Either Photo or Cine version will do. Would be paying by paypal. I'm based in the UK

Cheers,

Alec

I am selling my SLR Magic 'official' FF Gear.

Including delivery $25 USD.

As new only been used on 2 shoots.

Thanks,

please email me directly; stuart.howe@gmail.com

http://www.ebay.co.uk/itm/321671550037?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Also selling Switronix PB70-BMCC PowerBase-70 with the Charger. £220.

http://www.ebay.co.uk/itm/321672059595?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Asking 450€. Item is located in Germany but I can send internationally at buyers cost.

Just saw that magic bullet looks came out the other day and is on offer for 7 days. What are folks opinions of it here, and at this temporary new price? Worth a shot?

I am selling my as new SLR Magic 12mm v2 and FF Gear. It comes as new. I bought this to use on my short film and now that it's finished I have no other need for it. Only had about 4 days usage.

$550 including postage.

If you have any question let me know!

Comes with lens adapter rings (52, 58,62mm), 0.33 and 1.33 Diopter lenses and original packaging.

Note: This is the normal version there are few tiny dust particles inside the lens. SLR MAgic offers a version that is 100% garanteed dust-free but for a higher price. I owned their really expensive 50mm T0.95 once and it came with a big speck of dust right in the middle of the back lens element! Yet, not visible on camera.

Since it really does not affect image quality visibly, I chose this version. Price 775,- incl. VAT. If you have a company I can write a invoice with separate VAT.

Location: Bremen, Germany.

Shipping &insurance not included.

We´ve just released our 2012-short to public viewing on youtube and I´d like to invite you to take a look!

It´s a film mainly shot on GH1 which eventually became hacked. Since we shot additional footage up until 2012 there´s also GH2 material in it. It was a long journey and today we´d of course make a few things better and/or differently.

Nonetheless we´re very happy with the result. But see for yourselves!

A few facts:

• shot on GH1(3), GH2
• audio recording via H4N + Rode NTG-2
• mainly Minolta MD lenses, Oly 12-60mm F2,8 and one Vivitar 135mm
• original score with some stock elements here and there
• post production on Adobe CS(X), color via Colorista I & II

As for language: A Persian woman wrote on facebook "it´s so strong you don´t even need to understand the words". Maybe it´s better when you don´t speak German?! :D Anyways, there´s not much dialogue...

PM me or email me at innersparkfilms@gmail.com

This is the latest video, from a free Gregory Porter concert and some touring of the region. It's somewhere between a roadtrip film and a jazz festival report.

I wasn't really setup for capturing the concert in full, so some of my favourite shots came unexpectedly and weren't too steady. Time to invest in a steadicam obviously... but my editing has been getting better I think, so would be interested to hear what you think of the final product. I went quite heavy on the colouring at points to appeal to the instagram generation!

Took me forever to edit wading through hundreds of clips! Second time I have used Magic Bullet Looks and first time using Warp Stabilizer in Premiere Pro CS6, lots of the footage was shaky because it was mostly filmed on a moving train (and my camera movement was pretty terrible at times but this was definitely a run/sprint and gun scenario).

Pretty happy with the outcome altho the laptop I coloured the film on is quite yellow it seems. Still not using a hack...

Below some information on some of the main gear used (besides camera and follow focus, all was rental). Post production was done entirely with FCPX and FilmConvert.

Camera: Panasonic GH3 Profile: Natural -5 -5 -2 -5 (IPB MOV 50mbit) Lenses: Voightländer 25mm F0.95 and SLR Magic 12mm T1.6 Sound: SoundDevices 552 + Sennheiser MKH 416 Lights : 1 x Arri True Blue 2k, 2 x Arri Mini-Cyc 1k, 2 x Arri Junior 650 W, 2 x Arri Junior 300 W (all tungsten, 2 x 2kw Honda generator for outdoor scene) Other: Dana dolly, zacuto rig, lanparte deluxe follow focus, monitoring/focus peaking on Scopebox via Blackmagic Intensity Extreme (this was by far the most important tool on set!)

Trailer

Movie (password: villaida2013 => will keep this open for one month as I don't want it public due to ongoing festival submissions)

More information about the movie (incl. behind the scene pictures) at www.facebook.com/christianwengercine

Cheers Chris

http://www.eoshd.com/2014/02/new-slr-magic-anamorphot-film-seb-farges-look-diopters-close-focus/

This includes the 2 diopter set from SLR Magic, +.33 and +1.3, heavy duty setup rings (A 49 to 62mm, A 52 to 62mm and A 58 to 62mm step-up rings).

