Hopefully, the YouTube compression won't be too bad. The original file looks great!

Specifications

• 14 Elements in 11 Groups
• Min aperture - F20
• Image stabilization
• Minimum Focus Distance - 57 cm
• Magnification max is 0.25x
• 11 Rounded Diaphragm Blades
• Filter Thread - 72 mm
• Dimensions - 85.2 x 118.1 mm
• Weight is 700g
• $1498 at https://www.amazon.com/dp/B06WRMXVKK/
• or https://www.bhphotovideo.com/c/product/1317561-REG/sony_sel100f28gm_fe_100mm_f_2_8_stf.html

Sony is expanding its NXCAM line of professional HD camcorders with the new HXR-NX5R professional compact camcorder, delivering a range of enhancements over its predecessor models. The new camcorder offers upgraded network functions and a choice of advanced XAVC-S 50Mbps or established AVCHD/DV recording formats to help users meet diverse workflows and client requirements.

The addition of a 3G-SDI terminal supports Full HD 60p output, and the HXR-NX5R features easy-to-use direct functions and a responsive joystick, making it easier to access key camera functions without entering the menu, combined with a wide viewing angle and high contrast OLED viewfinder for image monitoring.

“The HXR-NX5R’s flexible operations, file transfer options and easy-to-use features are designed for professionals who need to quickly and easily shoot, edit and deliver high-quality content,” said Sebastian Scala, Pro Video Marketing Manager for Sony’s Professional Solutions Americas group. “It’s ideal for corporate or event/wedding production, newsgathering, documentaries, online content creation, nature, sports and more.”

Users can take advantage of the camcorder’s advanced network functions, such as built-in Wi-Fi and FTP wireless connections. Compatibility with Sony’s Multi-Interface (MI) Shoe avoids cabling with easy integration between the HXR-NX5R and Sony’s UWP-D series wireless microphones without need for cables.

The HXR-NX5R also includes the industry’s first adjustable brightness LED video light to minimize the need for external lighting equipment. The camcorder’s advanced digital signal processor (DSP) delivers advanced noise reduction and sharp detail reproduction.

Simultaneous backup recording through dual SD card slots adds increased reliability and adaptability in challenging live event environments.

The camcorder’s three 1/2.8-type Full HD Exmor CMOS sensors produces high-quality color imagery and high sensitivity, and 40x Clear Image Zoom function to double the optical zoom without losing image quality.

Complementing the HXR-NX5R is a new compact multi-function remote commander – model RM-30BP. Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including:

• Lens control: one push auto / manual focus, iris and zoom control
• Camera control: recording / display functions, shutter speed, white balance – including six assignable buttons
• Playback and multi camera control (up to 3 cameras)

The new remote can connect to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the new HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

The new MCX-500 is an all-in-one switcher system ideal for live events or corporate productions, and designed to work alongside the NX5R and the RM-30BP for multi-camera operation. The MCX-500 sends PGM/PVW tally signals to each HXR-NX5R. This feature allows operators to know which camera is selected for live, allowing content creators to handle projects that previously would have required more assistants or a larger team.

The following is planned availability for the new products:

• HXR-NX5R – September 2016
• RM-30BP – October 2016
• MCX-500 – January 2017

Specs

• 4/3” MOS sensor
• Fixed 13x zoom, 28mm-365.3mm, F2.8-F4.5
• V-Log
• 1080p120
• 4Kp60
• H.264 encoder

Not too long after the HDSLR revolution started, the companies started bringing out accessibly priced large sensor video cameras with interchangeable lenses. Such as the AF100, then later the FS100, then a bit later the C100.

Since then the C100 has been replaced with the (very disappointingly small update) C100mk2, the FS100's big brother the FS700 has been "replaced" (unofficially) with the FS7 (so surely the FS1 or FS200 is coming along next? Perhaps a topic for another thread...). Thus where is the AF200? One which has been waiting for an update for years and years longer than any of the others (and no, the AF100A hardly counts! Though I guess that is what Canon did with their "C100mk2"....).

Perhaps with the success of the GH4 (surely the most successful of the entire GH line so far), and the mainstreaming of 4K, those two factors will be sufficient to propel Panasonic to update the ageing AF100??

On a somewhat related point, how relevant is the AF100 still in 2015 and beyond? Some would think it still is: http://www.anycamerawilldo.com/old-but-not-out/

Am somewhat considering an AF100 myself, as planning on doing the next upcoming wedding season with one GH4 body and perhaps five or so GH1 bodies (maybe swapping out one GH1 for a GH2 with a monitor instead, for my second shooter to use). Thus I'll have a GH4 for single camera shoots (corporate ads / music videos / etc) and I'll have a heap of GH1 bodies to cheaply (only US$150 each!) cover the multiple angles needed for filming live events such as weddings. And I should be able to easily edit between them (making life an awful lot easier for me than this wedding season when I used: Nikon D5200 / Sony A5100 / Panasonic GH1 / G3 / GF3 / BMPCC).

