Tim Robinson's new HBO series The Chair Company is getting praise for a lot of reasons. It's a surprising cringe comedy with absolutely paranoid energy, and Robinson is bringing his signature unhinged performance into each episode. The show follows William Ronald Trosper (Robinson), a project leader at a property development firm, whose chair collapses during an important presentation. When he attempts to complain to the chair manufacturer and can't seem to reach a human, Ron uncovers an apparent conspiracy and becomes obsessed with learning the truth.The show really is delightful. But if you're a screenwriter paying attention, you'll notice something else happening in almost every scene. The show quietly demonstrates one of screenwriting's most fundamental principles—start late, leave early.What "Start Late, Leave Early" Means The concept, often credited to screenwriting professor Syd Field, is straightforward. Enter a scene as late as possible and exit as early as possible. This approach keeps stories moving at a pace that holds the audience's attention. Go too slow and viewers disengage, move too fast and they can't follow. This technique helps find that sweet spot.Once the scene's purpose is accomplished, you're out. No lingering goodbyes or tidy wrap-ups. The Chair Company Credit: Sarah Shatz/HBO How the Show Puts It Into Practice The series constantly throws Ron from one uncomfortable situation to another without dwelling on transitions. As The A.V. Club points out, the show maintains its momentum through quick cuts and constant forward motion, never pausing to let Ron (or the audience) catch their...
Published By: NoFilmSchool - Wednesday, 5 November