Specs

• 24.2MP APS-C CMOS sensor, same as on 800D
• Dual Pixel AF
• 9 points AF system
• Digic 7 LSI
• VF - 95% coverage, 0.87x magnification
• 3″ 1.04mdot vari-angle touchscreen LCD display
• 1080p/60 fps video, specs same as 800D
• 5 axis electronic stabilizer
• Build in WiFi, Bluetooth and NFC
• HDR movie mode, Time-lapse movie mode
• Black, White and Silver colors
• Up to 840 images per one charge
• 5fps shooting
• Uses SD / SDHC / SDXC card (UHS-I compatible)
• 122.4 x 92.6 x 69.8 mm
• 453 g
• $549 Body Price, Kit w/18-55mm f/4-5.6 IS STM - $699
• US Preorder - https://www.amazon.com/Canon-Cameras-24-2-Rebel-Body/dp/B071K61XFC/
• UK - 579 GBP body price, 18-55mm III kit - 649 GBP
• UK Preorder - http://www.wexphotographic.com/canon-eos-200d-digital-slr-body-1630562/

Specs

• 32.5mp APS-C Sensor
• DIGIC 8 LSI
• Improved Dual Pixel
• Improved AF sensor and algorithms
• 100% viewfinder coverage
• 10fps full resolution photo mode
• 4K 30fps and 25fps video modes (sic!)
• 1080p120/1080p110 modes
• 1080p30/1080p25 HDR modes
• PCM/AAC audio in videos
• Optical viewfinder (100% coverage, 0.95x magnification), with face detection
• 220K dot RGB+IR metering
• 3", vari-angle touch-screen, 1040K dots
• 30min limit
• Face detection
• Eye-detection AF (Servo AF, live-view)
• 14 stops DR
• Touchscreen Vari-Angle LCD
• Dust & water-resistant
• Wi-Fi and Bluetooth
• Rear joystick
• Battery grip BG-E14
• 141x105x77mm
• 701g
• Will be available in late September
• Body-only price - $1199. 18-55mm F3.5-5.6 IS STM kit- $1349, 18-135mm F3.5-5.6 IS USM kit for $1599.

Specs

• 20.1mp FF sensor
• 4K 60p with 10-bit 4:2:2 Canon Log (No AF in 4K 50p/60p recording)
• 5.4K RAW internal video recording (No AF in RAW)
• No crop in 4K or RAW video recording
• Movie Digital Image Stabilisation (IS), image area reduced by 10%
• Dual CFexpress card slots
• 16fps serial shooting with shutter
• 20fps serial shooting in liveview mode
• 191/155 point AF, -4 EV
• ISO 100-102,400 (extends up to 819,200)
• RAW Buffer: 1000+
• RAW + JPEG Large buffer: 1000+
• RAW + HEIF Large buffer: approx. 350
• Wi-Fi and Bluetooth
• GPS / GLONASS / QZSM built-in
• Built-in stereo microphones
• Up to 2850 shots battery life (OVF, 23C)
• $6499 USD
• Available at
  • https://www.adorama.com/ica1dxm3.html

Preliminary specs

• 45.7MP new CMOS sensor, lack of AA filter
• Slightly improved DR, lower read noise
• SnapBridge slight improvement
• AF system identical to D5, 153 points, AF points @ -3EV, center crosshair sensor @-4EV
• 180k RGB meter
• No flash
• GPS available only as option
• Tiltable LCD screen made for video shooters
• Touchscreen
• Two memory slots - SDHC card slot and XQD card slot, SD slot supports UHS-II
• Wi-Fi and bluetooth
• Back illuminated buttons
• Joystick selector
• Fully silent electronic shutter mode up to 30fps @ 8MP
• 8K time-lapse video
• 4K video, no sensor cropping
• 1080p120 video
• Focus stacking for up to 300 pictures
• Improved battery life
• Serial shooting - 7fps without grip, 9fps with grip
• Buffer - 51 images raw 14-bit raw
• Price - $3299
• Preorders at
• https://www.adorama.com/inkd850.html
• https://www.amazon.com/Nikon-D850-FX-format-Digital-Camera/dp/B07524LHMT/
• Will be on display at the Photo+ Expo in October