However, half considering if it is worthwhile getting an AF100 as well if I see one cheap enough (say perhaps getting close to US$1,000-ish). As for appearances sake it could be reassuring for clients/brides to see my show up with an AF100, and not just a bunch of tiny GH1 bodies. Additionally I could have it handle some of the sound needs with its XLR inputs (additional to my usage of a Tascam DR-60D). And it is a camera which should cut in fairly easily enough with the bulk of the GH1 footage I'd hope?

Specs:

• 24.3MP CMOS Sensor
• 3.0″ 922k Tilting Touchscreen LCD
• 1080p24/p30/p60 at 50Mbps
• 30 Minute limit (sic)
• Hybrid AF with 179 Phase-Detect Points
• Wi-Fi, NFC
• Focus Peaking, Zebra
• Body - $550, kit with 16-50mm f/3.5-5.6 Lens - $700

Previews:

• http://www.imaging-resource.com/PRODS/sony-a5100/sony-a5100A.HTM
• http://www.engadget.com/2014/08/18/sony-a-5100-hands-on/
• http://www.theverge.com/2014/8/18/6028777/sony-a5100-camera-announced-price-release-date
• http://www.dpreview.com/previews/sony-alpha-a5100
• http://www.dpreview.com/articles/4552168018/hands-on-with-the-sony-alpha-a5100
• http://www.thephoblographer.com/2014/08/18/sony-stuffs-everything-love-a6000-smaller-evf-less-a5100-body/#.U_GbYU0cSUk
• http://www.steves-digicams.com/camera-reviews/sony/a5100/sony-alpha-5100-a5100-review.html

Available at:

• Body - http://www.amazon.com/Sony-a5100B-Interchangeable-Camera-3-Inch/dp/B00MHPAES4/
• Kit - http://www.amazon.com/Sony-a5100L-16-50mm-Interchangeable-Camera/dp/B00MHPAFAG/

Samples:

• http://www.fotomagazin.de/test_technik/testbilder/SonyA5100_16_50mm.zip
• http://www.sony.net/Products/di/en-us/products/yre3/samplephotos.html?contentsTop=1

This is me attempting story-driven filmmaking for the first time, as previously I've mostly done landscape and travel content (a seen on www.eaglewoodfilms.com). Shot on the trusty Sony A6500 and Phantom 4 Pro for aerials. Did all the shooting, editing, grading and sound design myself.

Comments? Feedback? Fire away!

I purchased this one.

https://www.amazon.com/gp/product/B073XYYYWR

There's another model that has two USB inputs, so you could use two power banks or use one and draw more amps.

I was skeptical, and the packaging made me even more so, cardboard & crinkly shrinkly, but I plugged it into my cheapest 5200mah power bank and measured the voltage. 8.8 volts, which is just about right (I've gone as high as 9.2, but prefer not to). Notably, the needle on my trusty voltmeter did not wiggle. Also noteworthy, it didn't seem to need the recommended 3 amp draw. It comes with a 3 amp wall wart if you just want to plug the camera into the mains for power.

It comes with a bog standard dummy battery. The step up converter is tiny, not much thicker than the cable. Plugged in the camera (Panasonic G7) and waited. The 5200mah power bank ran the camera for 156 minutes, or two and one half hours. Not bad--you are going to lose some power in the conversion so don't skimp on the power bank. I'll do some tests later with my RAV 20,000mah bank.

Camera ran cooler than expected.

So there you have it, easy, lightweight power from USB. I had been using 9 volt packs with stacks of Panasonic 18650 cells (runs forever....). But this is really easy.

You can buy adapters for most cameras, and considering the fact that it comes with a dummy battery, the price is cheap. Will it burn out? Interesting question.

[Added formatting and photo, VK]

I still like this camera, i didn't make the step to buy a a7sii. Still waiting. Hopefully the a7sIII has 10 bit

Anyway, what do you guys thing of this video?

PRESS RELEASE

Sony grows large sensor camera family with new 4K camera systems

Sony is unveiling two new CineAlta™ 4K cameras, complemented by a full line-up of new accessories. The new cameras, the PMW-F55 and PMW-F5, fill a critical gap in large-sensor acquisition between Sony's PMW-F3 camcorder and its F65 CineAlta Premium 4K camera, giving content creators new levels of flexibility and creative options for HD, 2K or 4K acquisition and production.

