Godard's right-hand man helps us decipher the mind of a legend. When Fabrice Aragno went to film school, he was written off as a creator of meaningless images. What was the point of his thesis picture? Where was the emotion? These questions, however, didn't matter much to him, so he ignored them. What mattered was assembling work that he felt was sincere. In Aragno's opinion, cinema doesn't need an explanation. There is no objective. Don't explain it, just embrace it. Fortunately, that philosophy ended up aligning closely with another filmmaker some of you may have heard of - a man named Jean Luc Godard. Read More...
Published By: NoFilmSchool - Monday, 24 September, 2018