Specs

• 24.2Mp CMOS sensor
• Pentamirror viewfinder, 95% coverage, 0.82x magnification
• 1/4000 to 30s shutter
• Nikon Multi-CAM 4800DX autofocus sensor, 39 focus points
• SnapBridge
• 1920 x 1080 60p, 50p, 30p, 25p, 24p 1280 x 720; 60p, 50p, H.264 in MOV container
• 1037 k-dot touch tiltable LCD
• Wi-Fi, but only slow standards
• NFC, Bluetooth 4.1
• SDHC cards slot, UHS-I support
• 124 x 97 x 70 mm size
• 465 g
• Available at https://www.amazon.com/D5600-DX-format-Digital-SLR-Body/dp/B01N7OJNEX/
• and https://www.bhphotovideo.com/c/product/1308818-REG/nikon_d5600_dslr_camera_body.html

Specs

• 24MP BSI CMOS sensor by Sony (again being promoted as Nikon own :-) )
• Due to slightly rehashed but old LSI video will be bad - 4K 24fps, 25fps and 30fps, 1080p 24-120fps, 30 min limits on all modes
• Improved AF for video (but still very far behind Canon)
• 10-bit output with N-Logs or HDR support,
• No built-in flash, as Nikon dream about record profit in this segment
• 51 AF points when shooting through the optical viewfinder, 15 cross-type AF sensor
• 273 AF points found in the Nikon Z 6 when shooting in Live View mode, covers 90 percent of the frame
• Eye-Detection AF for real-time tracking,
• 7fps at full resolution with shutter speeds up to 1/8000
• Up to 12fps shooting without shutter noise using the electronic shutter in Live View
• 2x UHS-II SD memory cards
• Not very high 3.2″ 2.1Mdots articulated LCD with touchscreen
• Interface and lot of code will be used from Z series, as Nikon no longer have developers enough for separate DSLR lineup software
• Focus peaking, zebra stripes, interval timer, and in-camera time-lapse mode
• Raw shooting speed improved around 30%
• Slightly smaller and lighter, cheaper construction
• Wi-Fi and Bluetooth, old again, no ax or ac.
• Quite small Nikon EN-EL15b battery battery
• USB Type C charging
• $2299 (body only), $2799 (w/24-120mm lens) price
• Preorders
  • https://www.bhphotovideo.com/c/product/1538572-REG/nikon_d780_dslr_camera.html
  • https://www.bhphotovideo.com/c/product/1538607-REG/nikon_d780_dslr_camera_with.html
  • https://www.adorama.com/inkd780.html
  • https://www.wexphotovideo.com/nikon-d780-digital-slr-camera-body-1727871/
  • https://www.parkcameras.com/p/3010351K/dslr-cameras/nikon/nikon-d780-dslr-camera-body

Specs

• 21MP CMOS APS-C Sensor
• Expeed 5 LSI
• 3.2" 922k LCD tilting LCD with touchscreen
• 100% view optical viewfinder
• Video modes
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 48 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 24 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 48 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 24 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 24 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 12 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 24 Mbps, MOV, H.264, Linear PCM
• Mic and headphone ports
• Clean HDMI out
• 640 g
• 136 x 104 x 73 mm
• $1,249.95 body at https://www.amazon.com/Nikon-D7500-DX-format-Digital-Body/dp/B06Y5ZCFHX
• $1,749.95 kit with 18-140mm f/3.5-5.6G ED VR lens at https://www.amazon.com/Nikon-D7500-DX-format-Digital-18-140mm/dp/B06Y5RTN1T/

Important things

• UHS-I only controller, hence slow
• Worst strap lugs position
• No peaking
• Removal of one SD slot
• Cheap low res LCD used
• Cheap small battery
• NFC was also cut to increase margins

I hope I'm not making this an unnecessary post.

a nice thought though, I can dream can I?