With a modular and compact design for easy configuration, each camera features a new type of 4K Super 35mm image sensor with a 4096 x 2160 resolution (11.6M total pixels).

The 20 megapixel F65 remains the flagship of Sony's large sensor camera family. The 8K sensor-equipped F65 continues to evolve, with new features designed for the most demanding high-end imaging applications. These features include a new high frame rate mode for 4K RAW recording at 120P to deliver stunning 4K images with super smooth slow motion capabilities, and image capture using the SR codec at 12-bits. Future updates to the F65 will deliver 6K de-mosaicing, along with other major new features.

New PMW-F55 and PMW-F5 Cameras

The new PMW-F55 and PMW-F5 CineAlta 4K cameras deliver unprecedented creative options for HD/2K/QFHD/4K (PMW-F55) and 2K*/HD (PMW-F5) production. Both offer multi-codec support featuring Sony's new XAVC MPEG-4 AVC/H.264 format, the SR codec (MPEG4 SStP) and the industry-standard High Definition XDCAM 50Mbps 4:2:2 codec. In-camera recording is on Sony's New SxS media, SxS PRO+ (Plus ) – which can be used to record XAVC in HD High Frame Rate and in 4K at up to 60fps (in the PMW-F55), and XAVC HD High Frame Rate in the PMW-F5.

In addition to on-board recording onto SxS PRO+, the PMW-F55 and PMW- F5 can also be connected to the new AXS-R5 RAW recorder. Slow-motion imagery at up to 240fps** (PMW- F55) and up to 120fps** (PMW- F5) can be captured as 4K RAW files on newly developed AXS memory.

The PMW-F55 features a global shutter to eliminate rolling shutter skew and flash band, and features a wider colour gamut for exceptional colour reproduction. The cameras are further distinguished by wide (14 stops) exposure latitude, high sensitivity, and low noise.

New Options for Monitoring

The PMW-F55 can connect to the new 4K 30-inch LCD monitor, PVM-X300, using four 3G-SDI interfaces to monitor pictures at 4096x2160 resolution at up to 60p, while recording and playing back XAVC 4K images. Similarly, it is also possible to connect directly to the 84" BRAVIA 4K LED TV for large-screen monitoring of the camera's 4K 60P images (at resized horizontal resolution of 3860 pixels).

PL Lens System – The Second Generation

The PMW-F55 and PMW-F5 cameras continue Sony's efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica.

Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens.

Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon® EF, Canon FD, Nikon® DX, Nikon G, Leica® M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)

Viewfinders

Using a new digital interface, PMW-F5 and PMW-F55 users can take advantage of a new series of high-quality OLED and LCD viewfinders. The DVF-EL100 OLED viewfinder measures 0.7-inches with 1280 x 720 HD resolution, superb brightness, contrast and response. The DVF-L350 3.5-inch LCD viewfinder offers 10 times the contrast of previous Sony LCD viewfinders, with a flip-up eyepiece for direct monitoring. A third option is the full HD DVF-L700. This compact 7-inch LCD viewfinder enables high resolution when shooting in 2K and 4K, with pixel-to-pixel 1920 x 1080 representation of HD images.

New RAW Recording System

Sony is also unveiling the AXSM™ Access Memory System for 2K*/4K RAW recording, based on Sony's unique recording technology. Optimised for this new platform is the AXSM memory card (512 GB capacity, model AXS-512S24), using the generic file system exFAT. Users can record 4K RAW data up to 60 fps and 2K RAW up to 240 fps**, with a 300MB/s sustained transfer speed. PC-friendly operation is enabled through use of the AXS-CR1 card reader, offering a USB 3.0 interface for high speed transfer.

Additionally, the new AXS-R5 RAW recorder directly docks onto the PMW-F5 and PMW-F55, for an extremely elegant and compact recording system for 2K** and 4K RAW recording.

New Recording Media

The cameras support Sony's new high-speed, enhanced versions of its SxS PRO memory cards: the "SxS PRO+(PLUS)" series (in 128 and 64 GB capacities, models SBP-128B and SBP-64B). Based on the format long used in Sony's XDCAM EX camcorders, the cards support XAVC 4K and XAVC HD high frame rate recording, and can be directly inserted into the cameras.

New Battery and Charger

The PMW-F5 and PMW-F55 cameras take advantage of Sony's new BP-FL75 battery pack, which uses Olivine-Lithium Iron Phosphate-instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles, compared to previous Sony batteries. The Olivine battery works with Sony's BC-L90 quick charger. The new battery supports outstanding mobility for on-set shooting enabling two times higher speed charging than current chargers and a maximum 150 minutes of consecutive shooting.

