“People don’t complain about bright and warm.” The look of Jason Bateman's show is so dark that viewers complained. But does it work? What does the cinematography department think? By Season, the dark, cyan-toned look and feel of Ozark is evolving, partly due to the switch to full-frame on the Sony VENICE. Cinematographer Ben Kutchins, cinematographer Armando Salas, camera operator and director Ben Semanoff, and production designer David Bomba sat down in a Zoom conversation moderated by the executive editor of ICG Magazine, David Gaffer at NAB Show Express. What did they talk about? How dark is too dark, among other things! No Film School tuned in, and here are the most important takeaways from the conversation. Read More...
Published By: NoFilmSchool - Friday, 15 May, 2020