FORMAT: AVCHD Progressive REC QUALITY FHD 28M 50p

I have no problems with playback but can't find a setting that plays above the FHD 28M 50p in AVCHD recording format.

with the system system frequency set to 50Hz PAL

IF I RECORD WITH THE CAMERA SET TO FHD ALL-intra 200M 50P

AND REC FORMAT SET TO MP4 (LPCM)

(Memory card used: SanDisk Extreme Pro 5MB/s U 3 Class 10 64GB)

The file will not playback on my computer. Why is this? My computer is ASUS ROG G752 64GB RAM, i7Core 3.5GHz, 8GB GRAPHICS CARD, 512 SSD DRIVE AND 1TB HDD DRIVE.

• 47MP Sony made sensor (exactly same as Z7 and A7IIIR)
• 4K 60p/50p video
• Same old DFD contrast only AF
• 3-axis tiltable screen (seems like made for still shooter only)
• Dual slot with one XQD and one SD
• Weatherproof
• EVF has good resolution
• L-mount, partnership with Leica and Sigma
• Top-panel LCD screen that can be backlit
  • WB/ISO/EV buttons
  • On/Off switch
  • Front/rear control dials
  • Lockable shooting mode dial, with t PASM modes, C1,2,3 modes and iA mode
  • Drive mode dial underneath the shooting mode dial *A / S/C/MF dial which surrounds the AF point button
• On the rear
  • Lock button on the left
  • Playback button
  • Movie record button,
  • AF On, AF Joystick
  • Quick menu button
  • Circular scroll wheel
  • Menu/set button
  • Back button
  • Display button
  • Delete button
• Function buttons on the front of the camera, and a 1/2 switch
• V.mode button

Thank you!

I need the camera to be on 6 or 7 hours per day, sending HDMI stream continuously (GH3 not recording : in pause mode). Someone could confirm the 5 min issue ? If it's true, could it be fixed via hack or something ?

PS, Vitaliy answered me earlier in this thread : http://www.personal-view.com/talks/discussion/5810/studio-setup-with-atem-television-studio-switcher-and-ghx/p1

but I'm wondering if someone with a GH3 could check this 5 minutes issue.

Thanks Al

However, I find these to be more pronounced on the hacked GH2 than on any other 24p cam I used. Am I seeing things, or is it a reality?

Not only in my own video tests, but also when I watch other folks' videos, everything looks Saving Private Ryan / Battle Royale to me.

As if shutter speed was super high. Except it actually wasn't set that way! In my tests, I keep 180 deg shutter (about) with 1/50 at 24p. So then, why do we get that strobing, high-shutter-speed-like look?

Specs

• 16MP m43 sensor, no low pass filter
• 4K 30p and 24p, 1080p60 video, again fixed by region you buy to PAL or NTSC
• AF with DFD
• Optical in lens stabilization only
• 180 degrees tiltable low resolution 1.04mdot 3.0" touch LCD panel
• 4K PHOTO
• Wi-Fi 802.11 b/g/n
• Battery charging only via USB
• 106.5 x 64.6 x 33.3 mm
• 239 g body only weight
• Black and Orange
• Double lens kit 12-32mm+25mm F 1.7 kit
• 12-32mm F3.5-5.6 kit price is $549

Preorder

• Silver - https://www.amazon.com/Panasonic-DC-GX850KK-Mirrorless-Camera-12-32mm/dp/B008RMMIVW/
• Black - https://www.amazon.com/Panasonic-DC-GX850KK-Mirrorless-Camera-12-32mm/dp/B01N6KNQV1/

Hands-ons:

• https://www.dpreview.com/news/5769972416/a-comfortable-fit-panasonic-lumix-gx850-overview

Specs

• 4/3" Sony WDR CMOS sensor, pixel size = 4.63..m
• 4K 120fps, 10 bit color, H.264 & H.265 (10 bit), 100Mbit for 30fps
• All video modes
  • 4096x2160 120p/60p/50p/30p/25p/24p
  • 3840x2160 120p/60p/50p/30p/25p/24p
  • 1920x1080 240p/120p/60p/50p/30p/25p/24p
• MOV and MP4 containers, AAC audio
• Micro Four Thirds lens mount
• iOS app for control setting & live preview
• 4K 60fps HDMI, SDI (option)
• Deep Learning Engine built in with SDK
• Stereo microphone
• CFAST 2.0 media
• Global shutter variant to be available soon
• USB-C port with USB 3.0 speed, HDMI 2.0 port, COM port, Lanc
• 3.5mm mic in, 3.5mm audio out
• 802.11n Wi-Fi
• 1 x Gigabit Ethernet port for control setting & live streaming
• Cheap Sony NP-F batteries
• DC In - 12V 5A Lemo connector
• 91mm x 98mm x 80mm body from alu
• Price - $1999