The PMW-F5 and PMW-F55 cameras are also compatible with Sony's BP-GL95A, GL65A, L80S and L60S batteries, which use the BC-L70 and L160 chargers.

Shoulder Rig

Delivering advances in ergonomics specifically requested by cinematographers, the PMW-F5 and PMW-F55 feature Sony's newest shoulder rig for extra stability and comfort. The rig is sturdy, lightweight and uses industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories.

Pricing and Availability

The new cameras are scheduled to be available in February 2013, with suggested list pricing to be announced. For more information, visit

http://www.pro.sony.eu/pro/product/f55

or

http://www.pro.sony.eu/pro/product/f5

• 2K/QFHD for PMW-F55 and 2K for PMW-F5 will be available with firmware version up.
  **High frame rate higher than 60fps will be available with firmware version up.

Specs, A7

• 24Mp CMOS FF sensors
• 14bit RAW
• E mount
• 100-51200 ISO
• Phase AF on sensor, 117 points
• Applications support
• OLED 2.4Mp EVF
• SDHC card slot
• Whether sealed
• 1/8000 shutter speed
• 1/250 flash sync speed
• Serial shooting - 5fps and 2.5fps modes
• Movie modes - 24p/60i/60p w/uncompressed HDMI output
  • PS - 1920 x 1080/60p@28Mbps
  • FX - 1920 x 1080/60i@24Mbps
  • FH - 1920 x 1080/60i@17Mbps
  • FX - 1920 x 1080/24p@24Mbps
  • FH - 1920 x 1080/24p@17Mbps
• Headphone Jack
• Microphone Input
• XLR adaptor kit available. Separate control of the left and right channel inputs is available via this adaptor.
• Tiltable 920kp LCD screen
• Focus peaking
• MIDI output compatible with 4K TVs (for photo only now)
• Wi-Fi, NFC
• Size - 127mm x 95mm x 48mm
• Weight - 474gr
• $1698 (or 1500 EUR)

Specs, A7r

• 36Mp CMOS FF sensors
• 14bit RAW
• E mount
• 100-51200 ISO
• Contrast AF only
• Applications support
• OLED 2.4Mp EVF
• SDHC card slot
• Whether sealed
• 1/8000 shutter speed
• 1/250 flash sync speed
• Serial shooting - 5fps and 2.5fps modes
• Movie modes - 24p/60i/60p w/uncompressed HDMI output
  • PS - 1920 x 1080/60p@28Mbps
  • FX - 1920 x 1080/60i@24Mbps
  • FH - 1920 x 1080/60i@17Mbps
  • FX - 1920 x 1080/24p@24Mbps
  • FH - 1920 x 1080/24p@17Mbps
• Headphone Jack
• Microphone Input
• XLR adaptor kit available. Separate control of the left and right channel inputs is available via this adaptor.
• Tiltable 920kp LCD screen
• Focus peaking
• Wi-Fi, NFC
• Size - 127mm x 95mm x 48mm
• Weight - 465gr
• $2198 (2100 EUR) body price

Preorder at:

• A7 body, best option - http://www.amazon.com/Sony-ILCE7-Full-Frame-Interchangeable-Digital/dp/B00FRDUZXM/
• A7r body, 36Mp - http://www.amazon.com/Sony-ILCE7R-Full-Frame-Interchangeable-Digital/dp/B00FRDUZUK/
• A7 kit - http://www.amazon.com/Sony-ILCE7K-Full-Frame-Interchangeable-Digital/dp/B00FRDV06I

• Electronic Variable ND (FS5)
• 10 assignable buttons
• New Lens Lock Ring (Lever Lock Type) No rotation of lens anymore to detach.
• MPEG 2 Cache Recording
• BT 2020 Color Space
• New Arm Grip Position and Adjustments
• New 1/4 Full HD LCD (960/540) and rod ergonomics improvements
• $9999 price

Product page https://pro.sony.com/bbsc/ssr/show-highend/resource.solutions.bbsccms-assets-show-highend-fs7ii.shtml

was testing out the clear image zoom on the a6500 to reduce RS for some handheld but felt the quality was off.

So I did a comparison, static wide with the Sigma 30mm f1,4 and the Sony 16mm f2.8 with 2x CIZ. Both at f5,6, shot in 4k.

And the later was indeed awful, see attached snaps (SOOC). Top is 16mm+CIZ, second is 30mm.

This is not even close to the good results I've seen of others' tests online. Any setting I need to change?

