Phil Holland’s philmColor R3, an extensive set of LUTs inspired by motion picture film, has been released. Introduced in 2017, philmColor was originally designed specifically for RED cameras that use a IPP2 Color Workflow. However, this latest release boasts compatibility with a wide range of cameras in post. Let’s have a look at what is offered in philmColor R3. Phil Holland has a career as a director, cinematographer, and digital imaging specialist that spans over 20 years. He keeps a keen eye on the bleeding edge of digital cinema technology and has appeared on CineD numerous times for interviews, and discussions. Image Credit: Phil Holland philmColor R3 Since the inception of philmColor, thousands of productions have used these LUTs on set, and in post. Phil delights in seeing BTS grabs of his LUTs loaded on set, and the creation of these LUTs is a labor of love for him. Phil draws his inspiration for his LUT creations from film stocks. The goal is to produce digital stocks useful to the modern filmmaker that will work with a variety of lighting conditions and exposure methods. You will find hints of familiar hues, tones, and density that stretch across modern through vintage Kodak and Fujifilm stocks. philmColor R3 builds on top of the previous release to add 540 all-new LUTS for an expansive 718 total LUTs. Image Credit: Phil Holland What’s included with philmColor R3? col_labDevAndSat – 21 new saturation, density, and development LUTscrv_curves – 12 new tone curve LUTscrv_fades – 8...
Published By: CineD - Monday, 14 February, 2022