Capturing the raw power of the ocean is difficult enough. Doing it while managing a massive production budget, coordinating a team of cinematographers, and dodging 100-foot walls of water seems nearly impossible. Yet, that is exactly what Vincent Kardasik does.Kardasik recently took home an Emmy for Outstanding Cinematography for a Nonfiction Program for his work on HBO’s hit series 100 Foot Wave. But perhaps even more impressive is that he also walked away with a win for Best Documentary—this time, accepting the award as a producer.For many filmmakers, the choice between "below the line" craft and "above the line" management is a hard boundary. For Kardasik, erasing that boundary was the key to his success. By embracing the role of a "Swiss Army Knife," he was able to merge the technical demands of shooting in extreme conditions with the logistical foresight required to run a show.We sat down with Kardasik to discuss his recent Emmy wins and his philosophy on versatility in the film industry. He opens up about creating a "White Paper" to unify the visual language of his camera team, the terrifying logistics of protecting gear (and lives) in Nazaré, and how his time on the show prepared him to direct his intimate new documentary, Dos Au Mur.Let's dive into the interview below. - YouTubewww.youtube.comNo Film School: Hi Vincent! Congratulations on your recent wins at the Creative Arts Emmys. What does it mean to you to receive such industry recognition for your work on 100 Foot Wave?Vincent Kardasik:...
Published By: NoFilmSchool - Thursday, 4 December