Everything is in mint condition with all the packaging.

US only, $1000 shipped via FedEx Ground.

Does anyone know how to get this grade with Magic Bullet Looks? I've tried raising shadows and lowering highlights then decreasing contrast but it doesn't look nearly similar to this. Please help, this is like a puzzle that's been driving me crazy!!

International Shipping will have to be quoted per country.

PAYPAL only.

PM me if interested!

I wanted to shoot dreamy and poetry like mood from near forest area in my home town Hämeenlinna. Shot on: Panasonic GH4 + Iscomorphot 8 1.5x anamorphic adapter + SLR Magic 35 T1.4 & Helios 40-2

Please check out and feel free to comment, thanks! :)

So when I opened up the box the lens looked small and toyish, and it did resemble some of the surveillance glass which exemplified my initial fears. However from the very first moment I was charmed with the combination of wide angle field of view and quite shallow DOF. None of my lenses was giving me both.

Next thing I discovered is that the focus ring is stiff. Especially at the end of the circle. I can't say it was a big obstacle but I didn't expect it. The very location of the aperture ring (front side) and focus ring was a bit unusual as well. It took some practice. I also quickly found out that it's almost impossible to use this lens with my follow focus system because the focus ring is too close to the camera's body (I'm sure I'm not the first one to pay attention to this). Nevertheless because you typically are not supposed to play with focus a lot at 12mm I didn't find that very frustrating.

The lens itself didn't seem to me very sharp up until f2.5. It kind of devalues a bit the whole idea of having a fast wide angle lens, but 2.5 is still rather fast, plus after f4 the lens produces really crisp images (in my opinion). I won't speculate about the barrel distortion as I may need some math to support my assumptions and I'm really bad at math.

I ordered a variable ND filter for SLR Magic and because its front side is wider I guess it was a 58mm attachment which resulted in some visible (albeit nice) vignetting.

Now let me tell you why I love this lens and why I'm using it more than any other in my possession.

— I often have to shoot handheld in extreme conditions with no rig or other support. GH2 is an amazing camera for such purposes as it has a form factor of a small amateurish camera and you can go to subways, shopping malls, railway stations — unnoticed, with no special permissions. Before SLRMagic I was mostly using my 20mm Pancake. But although I love it too, it is very vulnerable to sudden motion and shakiness. While this 12mm is really perfect because its wide angle serves as an essential stabilization tool — even with no tripod it is giving me a decently stable picture. For example I had to shoot that way in the well-guarded residence of the Russian oligarchs (pretending I'm only taking stills for myself while I was doing video of course) and after applying some AE stabilization in post my shots look as if I was there on a tripod. — I like the form factor of this lens. With the little handle screwed to the bottom and my LCDVF attached the GH2 turns into a well balanced replica of the old 16mm cameras from the 60s. — I can't explain it but I also like the representation of colors it is providing. In the poorly lit settings of St Petersburg I was getting a very truthful color range, which resulted in almost zero color correction in post. — I also need to admit that I fell in love with the circular form of the aperture diaphragm. It produces a unique and cinematic bokeh.

I won't hesitate to recommend this lens to a filmmaker. It is fantastic for run and gun, for setting up a scene with a static wide shot, for shooting in relatively dark environments.

those of you who are patient enough can see how this lens contributed to my new documentary "Don't Cry For Your Hair" Shots made by SLR Magic 12mm are at the very end

Here is my first hand's on with the SLR Magic 10mm T2.1 I just received on wednesday in premiere, and also with their new variable ND filter :)

SLR Magic 10mm T2.1 on GH4 4K and 96fps 1080p mode

My very first impressions : solid, heavy (420g), compact, sharp at full aperture T2.1, only 2cm minimum focus distance. The ND filter : good first impressions, and two great options on it : lever and hard stop ! Perfect for video !

• SLR MAGIC 10mm T2.1 (f1.8 eq.), most of the clips @ T2.1
• SLR Magic ND variable filter

--

• GH4 4K cinema mode + 96fps 1080p mode
• Vcine mode with Andrew Reid presets
• No color correction

Music : Trentemøller « Come Undone (Trentemøller Remix) »

$650 shipped in the U.S.