Included

• Z CAM™ E2 camera unit
• Lemo power cable
• DC D-Tap connector cable
• AC/DC Power Adapter Unit
• Power Connection Cables (US, UK, EU)
• Quick User Guide
• Protective Carrying Case

Never really seriously considered the Panasonic GH5 or GH4, as they always got the most attention, thus I felt they always kept up the highest prices on the secondhand market, compared to the value that the Panasonic G series offered instead. But I still kept half an eye on the GH4/GH5 sales, just in case. Even considered a few alternative options such as Fujifilm, or for instance the Panasonic S1 that I bid on last week until the price shot up far too high for my tastes. In the end I kept on coming back to Panasonic MFT as offering by far the best value for money. (& the fact I already owned MFT lenses helped too)

However, today I won an action for a Panasonic GH4 for only NZ$417! (less than US$300) That was a price too good to ignore (but I doubt I'd have bid a penny higher), thus to my surprise I find out I've settled with the old Panasonic GH4 as the upgrade from the G6 I'm going with. Even though I'd like the IBIS / better high ISO / etc of the G85 or G9, it isn't such a bad thing to have settled for this cheap deal of a GH4 because it is just going to be for casual vlogging usage to create simple content for my YouTube channel. (https://www.youtube.com/SoundSpeeding/)

One very small benefit of going with the Panasonic GH4, is that when the price of the Panasonic G9 finally tumbles down to sub US$300 (right after the Panasonic G12 gets released?), then I'll be able to use the same Panasonic DMW-BLF19 batteries in both! (which wouldn't have been possible if I'd got a G7 or G85)

Now, how many more years until I upgrade my "big camera", the Sony PMW-F3? The F3 is a truly fantastic camera! I still think there isn't a better 1080 camera at this price point (but the world is moving onto 4K). Had it a fair few years, unfortunately the F3's popularity didn't last too long because the Canon C300mk1 got released shortly after and the C300mk1 just dominated the low / mid end professional work for that generational cycle. (interesting how the secondhand F3 has seen a bit of renaissance in 2019/2020 thanks to Caleb Pike & others)

Been wanting to do the natural upgrade to a Sony PMW-F5 for a while now, but can't justify it because as a Sound Mixer I don't do a high enough volume of camera work. The FS7/FS5 or even a secondhand FS700R might very well make more sense! (I like for instance all the work done with the FS700R by this guy: https://vimeo.com/paulbates However the FS700 isn't as nicely ergonomic as the FS5! That compact size is fantastic)

Just keeping my eyes open for the right secondhand deal, in absolutely no rush whatsoever. (as I'm still primarily by far a Production Sound Mixer, as what I do day to day)

Specs:

• 1" 20.1Mp CMOS sensor
• 25-250mm F2.8-5.9 zoom lens
• Five-axis optical image stabilization
• 3" very low resolution (346 thousands dots) monitor with touch screen
• low resolution EVF (1.1 million dots )
• 4K 25p (4k 30p in NTSC) recording
• 111mm x 65mm x 44mm
• 312gr
• Cheapest at our deals - http://www.personal-view.com/deals/cameras/panasonic#panasonic-tz100-zs100
• $699 at http://shop.panasonic.com/cameras-and-camcorders/cameras/lumix-point-and-shoot-cameras/DMC-ZS100.html#q=zs100&start=1

Previews

http://www.quesabesde.com/noticias/panasonic-tz100-lumix-analisis-fotos_13988

• Three selectable video noise reduction levels
• Low 200 millisecond latency when using app
• Single, Continuous Center, and Flexible Zone autofocus modes
• microSD/SDHC/SDXC card slot
• Two 2000mAh rechargeable battery packs included
• Mini-HDMI 1.4a port supports clean 1080p output
• Micro-USB 2.0 port
• 3.5mm mic input
• Expansion port
• DC power input for external power source (5V, 2A)

https://www.bhphotovideo.com/c/product/1203955-REG/z_camera_e1cam3a701_e1_mini_4k_video.html