• 16 elements in 12 groups
• F4-F22 aperture range
• 7 aperture blades, circular aperture
• 0.45-0.95m minimal focusing distance (from wide to tele)
• 72mm filters
• hood included
• 425g
• available for $598 at https://www.amazon.com/Sony-SELP18105G-PZ-18-105mm-OSS/dp/B00ENZRQH8/

http://www.digitbox.fr/test-du-sony-18-105-mm-f4-g-oss-e-pz/

Specs

• 18 elements in 15 groups, 6 aspherical elements, 3 ED (Extra-low Dispersion)
• 7 blade circular aperture design
• Not parfocal zoom. but in AF mode it can emulate it (how good is uncertain)
• High resolution suited to professional 4K movie production
• Smooth Motion Optics (SMO) design and construction to minimize unwanted focus and image shifts whilst focusing or zooming
• Three separate focus, iris and zoom rings for professional operation
• Optical image stabilization
• Dust and moisture resistance
• $3,500 US price, and somehow 4000 EUR in EU
• Available in November

Thanks!

Looks like a major improvement over Nebula4000. Newsshooter published report: http://www.newsshooter.com/2016/05/12/nab-2016-filmpowers-new-roxor-4k-vr-4200-and-quick-release-nebula-4100-lite-gimbals/

thanks guys!

Specs:

• 20.1 CMOS sensor
• 1080p30 video recording
• 1/4000 to 30 sec shutter speed
• 3" 460,800 dot LCD
• Built-in stereo microphone
• Dimensions - 109.6 x 62.8 x 35.7mm
• Weight - 210g for camera body
• Available in March 2014
• Price - $600 for kit with the 16-50mm zoom lens.

Available at:

• http://www.amazon.com/Sony-Alpha-a5000-20-1-Camera/dp/B00HNJWU3G/

Useful links:

• http://www.thephoblographer.com/2014/01/06/first-impressions-sony-a5000/
• http://www.photographyblog.com/news/sony_a5000_hands_on_photos/
• http://www.ephotozine.com/article/sony-alpha-ilce-5000-hands-on-preview-23853

Specifications:

• Lens Type : E-mount 35mm F1.8
• Aperture : f/1.8
• Aperture (Min.) : f/22
• Filter Diameter : 49 mm
• Minimum Focus Distance : 11.88" (0.3 m)
• Aperture Blade : 7 blades (Circular aperture)
• Dimensions (Max. Diameter x Length) : 2-9/16 x 1-3/16" (64.7 x 29.9 mm)
• Focal Length (35mm equivalent) : 52.5 mm
• Lens Construction : 6-8
• Lens Weight : 5.5oz (155g)
• Lens-based Image Stabilization (OSS)
• Price: $450

Available at:

• http://www.amazon.com/Sony-SEL35F18-35mm-Prime-Fixed/dp/B0096W1P5W
• http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=8198552921666486665#features
• UK : http://www.wexphotographic.com/buy-sony-e35mm-f1-8-oss-lens/p1532762
• DE : http://www.sony.de/product/dal-landscape/sel-35f18

Samples:

• http://www.ephotozine.com/article/sony-nex-e-35mm-f-1-8-oss-lens-sample-photos-20130

Specs

• 1" BSI-CMOS sensor (13.2 x 8.8mm, 3:2 aspect ratio)
• 20.2mp
• 28-100mm (equiv), f/1.8-4.9 Carl Zeiss Vario-Sonnar T* lens
• ISO 160-12,800
• NFC, WiFi
• 10fps continuous shooting
• Tiltable 3" 1.2md LCD screen
• Steady-Shot image stabilization
• 1080p60 video (50p in PAL regions)
• Built-in stereo microphones
• 330-shot battery life (CIPA)

Available at:

• http://www.amazon.com/DSC-RX100M2-RX100M-Camera-Vario-Sonnar-Focus/dp/B00E3FYJ5K/
• http://www.adorama.com/ISORX100M2.html

Hands-ons and previews

• http://www.dpreview.com/previews/sony-cybershot-dsc-rx100-m2
• http://www.ephotozine.com/article/sony-cybershot-dsc-rx100-ii-hands-on-preview-22234
• http://www.digitalcamerareview.com/default.asp?newsID=5342&News=Sony+DSC-RX100+Mark+II
• http://www.engadget.com/2013/06/27/sony-rx100m2-rx1-hands-on/
• http://www.thephoblographer.com/2013/06/27/first-impressions-sony-rx100-m2/

Designed to increase sensitivity in low-light conditions and reduce overall picture noise, the new Exmor R sensor in the RX100 II camera is the world’s first 1.0-type back illuminated sensor ever developed. It is approximately 40% more sensitive in dimly lit situations compared to the existing RX100 model. The powerful sensor is paired with an exceptional F1.8 Carl Zeiss Vario-Sonnar T* lens to deliver exceptionally sharp, natural still images and Full HD video in any shooting condition – from bright daytime scenes to night-time landscapes and everything in between.

