There are a lot of fun things about the Fujifilm X-H2s, but there's one that deserves all the attention more than any other. When we moved from dedicated video cameras, which at the "affordable" price point all had integrated lenses, to still cameras that shoot video and let us swap lenses, there was one major feature that we lost. In addition to everything else it does (internal ProRes video recording, great low light and color performances, great off-speed shooting), there is one stand-out feature of the X-H2s that makes it a killer for video shooters. That only makes it a camera that I'd likely buy as a starting-out filmmaker or stock for an Introduction to Filmmaking class. Why? The answer is simple: It brings back a feature we old-school filmmakers used to have in those integrated cameras all those years ago. So, this isn't a full, in-depth review of every single little feature on this camera. Instead, this is a mini-review about a few things you should be thinking about if you are thinking about buying this camera, and about the one big thing that should have you thinking about with this camera. Read More...
Published By: NoFilmSchool - Friday, 24 February, 2023