Specifications

• 2160p30 (in NTSC), 2160p25 (in PAL), 2160p24, 100Mbit
• 1080p24/1080p60 at up to 28Mbit only (sic!)
• Focus Peaking
• P/A/S/M mode for Video Recording
• Time Lapse Shot / Stop Motion Animation
• Sensor and LSI same as in GH4
• Simpler firmware with less features
• 2.36 OLED EVF
• Tiltable LCD screen instead of AMOLED
• UHS-II SDXC Memory Card Compliance
• 3.5mm Microphone Socket (no headphone one!)
• 30min recording limit
• Weight - 410g
• Dimensions - 125 x 86 x 77 mm
• $699 body, $799 kit
• Black - http://www.amazon.com/gp/product/B00X409PQS/
• Silver - http://www.amazon.com/gp/product/B00X409O6O/

G7 kits are available in PV deals (as usual, cheaper and with free delivery to many countries)

http://www.personal-view.com/deals/cameras/panasonic#panasonic-g7

NTSC bodies are unlimited (including 4K and all).

It is both NTSC and PAL bodies, PAL do not have 30min limits in AVCHD only.

It doesn't work with an external monitor connected: I'm in AFS and a single press of the AF Lock button should focuses the subject and lock the focus.

I press the button, I see AFL on the display but the camera doesn't focuses. I shut off the external monitor or I disconnect the hdmi cable and everything works again.

The strange thing is that the setting I normally use for macro (AF-Lock: AF-ON) works perfectly. I found several post on the net. It's not the cable and not the monitor. Do you know if a workaround exists? I have the latest fw.

P.S. I forgot to say I'm a underwater videographer, so the camera is inside an uw housing hence no magical Jedi tricks as touch screen AF or manual focus for WA shots.

I failed the flash of my GH2, it shut down while updating.

As i don't have any µ 4/3 before, i discovered to late that 3rd party battery fail to warn when low on GH2.

There's something i can do to save this camera now or it's just good for trash ?

That's was few month ago now, i tried several battery but camera simply don't wake up.

September 25, 2018- Leica Camera today unveils five major announcements at photokina including a groundbreaking L-mount, a new mobile application - Leica FOTOS, the Leica S3, a new color option for the Leica CL, and firmware updates. Each announcement, on their own and collectively, both raise and challenge the bar for what innovation, craftsmanship and ingenuity mean in the photography industry.

The Next Evolution of the Leica S-System

The launch of the Leica S3 marks the tenth anniversary of the launch of the Leica S2 at photokina 2008. Among an array of cutting-edge technical advancements, the new medium format camera, which utilizes the Leica ProFormat developed especially for the Leica S-System, features a striking increase in resolution, from 37.5 to 64 megapixels, and impeccable performance in any lighting situation. Subjects can be composed in the large and bright SLR viewfinder, focused sharply with the fast and reliable autofocus and captured at a continuous shooting rate of three frames per second. The entire sensor area enables not only full-HD videos, but, for the first time, also 4K cinema resolution, including the characteristic medium format look.

The S3 will be available beginning in Spring 2019 at Leica Stores, Boutiques and Dealers, for more information, please visit www.leicaca

I was hoping to record and stream at the same time, plus need to bypass the 30min recording limit. I am using my own GH5 and use the CIne-V colour profile and if possible recording at 422 All-I.

Would like some advice on: - Which hacked firmware to use? - Any experience with this setup? - What alternatives which I could potentially use with my M43 lenses under £400 / $500 secondhand?

• Android apps
• 4G LTE
• Canon EF mount

Specs

• Sensor - m43 20Mp IMX269 by Sony (same as in latest Panasonic cameras)
• 81 AF points
• 3840 × 2160 30fps 70Mbit, 2048 × 1536 30fps 30Mbit, 1920 × 1080 60fps video H.264, 30Mbit
• Peaking for video
• 1.04mdot LCD touch screen
• 1/4000s ~ 60s shutter speed
• 1/125s flash sync, external flash
• 5fps burst shooting
• HDR shooting
• Wi-Fi, Bluetooth including LE support
• Remote control via smartphone app
• SDHC card slot, max size - 512GB
• USB 2.0 connector, HDMI output
• Both mike and headphone ports are absent
• 113.5mm (W) x 64.3mm (H) x 33.6mm (D)
• 280g
• standard kit with 12-40mm lens - $329
• double kit also have 42.5mm F1.8 macro - $449

http://www.xiaoyi.com/weidan.html

I started a topic where users can write their discovered problems in the hope that someone at Panasonic reads those forums and acknowledges them.

