We chat with filmmaker Levi Whitney of Uphill Cinema about his experiences using the URSA Mini 12K as a one-man-band camera for all his company’s production needs. If we’ve said it once, we’ve said it a thousand times—the days of specialized roles on film sets are dwindling, and a new age of shooters, producers, and editors is on the rise. We don’t make the rules, we just report them. It’s always awesome to get to chat with an up-and-coming videographer who isn’t afraid to wear several hats at once—and has even built a pretty darn good business operating as a one-man band. All that being said, being a one-man band still isn’t easy. It takes a strong understanding of your filmmaking principles, as well as a solid camera that can serve you well in a myriad of situations, at a high level, and without too much hassle. Read More...
Published By: NoFilmSchool - Monday, 25 April, 2022