Has anyone used both of these? Or developed some kind of comparison video?

Please have a look and let me know your thoughts. Thanks!

This little plastic fellow, using h.265 maybe the best video to come out of a dslr - maybe on par with the Red Epic. Look for yourself.

I'd like to record the audio on 2 separate (!) audio channels (Mic left, wireless right), directly in to the camera (GH4) If a audio backup is placed on a recorder that is even better.

For years I looked into stuff as the Zoom H6 / Tascam DR-100, etc. I like that the sound is recorded extra (as backup), but it is too much for a one mans show run 'n gun. I also don't want to sync in post. (as an editor will need to do that , and won't be happy with this) . I thought of the DR60, but it is big, complicated, bad batteries, etc. and I don't know if it can feed a stereo audio (separated) channel to the GH4?

So probably you'd suggest a Juiced Link / Beachtek preamp, because a pre amp is important, right?

But the GH4 pre amp (set to the lowest -12) is okay right? So I'd only need to get both channels in the camera. I found the Beachtek MCC-2, and didn't see anything here on the site.

What's your thought? Will this work for my purpose? Or is this not reconmended for a 'pro' . The money isn't the biggest issue, but the 'easy handy workflow' is.

My Pros: - no batteries, small, 3 hot shoes, (receiver, mic, light) - perhaps possible to put below the camera - cheap

Cons: - Would a pre amp be much better? - Mini jack vs (balanced?) XLR (would that be much better)

I also have a sennheiser shotgun with XLR, but it is quite big for the GH4. As the VMP already has 3.5 and sennheiser wireless also has that cable, that seems more logical (and smaller).

a word of caution: it is german. Also: who can spot the 2 GoPro shots? (easy)

I would love to hear what you think, other than your opinion on the music itself.

Cheers,

D.

Shot in one day on a RED EPIC DRAGON at 'The Big Drift', Wilson's Promontory National Park, Victoria, Australia.

Produced by Kat Mitropoulos (Full Stop Pictures)

Director - Peter Savieri.

Cinematography - Alex Cardy.

Steadicam - Glenn Clayton

Leica lenses - 35mm, 50mm and 90mm. Watch it in 1080P

So here is my intended version of the video that we agreed upon. Shot on GH2 with Flowmotion and Nikkor AI and AI-S lenses, edited in FCPX and graded in Resolve.

Password: MyVersion

Official video (if you want to compare):

Marc Sardou "Love's Already Made" from maxsainvil on Vimeo.

Legacy Lens Questions: I have three Oly M3/4 auto-focus zooms that I want to use with my G6. I have a Lumix Pany-to-Oly adapter. Do I lose the ability to auto focus (it seems like I do)? If they should zoom and focus correctly what settings on the camera will make this work? THANKS!

DASH - 'Cautiously'

This is my latest short film. Shot on a GH3 with Canon EF L Primes (from my 60D days) and a manual aperture adapter (wish the new speedbooster was out earlier, and wish the GH3 had the focus peaking feature like the GH4 does).

I like the Vivid setting in the GH3, the blacks look good after grading. This wasn't aimed as a cinema production, instead TV with a slight filmic quality!

Few things I would of changed, would have lost the massive DOF to one of my interviews. Broke my lens hood on the Canon 100mm f2.8 IS lens and found I had some casting/refraction on certain shots without it.

Shot by: Kirk Gaydon Panasonic GH3 Canon EF L 24mm Canon EF L 50mm Canon EF L 100mm (IS not usable)

Panasonic GH3 Settings: MOV 72Mbps Vivid -5, -5, -3, -3 1080p50 PAL Shutter 1/100 (on track) 1080p25 PAL Shutter 1/50 (interviews)

Audio: Rode VideoMic Pro

Any thoughs or questions, just ask.

Let me know what you guys think. The compression on youtube and vimeo is awful, so if you want to see it for real, you can download the file from vimeo. There's also an annoying glitch at the end that I couldn't fix. i uploaded the video several times and every time it did the exact same thing.

It looks a lot better if you download it from vimeo.

I'm new to this forum. Have already done some research but havent found the information so far. i'm owning the panasonic lumix gx7 and i'm pretty happy so far. but one big dissapointment is, that there is no live video output during filming. it is not working on hdmi nor on the av out. dissapointed that panasonic does not mentoin that on their product specifications... anyway i wanted to ask if someone here is working on a hack on this camera which would enable live video output. i think it is "only" a firmware related limitation...?

thanks

Which factors are important? How do I get colors as true as possible? Do you guys have any recommendations?

I found that one from EIZO:

• http://www.eizo.com/na/products/foris/fs2434/index.html
• http://www.eizo.com/na/products/flexscan/ev2336w/index.html

Thank you in advance.

Can be used with the GH4. GH2 as well, though battery access slightly blocked. Bought 2 for my GH3 and GH2, but only need one.

I have two GH2 that I love for video work. One major disadvantage of the GH2 is

when recording video start, I loss camera control, of ISO/Iris/Shutter. The only

control I have is focus.

Would any GH4 owner kindly advise me that the GH4 let them control the camera

fully when the camera is recording video.

Many thanks for your help, Shaun

Feel free to share the settings that you are using and the results - unfortunately I did not have enough time myself to make some research yet :)