Below I will present what I found wrong on the G9 so far:

• At higher ISO values I see more than several hot pixels in both Panasonic G9 cameras that I’ve bought. They don’t go away with the Pixel Refresh options (most of them are random). Please Panasonic implement a better way to mask them via a firmware update. It’s really annoying to have hot pixels in my images most of the time. It's hard to understand how important aspect was so easily overlooked!?
• The auto ISO feature with minimum shutter speed option is not working properly. If for example I chose to set a minimum shutter speed of 1/100 seconds, I expect to get that setting no matter what! In the current implementation, the shutter goes below the limit I set after the camera reaches it's maximum ISO limit and considers it’s too dark. I what my camera to respect my wishes and never go below the minimum shutter speed I set when that setting is on!
• It doesn't feature at all minimum shutter speed in video mode like the Gh3 and 4 had.
• The video function flkr reduction can only be activated in still modes and not the video modes. :)) (should I laugh or be sad).
• I can't set ISO 100 on the auto ISO option, why?
• The joystick is a nice addition to the camera (in theory), but the way it operates makes it useless for moving the focus point! First, the speed is way too slow, second it only moves horizontally or vertically and we also need it to go in diagonals.
• The AF (although very quick) in photo mode, in lower light values it hunts a lot and it's not that reliable (I had no problems with the GH4 in the same conditions).
• Very annoying! In video mode I can't change from the main dial the focus type, continuous or single mode cause Panasonic decided to implement that feature on another menu (burred deep in the video menus) and that overwrites the back AF dial on the camera.
• In RAW mode at ISO 200 (the so called base ISO in still mode), if the camera is underexposed a bit, the image has a huge magenta cast in the shadows (after exposure recovery). The problem only manifests itself at ISO 200, at ISO 100, 400 etc the camera works properly (I attached an example below). The big problem is that in auto ISO mode, in good light the camera most of the time will chose the minimum ISO 200 (where the problem is). If Panasonic can't correct this, at least they should give the option of ISO 100 in auto ISO mode, to avoid it (somehow).
• The orange light that illuminates the top LCD fades away after a few seconds even if you are still changing settings that you want to see on the camera.

A small feature request: - Panasonic implemented Luminance levels of 16-255 and 0-235 but not the most useful 16-235 setting (it’s such a pity). Most players and TV's have Luminance values of 16-235 (the one that;s missing from the menu).

.................

Problems not necessarily related to the G9 but important nonetheless cause they affect the manual focus mode:

• The current implementation of manual focus is close to useless way it is now (sorry but that’s the truth). I wish Panasonic would implement for their Lumix AF lenses, in manual focus mode a distance scale on the camera screen (basically what Fuji does)? There is a scale but without marked distance it's not very usefully. Panasonic AF lenses are grate in AF mode but are a really pain to focus manually. Can somebody at Panasonic please remove the annoying rotation speed sensitivity (or at least give an option to disable it if desire). Coming from manual focus lenses, it's very had to focus with those Lumix AF ones. So basically, I just really wish the option to have a constant reliable rotation of the focus ring (like how manual focus lenses behave) regardless of how fast or slow I turn it (in other words, I want only one speed when turning the focus by wire ring on the lenses). And an option to select the degree of the rotation (like 45, 90, 180 degrees of rotation). I understand the limitations of the continuous AF in video mode but please at least offer us a pleasant manual focus experience.

All above can be dressed in a firmware update if desired.

Specs

• 20Mp 1.0" CMOS sensor
• GH5 LSI used
• 24-360mm 15X optical zoom ( 1 aspherical ED lens, 5 aspherical lenses and 3 ED lenses)
• 5 axis HYBRID O.I.S. + stabilizer
• 2.3Mdot EVF. 1.45x magnification (or 0,53x in 35mm terms)
• 3" 1.24Mdot touch LCD
• New linear motor for silent fast AF
• Spatial recognition AF
• 3cm macro mode
• 4K30p video (100Mbit) / 4K photo, 1080p120fps mode
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 20 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 10 Mbps, MOV, H.264, AAC
• Wi-Fi and Bluetooth
• Two tiny stereo microphones located on top (bad!)
• No microphone input or headphone output
• 111.2mm x 64.4mm x 45.2mm
• 340g
• Available for $ 799 at
  • https://www.adorama.com/ipcdmczs200s.html
  • https://www.amazon.com/Panasonic-Megapixel-Sensitivity-Technologies-DC-ZS200K/dp/B079QYMWZX/
  • https://www.bhphotovideo.com/c/product/1389451-REG/panasonic_lumix_dmc_zs200_digital_camera.html