Also, i am using Filmconvert (GH4+VLOG) to grade. The WB parameter (in Film Convert) is an offset rather than a setting in my past experience. Would it then actually wreck my clip if i dialed the Film Convert WB parameter over to 3200K from it's default position on Daylight if the footage was shot on 3200K too?

http://www.personal-view.com/faqs

Feature highlights include:

• 13 stops of dynamic range
• Large 2.5k sensor
• Integrated solid state drive recorder (SSD)
• Ability to capture CinemaDNG, RAW, ProRes and DNxHD files
• Touchscreen for metadata entry
• Compatibility with EF and F mou
• SDI and Thunderbolt connectors
• Includes a FULL copy of DaVinci Resolve and UltraScope software

First videos:

http://vimeopro.com/johnbrawleytests/blackmagic-cinema-camera

Full specs

Videos:

Links:

http://www.blackmagicdesign.com/products/blackmagiccinemacamera/

http://johnbrawley.wordpress.com/2012/04/17/blackmagic-cinema-camera-lets-take-it-from-the-top/

If this camera delivers, this is going to be my next camera. BlackMagic Design is gong to deliver what RED promised with the original Scarlet announcement. Thunderbolt connector, free Resolve, Touchscreen for metadata entry!

This happens when honest companies like BlackMagic Design, which don't have to artificially protect their high-end gear (I am talking about you Sony, Panasonic, Canon) start entering the camera business. If the image quality lives up to the specifications, this is going to be THE camera to get. Sony, Canon, Panasonic won't be happy in that case. The 5D Mark III could do the same but Canon doesn't allow it because of C500/C300. Same for Sony, Panasonic. If BlackMagic delivers, I will respect them so much!

I won't be surprised if BlackMagic Design will launch their own NLE down the road as well.

recently I realized that Canon and Nikon include some metadata on their video files. Something like EXIF data.

Is there anything similar on GH2 files?

Bye