Additionally, the new RX100 II model is equipped with Wi-Fi capabilities and is also the first ever Sony camera to include NFC (Near Field Communication) technology, giving the extra convenience of instant, one-touch wireless transfer of content between devices. Its Smart Remote Control functionality lets users preview images and control shutter release directly from their connected phones or tablets.

A Multi Interface Shoe on the RX100 II model allows users to add optional accessories including an electronic viewfinder, powerful external flash and clip-on LCD monitor. A Multi Terminal lets users add a shutter-release remote control.

The camera features a bright, detail-packed 3.0-type White Magic™ LCD display that tilts upwards (up to 84 degrees) and downwards (down to 45 degrees), giving shooters greater freedom to compose shots from overhead and low angles.

Additionally, the RX100 II model has expanded Full HD video capabilities with the addition of 24p shooting for cinematically styled movies. Other refinements include a step zoom function that lets users instantly choose any of five popular focal lengths for handy scene framing. Shooters can select 28mm, 35mm, 50mm, 70mm or 100mm focal lengths using the camera’s control ring, giving them an intuitive and fast alternative to zooming in and out.

• 1" 20.1 mp stacked CMOS sensor
• 24-600mm lens, 25x optical zoom lens, f/2.4-4.0, Optical Steadyshot
• Tilting screen
• Electronic Viewfinder (XGA OLED)
• 14fps continuous shooting
• Electronic shutter (up to 1/32000s)
• 4K video recording (3840x2160), but only 30p, 25p, 24p •High speed video recording •Triple lens ring (focus, aperture, zoom) •Dust and moisture resistance •Wi-Fi / NFC connectivity
• 1051 g
• 133 x 94 x 127 mm
• $1500 at http://www.bhphotovideo.com/c/product/1242612-REG/sony_dsc_rx10m3_cyber_shot_dsc_rx10_iii_digital.html

Specifications

• 12MP CMOS sensor, without Phase AF
• 1080p24 and 1080p60 recording with 50mbps
• hdmi output - 3840 × 2160(30p/24p) / 1920 × 1080(60p/24p) / 1920 × 1080(60i),YCbCr 4:2:2 8bit/ RGB 8bit
• seems to be regional locked (PAL/NTSC versions)

Available at

We have few PAL Sony A7s bodies for European members. All of the cameras do not have any limits.

Price: $2589
Shipping: Price includes fast shipping for Western Europe/US/Canada/UK/Australia&NZ. Contact for any other regions.
I want to buy this camera.

• US, NTSC - http://www.amazon.com/gp/product/B00JIWXTXG/
• US, NTSC http://www.bhphotovideo.com/c/product/1044728-REG/sony_ilce7s_b_alpha_a7s_mirrorless_digital.html

PR

SAN DIEGO, April 6, 2014 /PRNewswire/ -- Joining the acclaimed alpha7 and alpha7R family of the world's smallest full-frame interchangeable lens cameras1, Sony's new alpha7S model puts extraordinary sensitivity, low noise and spectacular 4K video quality into the hands of professional photographers and videographers.

The innovative alpha7S camera features a newly developed, 12.2 effective megapixel 35mm Exmor® CMOS sensor paired with a powerful BIONZ X image processor, allowing it to shoot at a sensitivity range of ISO 50 – 4096002 with unprecedented dynamic range and low noise.

The new model is also the world's first camera to utilize the entire width of a full-frame image sensor in 4K video acquisition, and does this without cropping or line skipping as it can read and process data from every one of the sensor's pixels. This allows 4K video shooters to utilize all of the artistic and creative benefits provided by the unique sensor.

"The alpha7S gives Sony the most complete, versatile lineup of full-frame cameras in the market today," said Neal Manowitz, director of the interchangeable lens camera business at Sony Electronics. "Between the alpha99, VG900, RX1, alpha7, alpha7R and now alpha7S models, we have completely revolutionized what it means to be a 'full-frame' camera, bringing a new level of quality and portability to enthusiast photographers and videographers."

Wide ISO Sensitivity (ISO 50 - 409,6002) and Impressive Dynamic Range

Sony, the world's largest manufacturer of image sensors, has developed a unique 12.2 MP sensor with extraordinary sensitivity that allows the alpha7S camera to collect dramatically more light than traditional cameras and to produce beautifully detailed, low-noise images in even the darkest environments.

