Adobe has released Premiere Pro 25.6.1, bringing new workflow improvements, deeper Creative Cloud integrations, and smarter assistive tools. The headline this time is native support for Nikon N-RAW, which finally gives Nikon shooters a smooth, direct workflow inside Premiere without any transcoding steps. For editors, this is a real upgrade. N-RAW now behaves like any other supported RAW format. You can import it straight into your timeline, adjust camera settings during grading, and keep full image flexibility from start to finish. Why Adobe’s N-RAW integration in Premiere Pro matters Nikon’s new ZR camera has been getting a lot of attention this year. It records internally in N-RAW, offers full-frame 8K, strong low-light performance, high-frame-rate recording, and modern autofocus tuned for video use. It is also the first Nikon camera developed with RED since the acquisition. With Premiere now supporting N-RAW, the ZR fits into Adobe workflows far more naturally and becomes a stronger option for hybrid shooters and documentary work. If you’d like to learn more about the impressive features of the Nikon ZR, check out our previous coverage of the camera’s release, including our review: Nikon ZR Review and Mini-Doc with DZOFILM Vespid 2 Lenses – “Born Cinematic” or Maybe Not? Nikon ZR Lab Test – Rolling Shutter, Dynamic Range, and Exposure Latitude Nikon ZR Released – First Nikon RED Camera with Internal R3D, 6K60, 4K120, 32-bit Float Audio, and More Nikon ZR – Hands-On With the First Mirrorless Camera With RED Tech New features in Premiere Pro 25.6.1...
Published By: CineD - Today