For many years now, Sony has had great success in selling REC709 TV cameras to the broadcast market, and clearly, having a consistent ‘look’ across the whole range was important. We all got used to the slightly magenta ST5 709 colors from Sony cameras until the Venice came along and changed everything. Suddenly we had a … Continued The post How to get the S-Cinetone look on the Sony a7S III appeared first on Newsshooter....
Published By: News Shooter - Saturday, 19 December, 2020