At IBC 2025, SIGMA stepped into new territory with the launch of their first two SIGMA autofocus cine zooms. Known for bringing stills optics into the cinema world through their Art-derived designs, SIGMA is now taking the next step by blending reliable autofocus with cine-friendly mechanics. We were on the ground in Amsterdam to see the lenses in person and hear from SIGMA about how this line is meant to serve both solo operators and larger productions. The SIGMA Autofocus Cine zooms also received a CineD Best-of-Show Award at IBC during the convention. Our awards highlight products that stand out for innovation, usability, and real-world value for filmmakers. While plenty of shiny new gear appears at IBC every year, only a few pieces earn that distinction, and SIGMA’s AF Cine Line was one of them. SIGMA Autofocus Cine zoom. Image credit: CineD SIGMA Autofocus Cine Zooms IBC always brings a wave of new gear, and SIGMA was just one highlight on the floor. You can explore all of our IBC 2025 coverage here to catch up on the other announcements and interviews we brought back from Amsterdam. The first lens in the series is the 28–45mm T2 FF Cine Zoom. Optically, it is based on SIGMA’s 28–45mm f/1.8 Art lens, but the housing has been reworked for cinema use. At the booth, the company pointed out the practical differences: a 200-degree focus throw, hard stops, and a linear focus response rather than the progressive feel of a stills lens. These...
Published By: CineD - Today