The camera also features a newly developed on-sensor technology that allows it to optimize the dynamic range throughout the entirety of the ISO50 – 409,600 sensitivity range. This on-sensor technology also broadens the range of tonal gradation in bright environments and minimizes noise in dark scenes, allowing the camera to deliver impressive results in these extreme conditions where other cameras (and image sensors) typically struggle.

World's First Full-Frame Camera with Full Pixel Read-out (without pixel binning) during Movie Shooting

With the new alpha7S camera, the high-speed read out of the 35mm full-frame image sensor combined with the high-speed processing of the BIONZ X processor enables significant improvements in video quality.

These powerful components allow the camera to process data from all of the sensor's pixels and output stunning HD and 4K (QFHD 3840 x 2160 pixels) video3 while utilizing the full-width of the sensor. In addition to the benefits for low-light shooting, the read out of all pixels frees the video from aliasing, moire and false color artifacts (as opposed to pixel binning) to achieve the highest quality video.

Additional Pro-Quality Video Functions

In video mode, the alpha7S can output 4K video at QFHD (3840x2160) to an optional external 3rd party 4K recorder, and can record full HD (1920x1080) at frame rates of 60p, 60i, 30p and 24p directly to a compatible memory card. Video modes can be changed from full-frame to APS-C (super 35mm equivalent) if desired, and in this crop mode, the camera can support high frame rate 120fps shooting at standard HD resolution (1280 x 720p), creating a 5x slow-motion effect.

The alpha7S camera is also equipped with S-Log2 gamma. Common to Sony's range of professional video cameras, S-Log2 expands the dynamic range by up to 1300% to minimize clipped highlights and loss of detail in shadows. Additionally, for the first time ever in a Sony alpha camera, the alpha7S adopts the workflow-friendly XAVC S recording format in addition to AVCHD and MP4 codecs. XAVC S format allows for full HD recording at a data rate of 50 mbps with lower compression for improved video quality.

Other specialist video functions on the new camera include a picture profile that can adjust settings like gamma, black, level and color adjustment, and can be saved for use in a multi-camera shoot. It also has Full HD and 4K base band HDMI® output, time code/user bit for easier editing, synchronous recording feature with compatible devices, various marker and zebra displays on both the LCD screen and viewfinder and can dual record XAVC S as well as MP4 (1280x720 @30p).

The camera also has a Multi-terminal interface shoe that is compatible with Sony's XLR Adaptor Microphone Kits (XLR-K1M plus a new model under development), allowing the use of professional microphone systems.

Low-light Shooting Advantages

The high ISO sensitivity range of the alpha7S camera is extremely effective for still image shooting, especially in low-light conditions, where the camera can shoot at high shutter speeds while keeping noise as low as possible. This is particularly useful for shooting indoor, dimly lit sporting events or other situations where most cameras typically struggle.

The camera is also equipped with the same high-precision Fast Intelligent AF system as the alpha7R camera, with drastically improved low-light AF sensitivity that can go as low as -4EV.

Expanding alpha Mount System and New Power Zoom Lens for Movie Shooting

Directly compatible with the growing family of E-mount lenses, the alpha7S camera can also be used with A-mount and others lens systems with optional adapters. Sony's complete alpha lens system now includes 54 total lenses for both A and E mounts, including several premium offerings from Carl Zeiss® and G Series Lenses.

As a whole, Sony's E-mount lens system is particularly well-suited for video shooting, with a variety of models containing "movie-friendly" features like smooth focusing, powered zoom control, and silent iris/aperture control. Building on this, Sony has announced development of a brand new, full-frame power zoom 28-135mm F4 lens E-mount lens that is an ideal match for the powerful movie capabilities of the alpha7S model.

Pricing and availability of the alpha7S full-frame interchangeable lens camera will be announced at a future date.

This film was shot entirely on a Sony A7s II with no lights, tripod or crew, just me as director - DP. For my day job, I work with full size crews and camera packages (Alexa, Red, etc) for TV and commercials. But this project, took place in the bush of one of the poorest countries on Earth. The entire camera / sound package had to fit in a small back back and never leave my sight. For sound I used a Rode Video Mic Pro for almost everything and a Sennheiser G3 kit for interviews. For glass, I used a Canon 24-105 and a Rokinon 20mm Cine as well as a full set of Tiffen White Water 77mm Filters and BW Polarizer.

Initially, I ran with a Movcam cage and top handle as well with Wooden Camera handgrips and an F&V Spectra 4.3" on board monitor. But after a few hours, I realized the paramilitary look of the camera attracted too much attention and undermined my subject's candidness, I stripped it down to just the camera body, metabones E mount adaptor, lens and Rode Mic and used the camera's EVF or LCD. It's amazing how a small change in gear, changes people's behavior around you. If I came in with a proper "pro" rig, I would've been mobbed at every turn.

