Tagged with plug-ins - Personal View Talks http://www.personal-view.com/talks/discussions/tagged/plug-ins/feed.rss Sun, 28 Apr 24 20:03:16 +0000 Tagged with plug-ins - Personal View Talks en-CA Filmvision Pro plug-in http://www.personal-view.com/talks/discussion/2524/filmvision-pro-plug-in Thu, 08 Mar 2012 00:57:31 +0000 spk 2524@/talks/discussions There's a YouTube user called ekzotica who has been posting some nice-looking videos from the G2 using this plug-in. I don't yet own a G-series camera, but I'd like to get one (probably G2) and I'd like to be able to achieve similar results. What would this involve?

Thanks for your patience.

]]>
Give Away: Free Plug-In for Adobe Premiere Pro: Accevolution Transition Designer Free http://www.personal-view.com/talks/discussion/11975/give-away-free-plug-in-for-adobe-premiere-pro-accevolution-transition-designer-free Wed, 17 Dec 2014 06:46:54 +0000 editor 11975@/talks/discussions I want to thank you for your support with special gift: a FREE version of the TRANSITION DESIGNER, our plug-in for Adobe Premiere Pro with the following features:

High-quality wipe effect with a lot of adjustable parameters such as angle, transition easing (linear, easy in & out), feathered edge, blur and glow effect.

Many of the parameters support keyframes and we also included the powerful time remapping function. All transitions are GPU accelerated for real-time playback!

Our Mac Version is coming in the first quarter of 2015.

Get your free version here (Windows only): http://shopen.accevolution.de/wid-59-Transition-Designer-Free.html

Have a great time, best regards, Wolfram

]]>
In-Depth Audio Tech Reviews http://www.personal-view.com/talks/discussion/8960/in-depth-audio-tech-reviews Tue, 03 Dec 2013 19:43:40 +0000 thepalalias 8960@/talks/discussions Over the years, I've contributed to Wusik Sound Magazine but last year much of the staff moved to a new magazine at www.soundbytesmag.net. Writing there has given me a chance to go really in-depth with my reviews, generally exceeding 3,000 words and sometimes over 8,000. I figured I would start providing links to them here in case they prove of use to the community.

]]>
Film Emulation - Trying to make DSLR video as close to film as possible http://www.personal-view.com/talks/discussion/9259/film-emulation-trying-to-make-dslr-video-as-close-to-film-as-possible Sun, 05 Jan 2014 05:34:40 +0000 cyzercraft 9259@/talks/discussions Hello guys and girls. At first just want to say that if someone feels that this is self advertising feel free to delete this thread or move it where it is appropriate. After some thoughtful moments I decided that it is interesting for you to see, as it was my research in making the digital video look as more as film as possible and i wanted to share what i came up with.

Since the introduction of Digital Cameras it became easy to film and to learn making indie films, you just grab your camera and experiment with it. However the look of the digital footage(even color corrected and graded) still leaves amateur and domestic camera impression, the digital footage doesn't look as good as straight out of the film camera.

What is it about film that people like so much? Simple - it's color. Maybe some will say dynamic range, some will say the motion and flares. But the best feel about the film is that it looks unique and cinematic. People say that film has a unique color processing that can never be achieved by a digital camera. I take a more scientific approach and after many researches I found some breaking points in simple After Effects effects profiles and LUT usabilities and achieved unique fake color caps which gives that beloved film feel. The limited color brightness is one of the most important things when trying to emulate film look.

The hardest part in grading Digital footage is that it needs to be RAW or LOG, that means a flat footage taken out of expensive cameras. Then it is graded digitally by shifting colors of keyed parts, adding tints and editing curves. Amateur and Indie filmmakers sometimes doesn't have all those REDs and Black Magics and ARRIs and other beautifully named machines and anyway they want to look pro, so what we all indie filmmakers do is not called grading we just do the color correction - just create some interesting looks by shifting and tinting video. But there is certain points and colors that will leave that digital and domestic feel in the DSLR video even when it is color corrected. The colors overbright, and oversaturated areas doesn't change with color correction. Many of indie filmmakers lowers the saturation, but what happens is that they desaturate all areas of the footage so colors in shadows becomes undersaturated. I tried to fix it by collecting some unique braking points of Adobe After Effects CS6 as known as ColorGhear techniques but instead of doing it manually I tried to automate the process. The process is not grading nor color correction - it's something very different and unique and is used as a simple preset for After Effects CS6, which will be available soon for just a few dollars ($5-$10).

So I made some tests. At first I didn’t even think that I would come up with something interesting but now I actually need your opinion, it is usable? Does it really make a difference and most important – does it make the footage look like FILM (kodak). It does certain things to a simple footage: adds color bright limit, adds saturation limit ONLY to oversaturated areas, increases saturation to undersaturated areas, makes overbright colors(not whites) more visible and appealing on screen (for human eye).

There was a guy who tried to create and then disappeared his plug-in known as "Filmvision plug-in" I think he used similar techniques.

What do you think ?

Also I will make a video with just original color limiting process because the current video also affects the overall saturation and makes it more blockbuster Blue Orange type of thing.

]]>