Maybe it had to do with my way of shooting. I used a horizontal leveled tripod at eye level and just did a horizontal pan. Maybe it's better to put the tripod lower because I framed her on the lower end of the image and therefor pointed the camera slightly upwards. Anyway 12mm on GH4 4K represents only like 28mm and I wonder if a 28mm on a full frame camera is also that sensitive to small angle changes. I know the lumix 12-35 rely strongly on lens correction and maybe it's not that great. I saw in a review that the slr magic 12mm 1.6 has far less optical distortion. Does that mean the SLR magic is a better lens for people in the frame?

Can someone confirm this or give me some tips to get better shots in the future? Especially wedding videographers could face this same problem.

No issues when opening MBLooks 2.5 in Sony Vegas 13 Pro 64-bit (Windows 7 Ultimate x64). But after clicking on FINISHED button to go back to the Sony Vegas interface, it freezes Sony Vegas. Every time, even if the interface of MBLooks is not being opened, i.e. when selecting a Sony Vegas preset which includes MBLooks, the same hanging issue appears. The same issue exists even in 8-bit, especially when using LUT(!!!) "Video Track FX (Not Responding)" Any suggestions how to fix this?

That's what the system displays:

A problem caused this program to stop interacting with Windows.

Problem signature:
Problem Event Name: AppHangB1
Application Name: vegas130.exe
Application Version: 13.0.0.310
Application Timestamp: 535adb1f
Hang Signature: ede8
Hang Type: 0
OS Version: 6.1.7601.2.1.0.256.1
Locale ID: 1026
Additional Hang Signature 1: ede80a2a4e4831f92d6b096ec5dccc6f
Additional Hang Signature 2: 3836
Additional Hang Signature 3: 38369ac6e69095a6cb992d0651fd60c7
Additional Hang Signature 4: ede8
Additional Hang Signature 5: ede80a2a4e4831f92d6b096ec5dccc6f
Additional Hang Signature 6: 3836
Additional Hang Signature 7: 38369ac6e69095a6cb992d0651fd60c7

So Euro 750, you keep your Resolve dongle and we have a deal.

Thank you!

Canon 24-105L Canon 70-200L Rokinon 14mm

No gear except camera tripod and lenses. Hope to do some more creative uses coming up.

Color graded and edited in Davinci Resolve Lite using a mix of Cinelog LUTs, and Vision Color LUTs. Very light noise reduction on the early shots applied with neat video, and a small level of grain added throughout the video to give it a a little filmish kick. Download original to get a much better idea of grain appeal. I myself have come from GH2 land and so the raw experience has been a joy. I personally enjoy the color grading process so it is very nice to have all the latitude and detail to work with.

Any comments or questions, don't hesitate to ask.

Enjoy.

SLR Magic 1.33x - 50 Anamorphot - Price 970 GBP + Shipping from UK (worldwide)

Paypal is accepted. Thank you

For sale:

1) SLR Magic HyperPrime Cine 12mm T-1.6 (price: €450),

2) SLR Magic Cine II 35mm T-1.4 (price, 390),

3) SLR Magic 1.33x - 50 Anamorphot (price, €1200).

Any offer close to those prices, is accepted.

Paypal is accepted, plus the shipping cost. Shipping from France.

Thank you, Ioannis.

To do some live streaming I’ve looked at many solutions and this one seems (at this point) the most ideal for my multi camera setup : hook up 3 gh3’s to 3 Ultrastudio mini recorders with thunderbolt and use wirecast to do the streaming and encoding on the mac pro/hackintosh.

I’ve seen however some conflicting messages on forums where it seems that the GH3 signal will not pass through the mini recorder, so does any one have experience with this? Can anyone confirm the mini recorder works with the GH3 and wirecast?

I believe the GH3 has 4:2:0 out and the codecs supported by the mini recorder are:   AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.

So perhaps the GH3 might not work due to different colorspace?

 Here a post where you see a setup using to minirecorders thunderbolt + usb camera to stream live with wirecast: htttp://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 The guy doesn't use a dslr but dedicated camera but you can use the mini recorders with wirecast, only question is, will it work with the GH3?!

Hope one of you can shed some light on this matter

Update:

Interesting links for this thread: Setup using mini recorders: http://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 How to setup GH3 for HDMI output: http://provideocoalition.com/atepper/story/how-to-make-the-lumix-gh3-camera-deliver-proper-recordable-1080p-over-