If you ever want to work on a great big Union Television show, it helps to know how that kind of show works. Assistant Editors know how it all goes down. Four days into his gig as assistant editor on Season 2 of HBO's Westworld, Yoni Reiss found himself sorting through the results of one shooting day: seven cameras and 10-12 hours of footage. Luckily, Reiss was in his element. If the thought of being handed that is making your palms sweat, then you're not alone. An amazing show like Westworld would be a dream for many post-production artists to work on, but what it takes to get there is much more murky for most of us. Yoni Reiss was kind enough to sit down with No Film School to demystify what it’s like to be an assistant editor on a show of this scale, and in the process explain to us how every element of post-production comes together. Read More...
Published By: NoFilmSchool - Monday, 18 February, 2019