Firstly, the latest and the better generation of fifties - Minolta MD. Not a Rokkor - it should be plain MD, aka Minolta New MD, Minolta MD III etc.

Secondary, 5 lenses detailed reviewed in this line:

Minolta MD 50mm F1.2

Minolta MD 50mm F1.4

Minolta MD 50mm F1.7

Minolta MD 50mm F2.0

Minolta MD 50mm F3.5 MACRO - still hasn't special review

Finally: All Minolta MD 50mm lenses comparison

And one more: Minolta MC 58mm F1.2 bokeh legend vs. underrated fresh blood Minolta MD 50mm F1.2

Also for discussions about such opinions.

For all other discussions use other topics or general GH3 official topic

• Acustica Audio Nebula 3.6 (Effects Sampling Plug-in) http://soundbytesmag.net/acusticaaudionebula/

• Embertone Friedlander Violin (Solo Violin Sample Library for Kontakt Player) http://soundbytesmag.net/embertonefriedlanderviolin/

• Parallax-Audio VirtualSoundStage (Stereofield Placement Plug-In Based on a concert hall display) http://soundbytesmag.net/parallax-audio-virtualsoundstage/

In the past i have been far more active here than in the last few months. Partly because ive been busy with filming rather than patch development. Besides @driftwood the genius that he is leaves me no work to do in patching for a long time now.. hehe Thank you btw. In Any case with that said i want to show you the trailer for my new film hitting a few festivals soon shot mostly on my GH2 and an assistant on his cannon. We had a red carpet premiere here in NYC and are now doing the festival circuit. Due to the timing of the release we will be missing some of the major festivals but will enter those next year. Generally i love to do narrative work but in this case i did a documentary which was a bit of a challenge due to the size of driftwood patches... but the quality is worth it!

My request is if you could please help me out so that i can go on to do more work by pressing the like button on my page. I always promote @Vitaliy_Kiselev and the GH2 on any set or project i am involved with. i wold REALLY appreciate some support from the community if you will be so kind. You can also find my GH2 guide on there if you haven't seen it yet, it was popular before the faq went up around here but it still gets plenty of comments.

One of the things that excites me the most about this release is that thanks to @driftwood and @Vitaliy_Kiselev i can continue to prove that the GH2 INDEED has enough quality for the movie theaters! That it is more than just something you compare to other cameras on vimeo!! I've had poeple dispute this claim that it does not belong on the big screen in my forums and to them is say keep complaining... its not exactly a scarlet FINE but the rest of us are putting the gh2 EVEN with those short comings on the big screen ANYWAY, its the best camera to me and especially thanks to @driftwood and @Vitaliy_Kiselev who i cant possibly thank enough for their work. In that way i would say they helped with my work and in my opinion NOT indirectly.. with even my career for making the camera everything it is today.. It most definitely boosts my creativity or just work ethic to LOVE my camera, i can never seem to put it down, every single day i shoot something. The last time i loved a camera this much was the DVX100, remember those days?? hehe... aah.. Another Panasonic classic.

I humbly request everyone click like on my page here : http://www.facebook.com/OSGFilms
or like it from my site here http://osgfilms.com/whilewewatch/ (its on the left column)

You can view the imdb page for the film here : http://www.imdb.com/title/tt2118550/combined

And last but not least a great review for the film by the huffington post here: http://www.huffingtonpost.com/david-fagin/whilewewatch-a-review-of-_b_1201107.html

Thank you so much if you help me with the likes to promote the work or my page a littte bit, it could really help me move on to my next project. Its always a pleasure to be a part of this community and working toward the GH2 being # 1, May we see many more projects hit the big screen filmed with it!