DZOfilm is releasing a brand-new line of T/1.4 FF/VV cine lenses – the DZOFilm Arles. Currently consisting of five primes, including 25mm, 35mm, 50mm, 75mm, and 100mm, the Arles line opts for a clinical look, emphasizing the highest technical qualities. All five lenses are mechanically consistent. Weight varies a bit, but dimensions are identical, with 95mm front diameter and 0.8 pitch gears aligned across all lenses. The cherry on top is the bright T1.4 aperture, enabling an extremely shallow depth of field and excellent light-gathering capability throughout the line. We’ve seen quite some cine sets join the market in recent years. Various new manufacturers try to master the complex craft (sometimes even art) of lens making, providing us filmmakers with an incredible abundance. Most sets seem to take the “character” approach, glorifying optical flaws as a feature rather than a bug. DZOFilm chose the second approach with their Arles line – the technical, clinical approach. This line competes with the likes of NiSi ATHENA and SIGMA Art Cine lines, as well as more traditional sets from ZEISS and others. Source: CineD Build and ergonomics All DZOFilm Arles primes share identical dimensions. Encased in a black aluminum chassis with geared focus and aperture rings, the lenses can be easily swapped. Weight revolves around 1600g/3.52 lbs., with the 25mm T/1.4 being the lightest at 1490g/3.28 lbs. The 100mm T/1.4 is the heaviest at 1830g/4.03 lbs. All lenses share a 95mm front diameter, 121mm length for the PL version, and 129mm length for...
Published By: CineD - Wednesday, 12 June, 2024