure during burst shots even under fluorescent and mercury lighting
    • Advanced filters and Film Simulations, including ACROS
    • Accessories included:
      • Li-ion battery NP-W126S
      • Battery charger BC-W126
      • Shoe-mount flash unit EF-X8
      • Shoulder strap, Body cap, Strap clip, Protective cover, Clip attaching tool, Hot shoe cover, Vertical Power Booster Grip connector cover, Sync terminal cover, Cable protector, Owner's manual

    Availability and Pricing\ The X-H1 will be available on March 1, 2018 in the U.S. and Canada. The X-H1 Body will be available for USD $1,899.95 and CAD $2,449.99 and the X-H1 Body with Vertical Power Booster Grip Kit will be available for USD $2,199.95 and CAD $2,799.99

  • Damn, seems like an amazing hybrid camera.

  • Of course got to release the BTS to their marketing video, showing the Fujfilm X-H1 rigged up to the max (ohhhh.... I spot a Roland R88! A moment of silence for his back please):

  • Stabilization work with lenses

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    sa1803.jpg
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  • Rumors are that movie time recording limits happened due to complex agreement, as Sony is making sensors here also.

    So original H1 idea had been damaged very much due to limits that Fujifilm can't overcome for now.

  • To bad they could not get the 30minute limit without having to use the battery grip. At least they have clean HDMI out so you can go unlimited with a recorder if needed.

  • Sensitivity test looks pretty clean

  • I like that Fujifilm thinks about things some others don't. They have added linear focusing option for use with there lenses when manual focusing. This is something seemingly simple but long over due with these fly by wire focusing systems when using video. Now all they need to do is add external focusing thru usb, wifi or blue tooth.

  • From Japanese presentation

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    sa1799.jpg
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    sa1800.jpg
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    sa1801.jpg
    800 x 569 - 54K
  • Compare the rollout of this camera with that of the EVA-1 and C200. Fuji's presentation and marketing blow the others away.

  • Compare the rollout of this camera with that of the EVA-1 and C200. Fuji's presentation and marketing blow the others away.

    First, marketing of pro cameras in Panasonic and Canon is separate from consumer stuff like DSC.

    Second, EVA1 marketing had been better organized with stepped reveal of stuff.

    Here all we have is lot of close bloggers and sites who write fully managed articles and make managed videos that they all publish on same moment.

  • If you look at the bass strings of the harp, where the wire is overspun around the string, you can see artifacting running along the edges. It's not bad, but it's not great, either.

  • @DrDave Don't know if you saw them but thephotographyblog.com has dowloadable movies of similar scene in true 4K which I believe is slight crop UHD which has no crop and 120fps HD. Be curious what you think seeing the non youtubed files. I'm downloading them now but I don't have a 4K monitor to pixel peep.

  • I'm downloading them now but I don't have a 4K monitor to pixel peep.

    By idea any video editor has simple way to see video 1:1, even most good players have.

  • Some stills look like vigneting.