Specs

• 24.2Mp CMOS APS-C sensor, same as D3300
• New guide mode for beginners
• Most else is derived from D3300
• No 4K video, no mike socket
• 1,200 shots (CIPA) battery life

Available for preorder at https://www.amazon.com/Nikon-D3400-NIKKOR-18-55mm-3-5-5-6G/dp/B01KITZKDE/

Thank you very much for your input!

What do you use or recommend?

Thanks in advance.

Cheers,

D

We used the Panasonic 20mm for the opening shots (would have preferred the entire shoot on this lens but we were in a time crunch) and the Panasonic 14mm-140mm for everything else. A couple focus issues, but overall happy with the content from such a short time frame.

Here is the final product:

Like "New" Condition - only 46 shutter acutations. Comes with original box and all original packaging. Most booklets and accessories have not been used and are all mark/scratch fee.

Hardly used camera in great condition. All the batteries have had two or less charges on them. Equipment was babied. The sensor is dust free as a single lens had been attached and stored in a camera dry box. Selling as a project has been postponed.

With box and all original packaging and accessories. Everything either in new or mint condition. EXTRAS: 1. SmallRigs Sony a7S BasePlate 2. Minolta MD (w/tripod feet) to Sony E adapter - new and never used. 3. Two extra batteries - total four batteries (2 original Sony batteries). 4. Extra battery charger.

$1,680 Paypal gift or regular paypal add 3% (100% feedback on fleabay). Shipping $15 in CONUS. Will split shipping with buyer for international. Willing to ship international if buyer is reputable and can prove it with other accounts. I have sold equipment on other forums and will share my information if the buyer requests.

I shoot with a hacked Panasonic GH2, mostly Flowmotion V2. My upload codecs are usually h264 .mp4 varying from 24fps to 50fps. Nothing too extreme. When rendered and exported everything is pretty much synced. But on Youtube they are off.

I work on a Macbook Pro Retina (late 2014) 2.2 Ghz Intel Core i7, 16GB RAM

Does anyone know why or how to fix this? Or is it just me and am I going crazy.

• 20Mp CMOS sensor
• LED body illumination indicates the current status of camera operation. Power switch LEDs stay green during still-image shooting, but change colour to red during movie recording
• 3.0" high-res LCD monitor
• 1080p movie recording with stereo audio
• Shutter speed up to 1/6000 sec.
• 5.4 images per second shooting

Previews:

• http://www.dpreview.com/articles/2902129846/hands-on-with-the-pentax-k-s1

Available at:

• Body - http://www.adorama.com/IPXKS1B.html
• Kit - http://www.adorama.com/IPXKS1B1855.html

Thanks!

http://www.aliexpress.com/item/Portable-12V-9V-5V-Li-ion-Rechargeable-Battery-Pack-CCTV-Free-Shipping-FACTORY-DIRECT/543182633.html

Is it good at all and how long does it take to the battery to be recharged completely ?

Thanks to answer

Comes with top handle, top rail mount, cold shoe, and HDMI lock.

Cold shoe can be moved anywhere on the cage.

All metal and super solid. I was using it with my A7s and it was great. I have decided to go Kinemini 4k, so I no longer have a need for this cage.

Top rails not included.

Paid a little over $300 for the whole thing about a month ago.

$210 shipped any where in the US. I'll ship worldwide but the actual cost of shipping will need to be paid. P.M. me for a quote.

Comes with top handle, top rail mount, cold shoe, and HDMI lock.

Cold shoe can be moved anywhere on the cage.

All metal and super solid. I was using it with my A7s and it was great. I have decided to go Kinemini 4k, so I no longer have a need for this cage.

Top rails not included.

Paid a little over $300 for the whole thing about a month ago.