For settings, I tried the EOS Pro Settings. Big mistake. Contrasty and red. Fail for sunny conditions and skin tones. You'll can easily see which shots used that. I then switched back to my reliable Cine 4 settings with black level pushed up, magenta down, sharpness all the way down, etc. Despite the settings mistake, it was definitely a blast and a learning experience.

Post was done on FCPX. With the latest updates, I find this to be the best doc editing software out there. Took me a while to make the switch but once I figured out the language, it saves me at least 30 % more time over Premier or Avid. Transcoded A7s II 4k footage to Pro Rez LT to cut and finish on.

Anyway, enjoy the film.

Miguel

Currently, I seem to only be able to get to the 1920 X 1080 setting when I choose HD, but then it shoots in Frame Rate of 60fps.

Please advise.

Because the camera is still on the stabilizer, that means Nebula Gyro Jib can carry cameras like the Canon XC15 and Panasonic PX230 which is compatible with Nebula 5300. With the help of Gimbal’s lock mode, making the camera stays locked on to a given target as the jib is moved. Also, if you switch to the semi-lock mode, it allows the camera to follow jib’s movement on the horizontal direction but stay locked as the jib moving up or down.

Further more, the Nebula Remote can be added as the controller unit to remote control gimbal’s Pitch and Yaw axis and mode switching, so that the direction of camera can be easily changed. Users may also remote control camera to start/stop recording by using the Remote. This system breaks the angle limit of traditional jibs.

Of course there are some features similar to other travel jibs such as easy to assemble, easy to monitor and easy for transportation. Nebula Gyro Jib is made of carbon fiber, making it only weights 1.4kg while having a reasonable length of 2.4m when fully extended. There are standard 1/4 and 3/8 screw holes on the jib for monitor and tripod. It can use regular weights or a handy donut shaped counter weight water bag as the standard fitting.

Specifications:

• Lens Type : E-mount 10-18mm F4
• Aperture : f/4
• Aperture (Min.) : f/22
• Filter Diameter : 62 mm
• Minimum Focus Distance : 9.84" (0.25m)
• Aperture Blade : 7 blades (Circular aperture)
• Dimensions (Max. Diameter x Length) : 2-7/8 x 2-1/2" (70.0 x 63.5 mm)
• Focal Length (35mm equivalent) : 15-27 mm
• Lens Construction : 8-10
• Lens Weight : 8oz (225g)
• Lens-based Image Stabilization (OSS)
• Price: $850

Available at:

• http://www.amazon.com/Sony-SEL1018-10-18mm-Wide-Angle-Zoom/dp/B0096W1ONK
• http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=8198552921666486651
• UK : http://www.wexphotographic.com/buy-sony-e10-18mm-f4-oss-lens/p1532764
• DE : http://www.wexphotographic.com/buy-sony-e10-18mm-f4-oss-lens/p1532764

Samples:

• http://www.ephotozine.com/article/sony-nex-e-10-18mm-f-4-oss-lens-sample-photos-20128

Specs

• F2.8-F16, 7 blades aperture
• 8 lenses in 8 groups with ED lenses
• Minimum focus distance 0.28m
• 71mm diameter
• 55mm filter
• Sealed
• Weight - 236g
• Available at $499 at https://www.bhphotovideo.com/c/product/1277527-REG/sony_sel50m28_fe_50mm_f_2_8_macro.html

Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the FE 50mm F2.8 Macro lens (model SEL50M28).

Ideal for everyday photography, this 50mm macro lens features an F2.8 maximum aperture that offers outstanding image quality and bokeh, while its 1:1 macro capability allows the photographer to get sharp close-up shots of their subject. Additionally, its comprehensive range of controls including focus-mode switch, focus-range limiter and focus-hold button ensure an effortless shooting experience for a wide range of users.

The lens offers a 6.3 inch minimum focusing distance and a wider field of view for capturing more background, compared to longer focal-length macro lenses. Weighing in at a mere 8.4 oz., it’s extremely lightweight and portable, making it easy to carry around.

The new FE 50mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass to effectively compensate for axial chromatic aberration at close focus, allowing it to create consistently sharp and high quality images. The optical and mechanical construction of the lens has less glare and ghosting, even without a lens hood. The lens is also dust and moisture resistant.

Pricing and Availability

The new FE 50mm F2.8 Macro lens will be available in September for about $500 US and $650 CA, respectively. It will be sold at a variety of Sony authorized dealers throughout North America.