Terror is one of those feelings that lingers, but how can you create in-frame terror that is effective? Few films capture the essence of isolation through the film’s cinematography as well as John Carpenter’s The Thing. Those long, dusty corridors, that relentlessly creeping camera, and the almost surreal wide landscape shots of the vastness of Antarctica—it's amazing. Cinematographer Dean Cundey, one of the most prolific and talented cinematographers of all time, hones in his ability to create a distinct, smoky naturalism that transports the audience into a world that feels slightly askew from our perception of reality. It sits just outside of the mainstream, pushing the limits of surreal realism, creating breathtaking cinematography that puts the audience in a vulnerable state of awe. The visual beauty of The Thing continues to influence young filmmakers through Cundey’s ability to keep the tension constantly in the frame through the brilliant use of visual design and wide camera angles that isolate each character. Read More...
Published By: NoFilmSchool - Friday, 10 June, 2022