What do you need to know heading into a virtual production? The use of LED volume stages for film and commercial productions is becoming more popular following the critical success of Disney’s The Mandalorian, lensed by Grieg Fraser. This article is the third in a four-part series aimed at helping onboard filmmakers into this new toolset for telling great stories. For a primer, read parts one and two. LED Volumetric Filmmaking Put simply, the difference between LED volumetric filmmaking and traditional filmmaking is that in place of large sets/locations or chroma key to fill in the background of your shots, synchronized LED screens are used to capture a final pixel image. This is helpful for a multitude of productions for reasons I have covered in previous articles. Read More...
Published By: NoFilmSchool - Thursday, 29 April, 2021