$210 shipped any where in the US. I'll ship worldwide but the actual cost of shipping will need to be paid. P.M. me for a quote.

http://www.dxomark.com/Cameras/Compare/Side-by-side/Nikon-D5200-versus-Nikon-D7000___850_680

Check it out, it's short & sweet:

Help us to make it happen, we need your voice.

Go to www.bloody-title.com and be part of it! We launched a crowdfunding campaing, it's live until May 21 so don't wait too long!

Thanks for reading, J.

...particularly in THAT thread.

For the price and delivery time there was nothing else that could meet the needs of the shoot that I was planning.P

You'll see on the rig I've got the follwing:

1. Camera
2. TL-MR3040 Portable Battery-Powered router (Give ANY Canon DSLR wifi... muahahahaha!)
3. Magic Arm
4. My Samsung Galaxy S II (Portable 5" monitor? Doesn't get any more portable than my PHONE... with DSLRController of course.)
5. Rode NTG2 (not pictured)
6. Sony PCM-M10 (also not pictured... usually in my pocket)

My kit features counter-weight, C-Cage, and quick-release plate. As well as a top handle.

I seriously don't recommend getting any Veedion rig WITHOUT a quick-release plate. The way the normal mounting bracket works I had to take half the thing apart using an allen key to even get the quick-release installed. If you bought the kit in the link above, then you're looking at an eternal nightmare whenever you want to move your camera. The kit that I bought is the only one I saw, that they have, that comes with this quick-release. So keep that in mind.

The quick-release itself is the cheapest I've ever seen (and, so-far, I've bought nothing BUT cheap camera equipment... besides my elinchroms...) and that's saying a lot. Even on my cheap little tripod you see the quick release is made out of metal. But the one that came with my Veedion is made out of plastic. Sturdy-enough plastic... to be sure... but I'll be looking to replace that plate with something metal the very first chance I get.

Other than those two minor hiccups the rig is quite solid... once you've tuned it. The first two things you'll notice if you buy one are two little keychain-like devices on the ends of each handlebar. I simply unscrewed those and threw them back in the box because they rattled whenever I moved. The next thing is that the bar itself seemed a little unstable for my tastes so I had to tighten it. The Veedion came with a tool for adjusting the mounting bracket, but I needed a different size to adjust the bar for the handle bars. Fortunately I just happened to have a complete set of allen keys laying around.

Once I got everything tightened up the rig was solid.

Like I said the main reasons for me getting this rig were the Quick-release and the counter-weight. The counter-weight really turned out to be a non-issue because it isn't nearly heavy enough to be effective. That said it's better than having nothing there and I think people that buy a multi-rail system like this without any counterweight at all are going to be at a horrible disadvantage.

Overall though I'm pleased with the rig. The purpose of getting the C-Box is to have the handle and extra rails which comes in REALLY handy. That handle at the top is SO much better than the two on the handlebar that I'd love to replace those two with two just like the one on top. But that will have to wait because my next purchase would probably be their excellent follow focus and so-so mattebox.

It's definitely not top of the line... but I was determined to not have a blue DSLR rig... for the money I could find nothing that wouldn't be shipped from Korea. I live in Germany, my rig shipped from Camberly, and I got it overnight. Absolutely the fastest shipping I've ever had for something this big in my entire life, and the customer service was wonderful.

Taking the shoddy quick-release into account, I would give this rig 3/5.

After shooting mostly with Panasonic cameras, and so use to a super sharp image, I'm not sure what people think about the 5d2 these days for web delivery? A few years back, it seems like everyone was requesting the 5d2, but things have changed, is it still an acceptable image today? Should I shoot a test for the client, or am I overly critical of the softer image compared to the gh2? I can drive myself crazy with this shit. Just looking for opinions and advice from my peers thanks

I just answered a question I got a few days ago in this video. It's about using a flat profile picture style as well as setting up some of the settings in your camera to make it as flat as possible, and why you should leave some settings although everyone says you shouldn't.

Let me know what you think of these thoughts!